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El. knyga: Look of the Past: Visual and Material Evidence in Historical Practice

3.46/5 (13 ratings by Goodreads)
(King's College London)
  • Formatas: PDF+DRM
  • Išleidimo metai: 27-Sep-2012
  • Leidėjas: Cambridge University Press
  • Kalba: eng
  • ISBN-13: 9781316138359
  • Formatas: PDF+DRM
  • Išleidimo metai: 27-Sep-2012
  • Leidėjas: Cambridge University Press
  • Kalba: eng
  • ISBN-13: 9781316138359

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"How can we use visual and material culture to shed light on the past? Ludmilla Jordanova offers a fascinating and thoughtful introduction to the role of images, objects and buildings in the study of past times. Through a combination of thematic chaptersand essays on specific artefacts - a building, a piece of sculpture, a photographic exhibition and a painted portrait - she shows how to analyse the agency and visual intelligence of artists, makers and craftsmen and make sense of changes in visual experience over time. Generously illustrated and drawing on numerous examples of images and objects from 1600 to the present, this is an essential guide to the skills that students need in order to describe, analyse and contextualise visual evidence. The Look of the Past will encourage readers to think afresh about how they, like people in the past, see and interpret the world around them"--

Visual and material sources are central to historical practice and this is a much-needed introduction to using artefacts as evidence.

Recenzijos

'Few scholars can match Jordanova's ability to further historical practice through precise analysis, originality and thought-provoking questions, and this pioneering publication is a 'how-to' book in the best possible sense. Beautifully illustrated and offering carefully selected bibliographical advice, The Look of the Past significantly enriches the historians' toolbox and throws out rusty remains. A winner!' Ulinka Rublack, author of Dressing Up: Cultural Identity in Renaissance Europe 'A master historian of visual culture brings the subject to life, shows its importance to understanding any period of history, and offers concise and compelling guidelines for making sense of how it works. The Look of the Past strikes just the right tone in offering an accessible, wondrously wide-ranging, and intellectually satisfying account of visual objects from handbags to Baroque paintings.' Lynn Hunt, University of California, Los Angeles 'A staunchly argued, exceptionally lucid demonstration of the enlightenment, and also pleasure, to be derived from alert, informed, enquiring looking at the myriad artefacts surrounding us. Enlivened by wide-ranging case studies and a provocative choice of illustrations, it is a timely and invaluable resource for students of history and art history alike.' Elizabeth Cowling, University of Edinburgh

Daugiau informacijos

Visual and material sources are central to historical practice and this is a much-needed introduction to using artefacts as evidence.
List of colour plates
xi
List of black and white illustrations
xiii
Preface and acknowledgements xv
How to use this book xviii
A handbag? xx
Endnotes xxii
Further reading xxii
Introduction 1(14)
Starting points
1(2)
Assumptions
3(3)
Decisions
6(1)
Key themes
6(2)
Terminology
8(1)
Interpretation
9(2)
Disciplines
11(1)
Structure
11(1)
Further reading
12(3)
1 Description and evidence
15(38)
A description
15(1)
Description and history
16(2)
What is description?
18(2)
Attention and time
20(2)
Classification and hierarchy
22(2)
Captions and titles
24(4)
Guides and buildings
28(2)
Criticism
30(2)
Conclusions
32(2)
Endnotes
34(1)
Further reading
35(2)
Bridge
37(1)
Essay A `sumptuous structure': the Wren Library at Trinity College, Cambridge
38(1)
A special building
38(1)
A partial description
39(3)
Architectural historians consider the library
42(4)
Wren's networks, Trinity's networks
46(2)
Conclusions
48(1)
Endnotes
49(2)
Further reading
51(1)
Bridge
52(1)
2 Craft, skills and visual intelligence
53(43)
Introduction
53(1)
Methods and materials
54(2)
Keywords
56(2)
Myths of making
58(3)
The diversity of work
61(3)
Hats
64(2)
How to...
66(4)
Visual intelligence
70(2)
An artist and his materials
72(1)
Conclusions
73(1)
Endnotes
74(1)
Further reading
75(3)
Bridge
78(1)
Essay `The Jewel of the Church': Bernini's Ecstasy of St Teresa
79(1)
Introduction: a church in Rome
79(2)
The saint
81(2)
The patron
83(2)
The maker
85(2)
The spectator
87(2)
The style
89(2)
Endnotes
91(2)
Further reading
93(2)
Bridge
95(1)
3 Periodisation
96(58)
Introduction: a feel for the past?
96(2)
Periods and public culture
98(1)
Periods and objects
99(4)
Style
103(3)
Words and things
106(4)
Revolutionary ages
110(4)
Modernism
114(4)
Period consciousness
118(2)
The period eye
120(3)
Endnotes
123(1)
Further reading
124(5)
Bridge
129(1)
Essay Photographing `the Family of Man'
130(1)
Photography: treachery and seduction
130(3)
Edward Steichen: maestro
133(2)
The book
135(4)
`Migrant Mother'
139(2)
Interpretation and historiography
141(2)
Photography: special challenges?
143(3)
Endnotes
146(4)
Further reading
150(3)
Bridge
153(1)
4 Audiences and display
154(53)
Audiences fight back
154(1)
Concepts and contexts
155(3)
Terms and conditions
158(3)
Anxieties about audiences
161(1)
Ways of seeing
162(2)
Prints and markets
164(2)
Problems of language
166(1)
Quality and quantity
167(2)
Audiences and their disciplines
169(2)
Arts of persuasion
171(3)
Dissecting display
174(3)
Individuals and groups
177(2)
Visual powers
179(2)
Endnotes
181(2)
Further reading
183(3)
Bridge
186(1)
Coda
187(1)
Essay Deposits of friendship: Renoir's 1908 portrait of Ambroise Vollard
188(1)
The painting
188(3)
The genre
191(4)
The textual penumbra
195(6)
The visual penumbra
201(2)
Endnotes
203(1)
Further reading
204(2)
Bridge
206(1)
5 Comparative analysis
207(27)
Similarity and difference
207(1)
Comparison and disciplines
208(3)
Comparison and context
211(1)
Connoisseurship
211(1)
Comparative literature
212(4)
Comparative history
216(1)
Looking comparatively
217(5)
Pitfalls and problems
222(2)
Types of affinity
224(1)
Comparison in practice
225(4)
Analysis?
229(1)
Endnotes
229(2)
Further reading
231(3)
List of reference works 234(2)
Illustration credits 236(2)
Index 238
Ludmilla Jordanova is Professor of Modern History at King's College London. Her publications include History in Practice, now going into its third edition.