| Additional Audio and Online Resources |
|
xi | |
| Preface |
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xv | |
| Acknowledgments |
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xxi | |
| About the Editors |
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xxv | |
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The Seventeenth and Eighteenth Centuries |
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1 | (5) |
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Illustration, Anonymous drawing of Louis XIV as the ``Sun King'' |
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Bishan Das (attributed to). Birth of a Prince |
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Guler School, Lady with a Hawk |
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Illuminated tughra (signature) of Sultan Suleiman the Magnificent |
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Portrait of a Nobleman and His Wife |
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Marcellus Laroon, Charles II as President of the Royal Society |
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Carle Van Loo, Madame de Pompadour as a Sultana |
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Johann Zoffany, Queen Charlotte with Her Two Eldest Sons |
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Independence des Etats-Unis |
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4 | (2) |
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6 | (7) |
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The World the Mughals Made |
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13 | (31) |
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Illustration. The Taj Mahal |
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12 | (1) |
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13 | (1) |
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Zahiruddin Muhammad Babur (1483-1530) |
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14 | (1) |
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from the Memoirs of Babur |
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15 | (4) |
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19 | (1) |
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from the Memoirs of Jahangir |
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19 | (6) |
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Mirza Muhammad Rafi ``Sauda'' (1713-1781) |
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25 | (1) |
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from Satires [ How to Earn a Living in Hindustan] |
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26 | (3) |
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Mir Muhammad Taqi ``MIR'' (1723-1810) |
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29 | (1) |
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29 | (2) |
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31 | (5) |
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Banarasidas (mid-17th century) |
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36 | (1) |
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36 | (8) |
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Chikamatsu Mon'Zaemon (1653-1725) |
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44 | (27) |
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Illustration, Puppeteers performing the Love Suicides at Amijima |
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45 | (1) |
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The Love Suicides at Amijima |
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46 | (25) |
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Chikamatsu on the Art of Puppet Theatre |
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68 | (3) |
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Cao Xueqin (c. 1715-1763) |
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71 | (89) |
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from The Story of the Stone |
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74 | (86) |
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from Six Records of a Floating Life |
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146 | (14) |
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160 | (25) |
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Map. The Ottoman Empire, 1672 |
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161 | (1) |
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162 | (1) |
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I opened my eyes from sleep |
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162 | (1) |
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At times, my longing for the beloved slays me |
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163 | (1) |
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My heart burns in flames of sorrow |
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163 | (1) |
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163 | |
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Oh God, don't let anyone be like me |
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162 | (3) |
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If my heart were a wild bird |
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165 | (1) |
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For long years we have been haunting the quarter |
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166 | (1) |
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The pointed reproach of the enemy |
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166 | (1) |
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167 | (1) |
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At the gathering of desire |
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168 | (1) |
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When the east wind leaves that curl |
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168 | (1) |
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As the morning wind blows |
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169 | (1) |
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Take yourself to the rose-garden |
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170 | (1) |
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Delicacy was drawn out like the finest wine |
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171 | (1) |
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Lady Mary Wortley Montagu (1689-1762) |
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172 | (1) |
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Illustration. Title page of Baudier's General History of the Seraglio and of the Court of the Noble Lord Emperor of the Turks |
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173 | (1) |
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The Turkish Embassy Letters |
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173 | (1) |
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To Alexander Pope(1 April 1717) |
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173 | (5) |
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To Sarah Chiswell (1 April 1717) |
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178 | (1) |
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To Lady Mar (18 April 1717) |
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179 | (6) |
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The Age of the Enlightenment |
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185 | (14) |
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Illustration. Execution of louis XVI |
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184 | (2) |
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Map. Europe in 1714, After the Treaty of Utrecht |
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186 | (2) |
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Illustration, An Emblematical View of the Constitutions of England and France |
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188 | (2) |
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Illustration, Babylonian and Egyptian antiquities |
