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Live Event Video Technician [Minkštas viršelis]

  • Formatas: Paperback / softback, 134 pages, aukštis x plotis: 229x152 mm, weight: 270 g, 6 Tables, black and white; 8 Line drawings, color; 1 Line drawings, black and white; 8 Halftones, color; 1 Halftones, black and white; 18 Illustrations, color
  • Išleidimo metai: 29-Jul-2022
  • Leidėjas: Focal Press
  • ISBN-10: 1032160950
  • ISBN-13: 9781032160955
Kitos knygos pagal šią temą:
  • Formatas: Paperback / softback, 134 pages, aukštis x plotis: 229x152 mm, weight: 270 g, 6 Tables, black and white; 8 Line drawings, color; 1 Line drawings, black and white; 8 Halftones, color; 1 Halftones, black and white; 18 Illustrations, color
  • Išleidimo metai: 29-Jul-2022
  • Leidėjas: Focal Press
  • ISBN-10: 1032160950
  • ISBN-13: 9781032160955
Kitos knygos pagal šią temą:
The Live Event Video Technician covers terms, format types, concepts, and technologies used in video production for corporate meetings, concerts, special events, and theatrical productions.

The book begins by providing a history of the industry and an overview of important roles and functions therein. It then discusses various display technologies such as LED walls and video projection, as well as video systems for converting and switching of various types of sources. Presenting the cornerstone formats, connectors, and methodologies of visual technology, this book offers a strong foundation to help readers navigate this ever-changing field. Written in an accessible tone, the book clarifies jargon and is an overarching source of knowledge for the role of the video technician, for which there has previously been little formal training.

The Live Event Video Technician provides a wealth of practical information for students of media and communications courses, readers with a novice or entry-level understanding of video and AV production, and anyone with an interest in working as technical personnel in live event production.
Preface xi
1 Let There Be Light ... Cannons
1(6)
2 Pixel Wrangling
7(8)
Mixing and Matching Formats
12(3)
3 The People in Your Production Neighborhood
15(11)
End Client
15(1)
Executive Producer
16(1)
Producer
17(1)
Screens Producer
17(1)
Production Manager
17(1)
Technical Director
17(1)
Stage Manager
18(1)
Assistant Stage Managers
18(1)
Audio A1
18(1)
A2/System Engineer
19(1)
Lighting Designer
19(1)
Lighting Board Operator
19(1)
Master Electrician
19(1)
Video Village
20(1)
Engineer-in-Charge
20(1)
Video Director
20(1)
Engineer/Shader
20(1)
Technical Director
21(1)
High-Resolution Engineer
21(1)
Playback Operator
22(1)
Records Operator
22(1)
Graphics Operator
22(1)
Prompter Operator
23(1)
Projectionists
23(1)
LED Technician
23(1)
Camera Operator
24(1)
Life on the Road
25(1)
4 In the Middle
26(20)
The Players
27(1)
Stuff You Should Know
28(11)
Pixels
29(1)
Pixel Clock
29(1)
Bandwidth
29(1)
Progressive
30(1)
Bit Depth
30(1)
Color Space
31(1)
Chroma Subsampling
32(3)
ACES
35(1)
Brightness
35(1)
Contrast
35(1)
Limited Range versus Full Range
36(1)
EDID
36(1)
HDCP
36(2)
Genlock
38(1)
Frame Locking
38(1)
Connector Types
39(6)
HDMI
39(1)
DisplayPort
40(1)
SDI
41(1)
Fiber Optics
42(3)
Troubleshooting Cables
45(1)
5 The Big Picture
46(7)
Industry Associations
50(1)
Computer Convergence
50(1)
Continuing Education
51(2)
6 Switching Systems
53(12)
Multi-Screen Management Systems
56(1)
Pixel Space versus Pixel Canvas
57(1)
Cueing the Show
58(1)
Single Output Devices
59(1)
System Engineering
60(2)
Matrix Routers and Distribution Amplifiers
62(1)
Managing HDCP
63(1)
Genlock and Timing
63(2)
7 Playback, Records, and Media Servers ... Oh My
65(6)
Video Codecs
66(2)
B.Y.O.H.---Bring Your Own Hardware
68(1)
Medium Servers
69(1)
Super Servers
70(1)
8 Projection
71(22)
What Is Light?
71(1)
Light Source
72(3)
Optics System
75(1)
Electronic Processing
76(2)
Imaging System
78(1)
Digital Micromirror Device
79(1)
4K Sleight of Hand
80(1)
To Stack or Not to Stack
81(1)
Widescreen Edge-Blending
82(3)
Geometry
85(1)
Lenses
86(1)
Projector Safety
87(3)
Screens
90(3)
9 LED
93(14)
Component Breakdown
95(1)
Not All LEDs Are the Same
95(1)
Sending and Receiving Cards
96(2)
Building the LED Wall
98(1)
Sourcing the LED Wall
99(1)
Weight, Dims, Power, and Pixels
100(3)
Your RCFG File and You
103(1)
LED Viewing Distance
103(1)
Moire, Flicker, and Friends
104(2)
And Now a Word About Virtual XR Production
106(1)
10 Networking and the Interwebs
107(13)
Working in Binary
108(5)
Video Over IP
113(1)
HDBaseT
113(1)
Video Baluns
114(1)
Audinate Dante
114(1)
SDVoE---Software Defined Video Over Ethernet
115(1)
NDI
115(1)
SMPTE ST-2110
116(2)
SRT---Safe Reliable Transport
118(1)
RTMP
119(1)
HLS
119(1)
11 The Intangibles
120(9)
Punctuality
120(1)
What Do I Bring?
121(2)
What's for Chicken?
123(1)
What to Wear? Black, Black, or Black?
124(1)
A Typical Production Schedule
125(1)
Getting Paid
126(1)
At the End of the Day
127(2)
Index 129
Tim Kuschel has been a video engineer in the AV and Live Event industries for over 30 years, having done shows and events for clients such as the NFL, MLB, the Walt Disney Company, Microsoft, and Cisco Systems. Holding a certified technology specialist designation, he has developed certification courses products and taught hundreds of technicians worldwide. He is currently the director of visual technologies for OSA in Las Vegas, and a member of the Society of Motion Picture and Television Engineers (SMPTE) and the Audiovisual and Integrated Experience Association (AVIXA).