Atnaujinkite slapukų nuostatas

El. knyga: London Heretics, 1870-1914

  • Formatas: PDF+DRM
  • Išleidimo metai: 27-Nov-2019
  • Leidėjas: Forgotten Books
  • Kalba: eng
  • ISBN-13: 9780259724278
Kitos knygos pagal šią temą:
  • Formatas: PDF+DRM
  • Išleidimo metai: 27-Nov-2019
  • Leidėjas: Forgotten Books
  • Kalba: eng
  • ISBN-13: 9780259724278
Kitos knygos pagal šią temą:

DRM apribojimai

  • Kopijuoti:

    neleidžiama

  • Spausdinti:

    neleidžiama

  • El. knygos naudojimas:

    Skaitmeninių teisių valdymas (DRM)
    Leidykla pateikė šią knygą šifruota forma, o tai reiškia, kad norint ją atrakinti ir perskaityti reikia įdiegti nemokamą programinę įrangą. Norint skaityti šią el. knygą, turite susikurti Adobe ID . Daugiau informacijos  čia. El. knygą galima atsisiųsti į 6 įrenginius (vienas vartotojas su tuo pačiu Adobe ID).

    Reikalinga programinė įranga
    Norint skaityti šią el. knygą mobiliajame įrenginyje (telefone ar planšetiniame kompiuteryje), turite įdiegti šią nemokamą programėlę: PocketBook Reader (iOS / Android)

    Norint skaityti šią el. knygą asmeniniame arba „Mac“ kompiuteryje, Jums reikalinga  Adobe Digital Editions “ (tai nemokama programa, specialiai sukurta el. knygoms. Tai nėra tas pats, kas „Adobe Reader“, kurią tikriausiai jau turite savo kompiuteryje.)

    Negalite skaityti šios el. knygos naudodami „Amazon Kindle“.

This cartoon was originally the work of George Jacob Holyoake, the eminent Secularist, who sometimes wrote and drew under the pseudonym, ion. It was first drawn by him in the seventies and then, with the help of the artist F. C. Gould, revised in 1883. I first read of this picture in Moncure Conway's Autobiography where it is described in considerable detail. Conway, who is one of the characters depicted, was obviously amused and pleased with it. However, he gave no source or date, and in all of my paging through the Secularist magazines of the period, I never came across it. Eventually, I discovered a copy of it, almost by accident, hanging on the wall of the museum room in London's City Temple. I am indebted to the curator, Mr. Bertram Hammond, for his permission and co-operation in having it photographed. Apparently it did not appear in a publication at all, at least in this revised form, but was distributed separately for Sixpence. Naturally I do not endorse Holyoake's point of view on all the people and movements he has brought into his cartoon. It is such an inclusive assembly, however, and so pertinent to the matter of the book, that I thought a perusal of it might serve the reader as well as a written introduction.