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190 | (9) |
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Jean-Baptiste Poquelin [ Moliere] (1622-1673) |
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199 | (54) |
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201 | (52) |
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Court Culture and Female Authorship |
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253 | (45) |
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Illustration, Art d'Ecrire |
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254 | (2) |
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Madeleine De Scudery (1607-1701) |
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256 | (1) |
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257 | (1) |
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Illustration, La Carte du pays de Tendre, from Madeline de Scudery's Clelie |
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258 | (2) |
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Marie-Madeleine Pioche De La Vergne, Contesse De Lafayette (1634-1693) |
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260 | (1) |
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261 | (7) |
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Marie De Rabutin-Chantal, Marquise De Sevigne (1626-1696) |
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268 | (1) |
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269 | (2) |
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Elisabeth Charlotte von Der Pfalz, Duchesse D'Orleans (1652-1722) |
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271 | (2) |
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273 | (6) |
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Katherine Philips (1631-1664) |
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279 | (1) |
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To My Excellent Lucasia, on Our Friendship |
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280 | (1) |
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An Answer to Another Persuading a Lady to Marriage |
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280 | (1) |
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Mary, Lady Chudleigh (1656-1710) |
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281 | (1) |
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281 | (1) |
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Anne Finch, countess of winchilsea (1661-1720) |
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282 | (1) |
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283 | (1) |
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Friendship Between Ephelia and Ardelia |
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284 | (1) |
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285 | (3) |
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Jonathan Swift (1667-1745) |
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288 | (1) |
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289 | (3) |
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Lady Mary Wortley Montagu (1689-1762) |
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292 | (1) |
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The Reasons that Induced Dr. S. to write a Poem Called The Lady's Dressing Room |
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292 | (3) |
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295 | (1) |
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To Mr.****, an Unlettered Poet, on Genius Unimproved |
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295 | (3) |
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Court Culture and Female Authorship |
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297 | (1) |
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298 | (48) |
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299 | (1) |
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Illustration, Frontispiece to Thomas Southerne's Play Oroonoko: A Tragedy |
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300 | (46) |
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from An Impartial Description of Surinam |
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342 | (4) |
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Jonathan Swift (1667-1745) |
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346 | (49) |
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348 | (1) |
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Illustration, James Gillray, The King of Brobdingang and Gulliver |
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349 | (1) |
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A Voyage to the Country of the Houyhnhnms |
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349 | (46) |
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Journeys in Search of the Self |
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395 | (56) |
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Evliya Celebi (1611-1684) |
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396 | (1) |
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397 | (9) |
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406 | (2) |
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Illustration, Morikawa Kyoriku, haiga (haikai Sketch) |
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408 | (1) |
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409 | (3) |
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from Narrow Road to the Deep North |
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412 | (2) |
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414 | (12) |
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Charles De Secondat, Baron De La Brede Et De Montesquieu (1689-1755) |
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426 | (1) |
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427 | (6) |
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Denis Diderot (1713-1784) |
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433 | (1) |
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from Supplment to the Voyage of Bougainville |
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434 | (7) |
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Olaudah Equiano (c. 1745-1797) |
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441 | (1) |
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from The Interesting Narrative of the Life of Olaudah Equiano |
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441 | (1) |
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442 | (9) |
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Journeys in Search of the Self |
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450 | (1) |
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Francois-Marie Arouet [ Voltaire] (1694-1778) |
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451 | (70) |
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453 | (68) |
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Gottfried Wilhelm von Leibniz: from Theodicy |
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513 | (2) |
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515 | (4) |
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519 | (2) |
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Alexander Pope (1688-1744) |
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521 | (23) |
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523 | (21) |
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544 | (63) |
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Ihara Saikaku (1642-1693) |
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545 | (1) |
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from Life of a Sensuous Woman |
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546 | (12) |
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Tsangyang Gyatso (1683-1706) |
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558 | (1) |
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from Love poems of the Sixth Dalai Lama |
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559 | (2) |
