This book offers the first multidisciplinary analysis of the "wordless novels" of American woodcut artist and illustrator Lynd Ward (19051985), who has been enormously influential in the development of the contemporary graphic novel. The study examines his six pictorial novels, each part of an evolving experiment in a new form of visual narrative that offers a keen intervention in the cultural and sexual politics of the 1930s. The novels form a discrete group much like Beethovens piano sonatas or Keatss great odes in which Ward evolves a unique modernist style (cinematic, expressionist, futurist, realist, documentary) and grapples with significant cultural and political ideas in a moment when the American experiment and capitalism itself hung in the balance. In testing the limits of a new narrative form, Wards novels require a versatile critical framework as sensitive to German Expressionism and Weimar cinema as to labor politics and the new energies of proletarian homosexuality.
This book offers the first multidisciplinary analysis of the "wordless novels" of American woodcut artist and illustrator Lynd Ward (1905-1985), who has been enormously influential in the development of the contemporary graphic novel.
Recenzijos
Lynd Ward's Wordless Novels, 1929-1937: Visual Narrative, Cultural Politics, Homoeroticism is a knowledgeable, thorough, and compelling account of one of the twentieth centurys most important graphic artists. It expands the critical conversation around a significant figureone who is often cited but little analyzedby treating his wordless novel corpus and interpreting its aesthetic and political impacts. A badly needed, hugely valuable resource.
-Hillary Chute, author of Why Comics? From Underground to Everywhere
"This is the first book-length study devoted to the artist and his visual narratives. Scott develops careful and contextual close readings of Wards woodcut narratives, most of which are collected in the Library of America edition of Wards novels. Indeed, Scotts book could even serve as a critical companion to the Library of Americas Lynd Ward: Six Novels in Woodcut (2010); this could be an exceptionally generative pairing for a graduate seminar on comics history or modernism. Scotts prose is scholarly and grounded in Wards texts, so much so that I was compelled to re-read each of Wards woodcut novels after reading its respective chapter in Scotts book. His close attention to visual detail made Wards works so much richer and full of meanings than I had ever stopped to consider before. Scotts study is valuable not just for its clear analysis and contextualization of Wards woodcut novels, but also because it is a reminder of what close attention to a text can accomplish. It is a comfort to read Wards woodcut novels slowly, which Scotts book encouraged me to do."
-Daniel Worden, Rochester Institute of Technology, Journal of Modern Literature
Introduction: Origins
Chapter 1: The Silent Film, the Sketch and the Portrait in Gods Man (1929)
Chapter 2: Colonial Legacy and the Crime of Scholarship in Madmans Drum
(1930)
Chapter 3: Lynching, Labor and Homoeroticism in Wild Pilgrimage (1932)
Chapter 4: Disobedient Persuasions: Prelude to a Million Years (1933)
Chapter 5: The Limits of Allegory: Song Without Words (1936) and Hymn for the
Night (ca. 1940)
Chapter 6: The Duplicity of the Word in Vertigo (1937)
Epilogue: Dance of the Hours; or, Lynd Wards Last Unfinished Wordless Novel
(2001)
Grant F. Scott is a Professor of English at Muhlenberg College in Allentown, Pennsylvania, and author of The Sculpted Word: Keats, Ekphrasis, and the Visual Arts (1994). He has also edited Selected Letters of John Keats (2002), Joseph Severn: Letters and Memoirs (2005) and The Illustrated Letters of Richard Doyle to His Father, 18421843 (2016), and co-edited, with Sue Brown, New Letters from Charles Brown to Joseph Severn (2010).
