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El. knyga: Made for the Eye of One Who Sees: Canadian Contributions to the Study of Islamic Art and Archaeology

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  • Formatas: PDF+DRM
  • Išleidimo metai: 10-Sep-2022
  • Leidėjas: McGill-Queen's University Press
  • Kalba: eng
  • ISBN-13: 9780228013259
  • Formatas: PDF+DRM
  • Išleidimo metai: 10-Sep-2022
  • Leidėjas: McGill-Queen's University Press
  • Kalba: eng
  • ISBN-13: 9780228013259

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Canada has seen the study of Islamic art and archeology grow steadily over the last five decades, with growth in research and teaching across numerous Canadian universities as well as important collections of Islamic art and archaeological materials, most notably at the Royal Ontario Museum and the Aga Khan Museum. Made for the Eye of One Who Sees uncovers the contributions of scholars and museum curators at Canadian institutions to current scholarship on Islamic art. Employing a wide range of approaches and theoretical perspectives, contributors cover topics from across the Islamic world dating from the eighth century to the present. Subjects include the iconography of architectural design and decoration, the role of Qur’anic inscriptions, the representation of symbolic animals in sculpture, and the interpretation of Persian manuscript painting. The book also juxtaposes modern and contemporary worlds, providing insightful reflections on the early history of the Islamic collections at the Royal Ontario Museum, Matisse’s creative encounter with Byzantine and Islamic visual culture, and the ongoing dialogue between new media and the traditional concepts underpinning Islamic art. Bringing together recent scholarship on Islamic art, architecture, and archaeology, Made for the Eye of One Who Sees provides an overview of the important contributions Canada is making to this rich and evolving field of study.


Bringing together recent scholarship on Islamic art, architecture, and archaeology being conducted in Canada and by Canadian scholars, Made for the Eye of One Who Sees provides the first survey of the Canadian contributions to this developing field. It covers topics from across the Islamic world dating from the eighth century to the present.

Recenzijos

A book for the times, Made for the Eye of One Who Sees presents an engaging account of the successes and diversity in the field of Islamic art, architecture, and archaeology in Canada. Alan Walmsley, director of the Materiality in Islam Research Initiative, University of Copenhagen Made for the Eye of One Who Sees represents a significant advance in Islamic art and history, bringing new materials and new interpretations into view. Margaret Graves, Indiana University and author of Arts of Allusion: Object, Ornament, and Architecture in Medieval Islam

Daugiau informacijos

Winner of the Universities Art Association of Canada 2023 Best Edited Collection Prize.A groundbreaking study of Islamic art and archaeology conducted by scholars and museum curators in Canada.
Foreword vii
Josh Basseches
Acknowledgments ix
Note to the Reader xi
Treasures from the Islamic World at the Royal Ontario Museum xiii
Fahmida Suleman
Introduction 3(22)
Marcus Milwright
Evanthia Baboula
PART ONE READING ARCHITECTURE
1 Mshatta's Facade and the Viewer
25(35)
Alexander Townson
2 Innovative Tomb or Garden Retreat? The Bara Batashewala Mahal in Mughal Delhi
60(38)
Hussein Keshani
3 The Wazir Khan Masjid in Lahore: A Study of the Inscriptions
98(33)
Erica Cruikshank Dodd
4 The Mosques of Firuz Shah
131(20)
Anthony Welch
PART TWO ARCHAEOLOGICAL RESEARCH
5 The Challenge of Interpreting Archaeological Remains in the Light of Written Sources: A Discussion Based on the Work of the Canadian Archaeological Mission in Zabid, Yemen
151(16)
Ingrid Hehmeyer
6 The Canadian Archaeological Mission of the Royal Ontario Museum in Yemen
167(29)
Edward Keall
7 Out of Sight, Out of Mind? Preliminary Observations on the Production and Use of Ceramic Drainage Pipes in the Islamic Middle East
196(25)
Marcus Milwright
8 A Group of Fourteenth-Century Ceramics from Deir Mar Musa, Syria
221(12)
Robert Mason
PART THREE MATERIAL AND VISUAL CULTURE
9 Reaching New Heights: The Giraffe in the Material Culture, Ceremonial, and Diplomacy of Fatimid Egypt
233(22)
Fahmida Suleman
10 Investigations into Later Persian Ceramics at the Royal Ontario Museum (1987-)
255(17)
Lisa Golombek
11 Stone Lions of Isfahan
272(11)
Parviz Tanavoli
12 Princes, Wine, and Animated Nature: Tabriz Painting about 1500
283(28)
Karin Ruhrdanz
PART FOUR THE PRODUCTION AND RECEPTION OF ISLAMIC ART IN MODERN TIMES
13 Building the Islamic Art Collection at the Royal Ontario Museum: The First Decades
311(19)
Bita Pourvash
14 Henri Matisse's Portrait of a Standing Riffian: Islam, Byzantium, and "Aristocratic Barbarism"
330(21)
Mark Antliff
15 The Dialogic Exhibition
351(25)
Patricia Bentley
Zulfikar Hirji
16 Process Thinking for Islamic Art and Media Art: Performative Abstraction and Collective Transformation
376(15)
Laura U. Marks
Illustrations 391(10)
Contributors 401(4)
Index 405
Marcus Milwright is professor of Islamic art and archaeology in the Department of Art History and Visual Studies, University of Victoria. Evanthia Baboula is assistant professor of arts of the Mediterranean in the Department of Art History and Visual Studies, University of Victoria.