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John Wilmot, Earl Of Rochester (1647-1680) |
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561 | (1) |
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562 | (1) |
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A Satyr Against Reason and Mankind |
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563 | (5) |
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Eliza Haywood (c. 1693-1756) |
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568 | (1) |
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Fantomina: or, Love in a Maze |
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569 | (17) |
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Jean-Jacques Rousseau (1712-1778) |
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586 | (1) |
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587 | (5) |
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Mary Wollstonecraft (1759-1797) |
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592 | (1) |
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from A Vindication of the Rights of Woman |
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592 | (6) |
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Anna Letitia Barbauld (1743-1825) |
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598 | (1) |
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598 | (1) |
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Immanuel Kant (1724-1804) |
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599 | (1) |
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An Answer to the Question: What Is Enlightenment? |
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600 | (7) |
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604 | (3) |
| Bibliography |
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607 | (10) |
| Credits |
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617 | (4) |
| Index |
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621 | (298) |
| Additional Audio and Online Resources |
|
xv | |
| Preface |
|
xix | |
| Acknowledgments |
|
xxiv | |
| About the Editors |
|
xxvii | |
|
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1 | (15) |
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Illustration. The Pilgrim's Vision, frontispiece to mark Twain's The Innocents Abroad |
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Ilya Repin, Alexander Pushkin at Tsarskoe Selo |
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John Constable, Salisbury Cathedral from the Meadows |
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George Caleb Bingham, Fur Traders Descending the Missouri |
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George Catlin, Going and Returning from Washington |
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Alfred Morgan, One of the People |
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Paul Gauguin, When are you to Be Married? |
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Edouard Manet, Bar at the Folies-Bergere |
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Map. The Eastern Hemisphere, c. 1850 |
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4 | (4) |
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Illustration, Walter Crane, The Vampire |
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8 | (2) |
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Illustration, A scene on the shores of Lake Nyassa |
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10 | (2) |
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Illustration, Four title pages |
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12 | (4) |
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16 | (3) |
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William Wordsworth (1770-1850) |
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19 | (28) |
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Lines Composed a Few Miles above Tintern Abbey |
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21 | (4) |
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25 | (1) |
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from Preface to Lyrical Ballads |
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26 | (4) |
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Composed upon Westminster Bridge |
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30 | (1) |
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30 | (1) |
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Ode: Intimations of Immortality from Recollections of Early Childhood |
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31 | (4) |
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35 | (1) |
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Mark the concentred hazels that enclose |
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36 | (1) |
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36 | (1) |
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from Book Fifth. Books [ The Dream of the Arab] |
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36 | (3) |
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from Book Sixth. Cambridge and the Alps [ Crossing the Alps] |
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39 | (3) |
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from Book Eleventh. France |
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42 | (1) |
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from Book Fourteenth. Conclusion [ Ascent of Snowdon] |
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43 | (4) |
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47 | (37) |
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Illustration, Caspar David Friedrich, Wanderer Above Sea of Fog |
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49 | (1) |
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Jean-Jacques Rousseau (1712-1778) |
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50 | (1) |
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from Reveries of the Solitary Walker---Fifth Walk |
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50 | (6) |
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Immanuel Kant (1724-1804) |
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56 | (1) |
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from critique of Practical Reason |
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57 | (1) |
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William Blake (1757-1827) |
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58 | (1) |
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58 | (1) |
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59 | (1) |
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59 | (1) |
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60 | (2) |
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62 | (1) |
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Annette Von Droste-Hulshoff (1797-1848) |
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63 | (1) |
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63 | (2) |
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65 | (1) |
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Giacomo Leopardi (1798-1837) |
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66 | (1) |
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66 | (1) |
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Dialogue Between Nature and an Icelander |
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66 | (4) |
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Ralph Waldo Emerson (1803-1882) |
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70 | (1) |
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71 | (2) |
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73 | (4) |
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Henry David Thoreau (1817-1862) |
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77 | (1) |
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78 | (6) |
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83 | (1) |
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Johann Wolfgang Goethe (1749-1832) |
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84 | (115) |
