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Made in Germany: Studies in Popular Music [Kietas viršelis]

Edited by (University of Amsterdam, the Netherlands), Edited by (Popakademie Baden-Württemberg, Germany), Edited by
  • Formatas: Hardback, 236 pages, aukštis x plotis: 246x174 mm, weight: 1000 g, 12 Halftones, black and white
  • Serija: Routledge Global Popular Music Series
  • Išleidimo metai: 23-Sep-2020
  • Leidėjas: Routledge
  • ISBN-10: 0815391773
  • ISBN-13: 9780815391777
Kitos knygos pagal šią temą:
  • Formatas: Hardback, 236 pages, aukštis x plotis: 246x174 mm, weight: 1000 g, 12 Halftones, black and white
  • Serija: Routledge Global Popular Music Series
  • Išleidimo metai: 23-Sep-2020
  • Leidėjas: Routledge
  • ISBN-10: 0815391773
  • ISBN-13: 9780815391777
Kitos knygos pagal šią temą:
"Made in Germany: Studies in Popular Music serves as a comprehensive introduction to the history, sociology, and musicology of contemporary German popular music. Each essay, written by a leading scholar of German music, covers the major figures, styles, and social contexts of pop music in Germany and provides adequate context so readers understand why the figure or genre under discussion is of lasting significance. The book first presents a general description of the history and background of popular music in Germany, followed by essays organized into thematic sections: Historical Spotlights; Globally German; Also "Made in Germany"; Explicitly German; and Reluctantly German"--

Made in Germany: Studies in Popular Music serves as a comprehensive introduction to the history, sociology, and musicology of contemporary German popular music. Each essay, written by a leading scholar of German music, covers the major figures, styles, and social contexts of pop music in Germany and provides adequate context so readers understand why the figure or genre under discussion is of lasting significance. The book first presents a general description of the history and background of popular music in Germany, followed by essays organized into thematic sections: Historical Spotlights; Globally German; Also "Made in Germany"; Explicitly German; and Reluctantly German.

Notes on Contributors viii
Introduction: Deutschland! - Echt jetzt?: German Popular Music's Complicated Relationship with German Identity 1(15)
Oliver Seibt
Martin Ringsmut
David-Emil Wickstrom
Rocking the Academy? Two Cold-War Careers and the Emergence of Popular Music Studies and Higher Popular Music Education in Germany: An Interview with Peter Wicke and Udo Dahmen 16(11)
David-Emil Wickstrom
Part I Historical Spotlights
27(42)
1 Transnational Networks and Intermedial Interfaces in German Popular Music, 1900-1939
29(10)
Carolin Stahrenberg
2 Nazis and Quiet Sounds: Popular Music, Simulated Normality, and Cultural Niches in the Terror Regime, 1933-1945
39(9)
Jens Gerrit Papenburg
3 Conflicting Identities: The Meaning and Significance of Popular Music in the GDR
48(10)
Michael Rauhut
4 "Party on the Death Strip": Reflections on a Historical Turning Point
58(11)
Susanne Binas-Preisendorfer
Part II Globally German
69(30)
5 The Krauts Are Coming: Electronic Music and Rock in the 1970s
71(10)
Ulrich Adelt
6 German Metal Attack: Power Metal in and from Germany
81(9)
Jan-Peter Herbst
7 German Longings: A Dialogue about the Promises and Dangers of National Stereotypes
90(9)
Melanie Schiller
Jeroen De Kloet
Part III Also "Made in Germany"
99(34)
8 Peepl Rock: Post-Soviet Popular Music in Germany
101(10)
David-Emil Wickstrom
9 Made in Almanya: The Birth of Turkish Rap
111(11)
Thomas Solomon
10 G.I. Blues and German Schlager. The Politics of Popular Music in Germany during the Cold War
122(11)
Bodo Mrozek
Part IV Explicitly German
133(30)
11 Neue Deutsche Welle: Tactical Affirmation as a Strategy of Subversion
135(10)
Barbara Hornberger
12 "One Day You Will Wish We'd Only Played Music": Some Remarks on Recent Developments of Germany's RechtsRock Scene
145(9)
Thorsten Hindrichs
13 Hallo Blumenau, bom dia Brasil! German Music beyond Germany
154(9)
Julio Mendivil
Part V Reluctantly German
163(32)
14 "Meine Lieder sind anders": Hildegard Knef and the Idea(l) of German Chanson
165(10)
Rene Michaelsen
15 How Munich and Frankfurt Brought (Electronic) Dance Music to the Top of the International Charts with Eurodisco and Eurodance - and Why Germany Was Not Involved
175(9)
Heiko Wandler
16 Japonisme 2.0: German Visual-Kei Fans, Tokio Hotel, and the Popular Music Genre That Must Not Exist
184(11)
Oliver Seibt
Coda
195(21)
17 The Germaican Connection: German Reggae Abroad
197(19)
Martin Ringsmut
Standing up against Discrimination and Exclusion: An Interview with Kutlu Yurtseven (Microphone Mafia)
207(9)
Monika E. Schoop
Further Reading 216(7)
Index 223
Oliver Seibt is Assistant Professor of Cultural Musicology at the University of Amsterdam, The Netherlands.

Martin Ringsmut is Research Assistant in the Ethnomusicology Department at the University of Cologne, Germany, where he has taught courses in Ethnomusicology and Popular Music Studies.

David-Emil Wickström is Professor of Popular Music History at the Popakademie Baden-Württemberg, in Mannheim, Germany.