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El. knyga: Lost Cinema of Mexico: From Lucha Libre to Cine Familiar and Other Churros

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"This volume challenges the dismissal of Mexican filmmaking during the 1960s through 1980s, an era long considered a low-budget departure from the nation's earlier Golden Age, examining the critical implications of discovering, uncovering, and recoveringforgotten or ignored films"--

The Lost Cinema of Mexico is the first volume to challenge the dismissal of Mexican filmmaking during the 1960s through 1980s, an era long considered a low-budget departure from the artistic quality and international acclaim of the nation’s earlier Golden Age. This pivotal collection examines the critical implications of discovering, uncovering, and recovering forgotten or ignored films.


This largely unexamined era of film reveals shifts in Mexican culture, economics, and societal norms as state-sponsored revolutionary nationalism faltered. During this time, movies were widely embraced by the public as a way to make sense of the rapidly changing realities and values connected to Mexico’s modernization. These essays shine a light on many genres that thrived in these decades: rock churros, campy luchador movies, countercultural superocheros, Black melodramas, family films, and Chili Westerns.


Redefining a time usually seen as a cinematic “crisis,” this volume offers a new model of the film auteur shaped by productive tension between highbrow aesthetics, industry shortages, and national audiences. It also traces connections from these Mexican films to Latinx, Latin American, and Hollywood cinema at large.


A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L’Hoeste and Juan Carlos Rodríguez


Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.

List Of Figures
vii
Acknowledgments ix
Introduction: El Santo versus the Cineteca Nacional de Mexico; Rethinking the Lost Cinema of Mexico 1(33)
Olivia Cosentino
Brian Price
1 I Know It's Only Rock and Roll, but I Like It: Popular Music and the Advent-of the Churro
34(28)
Brian Price
2 On Virgins, Malinches, and Chicas Modernas: The Star Power of Lorena Velazquez in Lucha Libre Cinema
62(26)
David S. Dalton
3 The Mexican Superochero Moment: Countercultural Nations and Utopian Assemblages in Small Format
88(28)
Ivan Eusebio Aguirre Darancou
4 The Mexican Chili Western and Crisis Masculinity
116(26)
Christopher Conway
5 Blackness and Racial Melodrama in 1970s Mexican Cinema
142(24)
Carolyn Fornoff
6 Un cine familiar: Recovering the 1980s Mexican Family Film
166(26)
Olivia Cosentino
7 Felipe Cazals: The Question of the Film Auteur in the Age of Cinematic Crisis
192(28)
Ignacio M. Sanchez Prado
8 Finding the Lost Cinema of Mexico: Critical Recovery, Rescue, and Reconceptualization
220(13)
Dolores Tierney
List Of Contributors 233(4)
Index 237
Olivia Cosentino is instructor of Spanish at the University of South Carolina.

Brian Price is professor of Spanish at Brigham Young University. He is the author of Cult of Defeat in Mexico's Historical Fiction: Failure, Trauma, and Loss and the editor of Asaltos a la historia: Reimaginando la ficción histórica hispanoamericana.