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85 | (28) |
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88 | (1) |
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88 | (1) |
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88 | (5) |
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93 | (3) |
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96 | (10) |
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from Outside the Town Wall |
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106 | (4) |
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110 | (3) |
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Illustration, Rembrandt van Rijn, The Scholar in His Study |
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113 | (54) |
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119 | (7) |
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126 | (7) |
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133 | (4) |
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137 | (1) |
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138 | (4) |
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142 | (1) |
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143 | (4) |
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147 | (1) |
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147 | (1) |
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148 | (1) |
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149 | (3) |
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152 | (1) |
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By a Shrine Inside the Town Wall |
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153 | (1) |
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Night. The Street Outside Gretchen's Door |
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154 | (4) |
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158 | (2) |
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160 | (1) |
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A Gloomy Day. Open Country |
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161 | (1) |
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162 | (1) |
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162 | (5) |
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167 | (26) |
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167 | (3) |
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170 | (3) |
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173 | (3) |
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176 | (3) |
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179 | (2) |
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181 | (3) |
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The Great Forecourt of the Palace |
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184 | (3) |
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187 | (5) |
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192 | (1) |
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193 | (1) |
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194 | (1) |
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Dusk Descended from on High |
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195 | (1) |
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195 | (4) |
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196 | (3) |
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George Gordon, Lord Byron (1788-1824) |
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199 | (18) |
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from Don Juan, Cantos 2-4 |
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201 | (16) |
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217 | (11) |
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I'm neither the loosening of song |
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219 | (1) |
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Come now: I want you: my only peace |
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219 | (1) |
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When I Look out, I see no hope for change |
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220 | (1) |
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If King Jamshid's diamond cup breaks, that's it |
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220 | (1) |
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One can sigh, but a lifetime is needed to finish it |
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221 | (1) |
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When the Great One gestures to me |
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221 | (1) |
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For tomorrow's sake, don't skimp with me on wine today |
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222 | (1) |
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I am confused: should I cry over my heart, or slap my chest? |
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222 | (1) |
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She has a habit of torture, but doesn't mean to end the love |
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223 | (1) |
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For my weak heart this living in the sorrow house |
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223 | (1) |
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Religious people are always praising the Garden of Paradise |
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224 | (1) |
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Only a few faces show up as roses |
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224 | (1) |
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I agree that I'm in a cage, and I'm crying |
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225 | (1) |
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Each time I open my mouth, the Great One says |
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226 | (1) |
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My heart is becoming restless again |
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226 | (2) |
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227 | (1) |
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228 | (1) |
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Alexander Sergeyevich Pushkin (1799-1837) |
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228 | (21) |
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230 | (1) |
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231 | (11) |
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242 | (7) |
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249 | (71) |
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Illustration, Johann Heinrich Wilbelm Tischbein, Goethe in the Roman Campagna |
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250 | (1) |
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250 | (2) |
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252 | (1) |
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253 | (1) |
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253 | (30) |
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282 | (1) |
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Anna Letitia Barbauld (1743-1825) |
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283 | (1) |
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The Mouse's Petition to Dr. Priestley |
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283 | (2) |
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285 | (2) |
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Eighteen Hundred and Eleven |
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287 | (9) |
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from A Review of ``Eighteen Hundred and Eleven'' |
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295 | (1) |
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Adam Mickiewicz (1798-1855) |
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296 | (1) |
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297 | (1) |
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The Ruins of the Castle of Balaklava |
