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El. knyga: Man with a Blue Scarf: On Sitting for a Portrait by Lucian Freud

4.37/5 (1016 ratings by Goodreads)
  • Formatas: EPUB+DRM
  • Išleidimo metai: 26-May-2014
  • Leidėjas: Thames & Hudson Ltd
  • Kalba: eng
  • ISBN-13: 9780500770788
  • Formatas: EPUB+DRM
  • Išleidimo metai: 26-May-2014
  • Leidėjas: Thames & Hudson Ltd
  • Kalba: eng
  • ISBN-13: 9780500770788

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Lucian Freud spent seven months painting a portrait of the art critic Martin Gayford. Gayford describes the process chronologically, from the day he arrived for the first sitting through to his meeting with the couple who bought the finished painting. AsFreud creates his portrait, so Gayford produces his own portrait of the artist.

Lucian Freud (1922-2011) spent seven months painting a portrait of the author who is an art critic. In this title, he describes the process chronologically, from the day he arrived for the first sitting through to his meeting with the couple who bought the finished painting.

“An extraordinary record of a great artist in his studio, it also describes what it feels like to be transformed into a work of art.” —ARTnews

Lucian Freud (1922-2011), widely regarded as the greatest figurative painter of our time, spent seven months painting a portrait of the art critic Martin Gayford. The daily narrative of their encounters takes the reader into that most private place, the artist’s studio, and to the heart of the working methods of this modern master—both technical and subtly psychological. From this emerges an understanding of what a portrait is, but something else is also created: a portrait, in words, of Freud himself. This is not a biography, but a series of close-ups: the artist at work and in conversation at restaurants, in taxis, and in his studio. It takes one into the company of the painter for whom Picasso, Giacometti, and Francis Bacon were friends and contemporaries, as were writers such as George Orwell and W. H. Auden.The book is illustrated with many of Lucian Freud’s other works, telling photographs taken by David Dawson of Freud in his studio, and images by such great artists of the past as van Gogh and Titian who are discussed by Freud and Gayford.Full of wry observations, the book reveals the inside story of how it feels to pose for a remarkable artist and become a work of art.

Recenzijos

'It will be read as long as Freuds work is admired' - Sunday Times 'A journal, an act of confession, a character study of Freud, a piecemeal survey of art history and an investigation into the practicalities of portraiture a book thats not just read but relished' - The Spectator 'If it is Freud who dominates the book, it is Gayfords achievement to bring him out and to do so with wit and humour as well as acute intelligence literally inimitable' - Guardian 'Freud is vividly surprising, potent and dynamic a portrait of an anarchic painter with views on everything from Leonardos failings to Princess Margarets voice' - Observer 'One of the best books ever written about the art of painting' - Grey Gowrie, Financial Times

Daugiau informacijos

'One of the best books about art, and the making of art, that I have ever read' Julian Barnes, London Review of Books
The Sittings: 28 November 2003 4 July 2004 Portrait Head: August
2004 April 2005 Postscript: June 2005 Afterword November 2011 List of
Illustrations
Martin Gayford is art critic for The Spectator and the author of acclaimed books on Van Gogh, Constable and Michelangelo. He is the author of many books, including Man with a Blue Scarf, Rendez-vous with Art, (with Philippe de Montebello), A Bigger Message, Modernists & Mavericks, A History of Pictures (with David Hockney), The Pursuit of Art and Spring Cannot be Cancelled, all published by Thames & Hudson.