El. knyga: Literary Conclusions: The Poetics of Ending in Lessing, Goethe, and Kleist

This is a well written and forcefully argued study that succeeds in bringing out an important and heretofore unrecognized curve of literary-historical development across what must be regarded as the most significant phase of German cultural history. Simonss command of the scholarship is exemplary, combining close textual analysis with a broad view of literary and intellectual history. The books contribution to current discussions in the scholarshipabout the historical study of form and the place of the history of knowledge in literary historical studyis substantial. David E. Wellbery, editor-in-chief of A New History of German Literature

Simons operates on an elaborate and cutting-edge theoretical level. The readings in the book can be described as combining new formalist thinking with historical epistemology in the tradition of Foucault and the New Historicism. Simonss book is innovative and exemplary at the same time, and this, in my view, is an enormous accomplishment. Rüdiger Campe, author of The Game of Probability: Literature and Calculation from Pascal to Kleist

""This thought-provoking book greatly enriches our understanding of a key juncture in literary history by drawing attention to the ways in which literary genres, patterns of emplotment, and syntactical structures follow, critique, and complicate forms of reasoning in an age that glorifies reason and despairs of it in turn."" Mįrton Dornbach, author of The Saving Line: Benjamin, Adorno, and the Caesuras of Hope (Northwestern University Press, 2021)