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298 | (1) |
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Zosia in the Kitchen Garden |
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298 | (1) |
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299 | (1) |
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299 | (1) |
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300 | (1) |
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301 | (2) |
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Dionysios Solomos (1798-1857) |
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303 | (1) |
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303 | (4) |
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Ralph Waldo Emerson (1803-1882) |
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307 | (1) |
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307 | (1) |
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308 | (1) |
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308 | (1) |
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309 | (4) |
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313 | (3) |
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As I lay with my head in your lap camerado |
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316 | (1) |
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317 | (1) |
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317 | (3) |
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319 | (1) |
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320 | (52) |
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Illustration, Daylight at Last! The Advance Column of the Emin Pasha Relief Expedition Emerging from the Great Forest |
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321 | (1) |
|
Mikhail Lermontov (1814-1841) |
|
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322 | (1) |
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323 | (21) |
|
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|
Domingo Faustino Sarmiento (1811-1888) |
|
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344 | (1) |
|
from Life of Juan Facundo Quiroga: Civilization and Barbarism |
|
|
345 | (5) |
|
|
|
Charles A. Eastman (Ohiyesa) (1858-1939) |
|
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350 | (1) |
|
from From the Deep Woods to Civilization |
|
|
351 | (8) |
|
Hawaiian Songs (1860s-1890s) |
|
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359 | (1) |
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360 | (1) |
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361 | (1) |
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361 | (1) |
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361 | (1) |
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A Feather Chant for Ka-pi'O-lani at Wai-manalo |
|
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362 | (1) |
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363 | (1) |
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363 | (1) |
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364 | (8) |
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371 | (1) |
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372 | (547) |
|
Samuel Taylor Coleridge (1772-1834) |
|
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373 | (18) |
|
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|
374 | (2) |
|
The Rime of the Ancient Mariner |
|
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376 | (3) |
|
Illustration. Gustave Dore, illustration from The Rime of the Ancient Mariner |
|
|
379 | (12) |
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391 | (11) |
|
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|
392 | (10) |
|
|
|
Honore De Balzac (1799-1850) |
|
|
402 | (23) |
|
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|
404 | (21) |
|
|
|
Edgar Allan POE (1809-1849) |
|
|
425 | (9) |
|
|
|
425 | (9) |
|
Gustave Flaubert (1821-1880) |
|
|
434 | (27) |
|
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|
436 | (19) |
|
|
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|
|
455 | (6) |
|
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|
|
|
Occidentalism---Europe Through Foreign Eyes |
|
|
461 | (31) |
|
Najaf Kuli Mirza (early 19th century) |
|
|
461 | (1) |
|
Illustration, Chiang Yee, Umbrellas Under Big Ben |
|
|
462 | (1) |
|
from Journal of a Residence in England |
|
|
463 | (8) |
|
|
|
Mustafa Sami Effendi (c. 1790-1855) |
|
|
471 | (1) |
|
On the General Conditions of Europe |
|
|
471 | (5) |
|
|
|
Hattori Busho (1842-1908) |
|
|
476 | (1) |
|
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476 | (2) |
|
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|
Okakura Kakuzo (1862-1913) |
|
|
478 | (1) |
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|
478 | (14) |
|
|
|
|
from The Silent Traveller in London |
|
|
482 | (9) |
|
|
|
|
|
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|
|
491 | (1) |
|
Elizabeth Barrett Browning (1806-1861) |
|
|
492 | (23) |
|
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|
492 | (23) |
|
Charles Baudelaire (1821-1867) |
|
|
515 | (27) |
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516 | (1) |
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516 | (2) |
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518 | (1) |
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518 | (1) |
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518 | (1) |
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519 | (1) |
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520 | (1) |
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521 | (1) |
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522 | (2) |
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524 | (1) |
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524 | (1) |
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525 | (1) |
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525 | (1) |
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526 | (4) |
|
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|
|
528 | (2) |
|
from The Painter of Modern Life |
|
|
530 | (4) |
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534 | (1) |
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534 | (1) |
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535 | (1) |
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536 | (1) |
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537 | (1) |
|
Any Where Out of the World |
|
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537 | (1) |
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538 | (4) |
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540 | (1) |
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|
The Tomb of Charles Baudelaire |
|
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541 | (1) |
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541 | (1) |
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542 | (1) |
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|
542 | (1) |
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|
542 | (58) |
|
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|
544 | (56) |
|
|
|
|
|
Fyodor Dostoevsky (1821-1881) |
|
|
600 | (58) |
|
Illustration, Leonid Petrovich Grossman, Caricature of Dostoevsky |
|
|
580 | (2) |
|
Map. st. Petersburg, c. 1860 |
|
|
582 | (1) |
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582 | (76) |
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648 | (2) |
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650 | (8) |
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|
658 | (1) |
|
Hathali Nez (Dates Unknown) And Washington Matthews (1843-1905) |
|
|
658 | (31) |
|
Map. The Western Hemisphere, c. 1850 |
|
|
659 | (2) |
|
The Story of the Emergence |
|
|
661 | (28) |
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671 | (18) |
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|
Herman Melville (1819-1891) |
|
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689 | (24) |
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|
690 | (23) |
|
Frederick Douglass (1818-1895) |
|
|
713 | (53) |
|
Narrative of the Life of Frederick Douglass |
|
|
714 | (1) |
|
Map. Slave Concentrations, c. 1860 |
|
|
715 | (51) |
|
Harriet Jacobs (1813-1897) |
|
|
766 | (22) |
|
from Incidents in the Life of a Slave Girl, Seven Years Concealed |
|
|
767 | (21) |
|
Emily Dickinson (1830-1886) |
|
|
788 | (6) |
|
I never lost as much but twice |
|
|
789 | (1) |
|
|
|
789 | (1) |
|
There came a Day at Summer's full |
|
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790 | (1) |
|
It was not Death, for I stood up |
|
|
790 | (1) |
|
After great pain, a formal feeling comes |
|
|
791 | (1) |
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791 | (1) |
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792 | (1) |
|
I heard a fly buzz---when I died |
|
|
792 | (1) |
|
I live with Him---I see His face |
|
|
792 | (1) |
|
My Life had stood---a Loaded Gun |
|
|
793 | (1) |
|
Further in Summer than the Birds |
|
|
793 | (1) |
|
Tell all the Truth but tell it slant |
|
|
794 | (1) |
|
Joaquim Maria Machado De Assis (1839-1908) |
|
|
794 | (29) |
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795 | (28) |
|
|
|
Charlotte Perkins Gilman (1860-1935) |
|
|
823 | (11) |
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824 | (10) |
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834 | (4) |
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835 | (1) |
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|
835 | (1) |
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835 | (2) |
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|
|
837 | (1) |
|
What sign do you give...? |
|
|
837 | (1) |
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838 | (50) |
|
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|
840 | (48) |
|
|
|
Higuchi Ichiyo (1872-1896) |
|
|
888 | (7) |
|
|
|
889 | (6) |
|
|
|
Anton Chekhov (1860-1904) |
|
|
895 | (11) |
|
|
|
896 | (10) |
|
|
|
Rabindranath Tagore (1861-1941) |
|
|
906 | (13) |
|
|
|
907 | (12) |
|
|
|
|
| Bibliography |
|
919 | (5) |
| Credits |
|
924 | (3) |
| Index |
|
927 | (42) |
| Additional Audio and Online Resources |
|
xv | |
| Preface |
|
xix | |
| Acknowledgments |
|
xxiv | |
| About the Editors |
|
xxvii | |
|
|
|
1 | (16) |
|
Illusration. Umberto Boccioni, Unique Forms of Continuity in Space |
|
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|
Belgian mining magnate and Africa chauffeur, Congo Free State |
|
|
|
Les Demoiselles d'Avignon |
|
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|
The Persistence of Memory (Soft Watches) |
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|
Cow's Skull with Calico Roses |
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|
Guggenbeim Museum, Bilbao, Spain |
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|
Illustration. David Alfaro Siqueiros, Echo of a Scream |
|
|
3 | (14) |
|
|
|
4 | (2) |
|
|
|
6 | (5) |
|
Illustration, Global Shrinkage: The effect of changing transport technologies on ``real'' distance |
|
|
11 | (6) |
|
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|
17 | (4) |
|
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|
|
21 | (34) |
|
Filippo Tommaso Marinetti (1876-1944) |
|
|
21 | (1) |
|
The Foundation and Manifesto of Futurism |
|
|
22 | (3) |
|
|
|
Tristan Tzara (1896-1963) |
|
|
25 | (1) |
|
Unpretentious Proclamation |
|
|
26 | (1) |
|
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|
|
27 | (1) |
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|
|
28 | (4) |
|
|
|
The Declaration of January 27, 1925 |
|
|
32 | (1) |
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33 | (1) |
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|
|
34 | (2) |
|
Yokomitsu Riichi (1898-1947) |
|
|
36 | (1) |
|
Sensation and New Sensation |
|
|
36 | (2) |
|
|
|
Oswald De Andrade (1890-1954) |
|
|
38 | (1) |
|
|
|
38 | (5) |
|
|
|
Andre Breton (1896-1966), Leon Trotsky (1879-1940), and Diego Rivera (1886-1957) |
|
|
43 | (1) |
|
Manifesto: Towards a Free Revolutionary Art |
|
|
44 | (3) |
|
|
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|
|
47 | (1) |
|
from Some Modest Proposals for the Reform of Literature |
|
|
47 | (8) |
|
|
|
|
|
|
|
|
55 | (1) |
|
Joseph Conrad (1857-1924) |
|
|
55 | (66) |
|
Illustration. Sir H.M. Stanley's Three African Journeys |
|
|
57 | (1) |
|
Preface to The Nigger of the ``Narcissus'' |
|
|
58 | (3) |
|
|
|
61 | (60) |
|
|
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|
|
115 | (2) |
|
|
|
from Address to the Manchester Chamber of Commerce |
|
|
117 | (4) |
|
|
|
|
|
121 | (6) |
|
|
|
122 | (5) |
|
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|
|
127 | (12) |
|
Preface to A Call to Arms |
|
|
128 | (3) |
|
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|
|
131 | (7) |
|
|
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138 | (1) |
|
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|
139 | (33) |
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|
142 | (30) |
|
|
|
142 | (4) |
|
|
|
146 | (26) |
|
Virginia Woolf (1882-1941) |
|
|
172 | (35) |
|
Mrs Dalloway in Bond Street |
|
|
174 | (5) |
|
The Lady in the Looking-Glass: A Reflection |
|
|
179 | (3) |
|
|
|
182 | (25) |
|
Akutagawa Ryunosuke (1892-1927) |
|
|
207 | (13) |
|
|
|
208 | (3) |
|
|
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|
|
211 | (6) |
|
|
|
A Note Forwarded to a Certain Old Friend |
|
|
217 | (3) |
|
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220 | (33) |
|
|
|
220 | (1) |
|
The Love Song of J. Alfred Prufrock |
|
|
221 | (3) |
|
|
|
224 | (13) |
|
Constantine Cavafy (1863-1933) |
|
|
237 | (1) |
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|
|
238 | (1) |
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|
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238 | (1) |
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239 | (1) |
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240 | (1) |
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240 | (1) |
|
|
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241 | (1) |
|
Federico Garcia Lorca (1898-1936) |
|
|
241 | (1) |
|
|
|
242 | (1) |
|
|
|
Carlos Drummond De Andrade (1902-1987) |
|
|
243 | (1) |
|
In the Middle of the Road |
|
|
243 | (1) |
|
|
|
|
|
244 | (1) |
|
from The Secret Life of Saeed, the Ill-Fated Pessoptimist |
|
|
245 | (4) |
|
|
|
|
|
|
|
249 | (1) |
|
A Wind Called Bob Rauschenberg |
|
|
250 | (1) |
|
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251 | (2) |
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|
|
252 | (1) |
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|
253 | (36) |
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255 | (30) |
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|
285 | (1) |
|
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|
285 | (1) |
|
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285 | (1) |
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|
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|
The Cares of a Family Man |
|
|
285 | (1) |
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286 | (1) |
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286 | (3) |
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286 | (3) |
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|
Anna Akhmativa (1889-1966) |
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|
289 | (10) |
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290 | (1) |
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290 | (1) |
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291 | (1) |
|
|
|
Why is this century worse |
|
|
292 | (1) |
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|
292 | (7) |
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|
|
|
Osip Mandelstam: To A. A. A. (Akhmatova) |
|
|
299 | (1) |
|
|
|
William Butler Yeats(1865-1939) |
|
|
299 | (12) |
|
The Lake Isel of Innisfree |
|
|
301 | (1) |
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301 | (1) |
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302 | (1) |
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302 | (1) |
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303 | (3) |
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|
Proclamation of the Irish Republic |
|
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305 | (1) |
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306 | (1) |
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306 | (1) |
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307 | (1) |
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308 | (3) |
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311 | (18) |
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312 | (1) |
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313 | (1) |
|
Eugenio Montale (1896-1981) |
|
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313 | (1) |
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313 | (1) |
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314 | (1) |
|
Fernando Pessoa (1888-1935) |
|
|
314 | (1) |
|
|
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315 | (1) |
|
|
|
Today I Read nearly two pages |
|
|
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|
|
315 | (1) |
|
The ancients used to invoke |
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316 | (3) |
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316 | (3) |
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319 | (1) |
|
Tonigh I can write the saddest lines |
|
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319 | (1) |
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320 | (1) |
|
|
|
Wallace Stevens (1879-1955) |
|
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321 | (1) |
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321 | (1) |
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322 | (1) |
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322 | (1) |
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323 | (1) |
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323 | (2) |
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325 | (1) |
|
He Opens Wide a Thierd eye... |
|
|
325 | (1) |
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|
|
326 | (1) |
|
Daniel David Moses (b, 1952) |
|
|
326 | (1) |
|
|
|
327 | (1) |
|
Illustration M. C. Escher, Drawing Hands |
|
|
328 | (1) |
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|
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328 | (1) |
|
Bertolt Brecht (1898-1956) |
|
|
329 | (54) |
|
Mother Courage and Her Children |
|
|
331 | (1) |
|
|
|
Map. Holy Roman Empire, 1648 |
|
|
332 | (50) |
|
Map, European Theatre, World War II |
|
|
382 | (1) |
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|
|
383 | (50) |
|
Map, Pacifc Theatre, World War II |
|
|
384 | (1) |
|
|
|
385 | (1) |
|
I Beg You, Brother: Do Not Die (trasn. Jay Rubin) |
|
|
386 | (1) |
|
Rupert Brooke (1887-1915) |
|
|
387 | (1) |
|
|
|
387 | (1) |
|
|
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388 | (1) |
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388 | (1) |
|
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388 | (1) |
|
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389 | (1) |
|
|
|
390 | (1) |
|
Mishima Yukio (1925-1970) |
|
|
391 | (1) |
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|
392 | (15) |
|
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407 | (1) |
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407 | (2) |
|
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409 | (1) |
|
Illustration. Pablo Picasso, Guernica |
|
|
410 | (1) |
|
|
|
410 | (1) |
|
|
|
Zbiniew Herbert (1924-1998) |
|
|
411 | (1) |
|
Report from the Besieged City |
|
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412 | (1) |
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|
|
Alejo Carpentier (1904-1980) |
|
|
413 | (1) |
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414 | (7) |
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421 | (1) |
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422 | (1) |
|
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|
|
|
InGeborg Bachmann (1926-1973) |
|
|
423 | (1) |
|
Youth in an Austrian Town |
|
|
423 | (5) |
|
|
|
Yehuda AMichai(1924-2000) |
|
|
428 | (1) |
|
Seven Laments for the War-Dead (trasn. Chana Bloch and Stephen Mitchell) |
|
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428 | (3) |
|
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431 | (2) |
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432 | (1) |
|
Samuel Beckett (1906-1989) |
|
|
433 | (37) |
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435 | (35) |
|
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|
|
470 | (24) |
|
Cesar Vallejo (1892-1938) |
|
|
470 | (1) |
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471 | (1) |
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471 | (1) |
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472 | (1) |
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|
Black Stone on a White Stone |
|
|
473 | (1) |
|
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|
|
|
Vladimir Nabokov (1899-1977) |
|
|
473 | (1) |
|
An Evening of Russian Poetry |
|
|
474 | (3) |
|
Czeslaw Milosz (1911-2004) |
|
|
477 | (1) |
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478 | (3) |
|
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481 | (1) |
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481 | (1) |
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482 | (1) |
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|
|
483 | (1) |
|
from Prologue to an Autobiography |
|
|
483 | (8) |
|
Adonis (Ali Ahmad Sa'id) (b. 1930) |
|
|
491 | (1) |
|
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|
492 | (2) |
|
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|
493 | (1) |
|
Jorge Luis Borges (1899-1986) |
|
|
494 | (19) |
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The Garden of Forking Paths |
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495 | (6) |
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501 | (5) |
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506 | (1) |
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507 | (2) |
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509 | (4) |
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Gabriel Garcia Marquez: I Sell My Dreams |
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510 | (3) |
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Naguib Mahfouz (1911-2006) |
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513 | (25) |
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516 | (7) |
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The Arabian Nights and Days |
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523 | (15) |
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523 | (1) |
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524 | (1) |
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524 | (2) |
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526 | (1) |
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527 | (11) |
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The Thousand and One Nights in the Twentieth Century |
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538 | (47) |
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538 | (1) |
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539 | (8) |
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547 | (1) |
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547 | (26) |
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Italo Calvino (1923-1985) |
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573 | (1) |
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573 | (5) |
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578 | (1) |
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from A Sister to Sheherazade |
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578 | (7) |
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The Thousand and One Nights in the Twentieth Century |
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584 | (1) |
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Leopold Sedar Senghor (1906-2001) |
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585 | (5) |
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586 | (1) |
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Nocturne (She Flies She Flies) |
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587 | (1) |
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587 | (1) |
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588 | (1) |
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589 | (1) |
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590 | (27) |
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Notebook of a Return to the Native Land |
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591 | (26) |
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James Baldwin (1924-1987) |
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617 | (25) |
|
Encounter on the Seine: Black Meets Brown |
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619 | (3) |
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622 | (20) |
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642 | (16) |
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644 | (6) |
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650 | (1) |
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Illustration. David P. Bradley, The Santa Fe Collector |
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651 | (7) |
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Indigenous Cultures in the Twentieth Century |
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658 | (35) |
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Oodgeroo Of The Tribe Noonuccal (1920-1993) |
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659 | (1) |
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660 | (1) |
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661 | (1) |
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661 | (8) |
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Paula Gun Allen (b. 1939) |
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669 | (1) |
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Pocahontas to Her English Hushand, John Relfe |
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670 | (1) |
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Taking a Visitor to See the Ruins |
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671 | (1) |
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Leslie Marmon Silko (b. 1948) |
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672 | (1) |
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673 | (6) |
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N. Scott Momaday (b. 1934) |
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679 | (1) |
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from the Way to Rainy Mountain |
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680 | (5) |
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685 | (1) |
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685 | (1) |
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Illustration. Grey Cohoe, Battle of the Butterflies at Tocito |
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686 | (1) |
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Ibrahim Al-Kuni (b. 1948) |
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687 | (1) |
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The Golden Bird of Misforturne |
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688 | (5) |
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Indigenous Cultures in the Twentieth Century |
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692 | (1) |
|
Zhang Ailing (Eileen Chang) (1020-1995) |
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693 | (6) |
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693 | (6) |
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699 | (18) |
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717 | (48) |
|
Illustration. Ulrike, Rosenbach, To Have No Power Is to Have Power |
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718 | (1) |
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Clarice Lispector (1925-1977) |
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718 | (1) |
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719 | (6) |
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Fatima Mernissi (b. 1940) |
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725 | (1) |
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725 | (4) |
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729 | (1) |
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730 | (10) |
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Hanan Al-Shayka (b. 1945) |
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740 | (1) |
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741 | (4) |
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Illustration, Louise Bourgeois, Femme Couteau (``Knife Woman'') |
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745 | (1) |
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745 | (1) |
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746 | (11) |
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Gabriel Garcia Marquez (b. 1928) |
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757 | (1) |
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757 | (4) |
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Jamaica Kincaid (b. 1949) |
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761 | (1) |
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762 | (3) |
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764 | (1) |
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765 | (102) |
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767 | (1) |
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768 | (82) |
|
from the African Writer and the English Language |
|
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850 | (17) |
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|
from The Language of African Literature |
|
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855 | (8) |
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|
from Giambatista Viko; ro, The Rape of African Discourse (trnas. David Damrosch) |
|
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863 | (3) |
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866 | (1) |
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867 | (48) |
|
Death and the King's Horseman |
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|
868 | (38) |
|
Illustration. Obiora Udecbukwu, Silent Faces at Crossroads |
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|
906 | (9) |
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|
915 | (52) |
|
Nadine Gordimer (b. 1923) |
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916 | (1) |
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917 | (9) |
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926 | (1) |
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927 | (2) |
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929 | (1) |
|
Face Lost in the Wilderness |
|
|
930 | (2) |
|
Mahmoud Darwish (b. 1941) |
|
|
932 | (1) |
|
A Poem Which Is Not Green, from My Country |
|
|
933 | (1) |
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|
Diary of a Palestinian Wound |
|
|
934 | (3) |
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|
Sirhan Drinks His Coffee in the Cafeteria |
|
|
937 | (3) |
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|
940 | (2) |
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941 | (1) |
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|
Falz Ahmad Faiz (1911-1984) |
|
|
942 | (1) |
|
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943 | (1) |
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944 | (1) |
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|
944 | (1) |
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|
945 | (1) |
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|
945 | (1) |
|
Answers to an Interrogation |
|
|
946 | (1) |
|
Farough Faroghzad (1935-1967) |
|
|
947 | (1) |
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|
948 | (1) |
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|
949 | (1) |
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|
950 | (1) |
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|
951 | (1) |
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|
952 | (5) |
|
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|
957 | (1) |
|
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|
957 | (10) |
|
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|
|
966 | (1) |
|
|
|
|
Literature, Technology, and Media |
|
|
967 | (2) |
|
Mario Vargas Llosa (b. 1936) |
|
|
968 | (1) |
|
|
|
969 | |
|
|
