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El. knyga: Manifestation Wolverine: The Collected Poetry of Ray Young Bear

4.00/5 (32 ratings by Goodreads)
  • Formatas: EPUB+DRM
  • Išleidimo metai: 27-Oct-2015
  • Leidėjas: Open Road Media
  • Kalba: eng
  • ISBN-13: 9781504014120
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  • Formatas: EPUB+DRM
  • Išleidimo metai: 27-Oct-2015
  • Leidėjas: Open Road Media
  • Kalba: eng
  • ISBN-13: 9781504014120
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The definitive collection from a groundbreaking Native American poet whose work traces the fault lines between past and present, real and surreal, comedy and tragedy to unveil a transcendent new vision of the world

Hailed by the Bloomsbury Review as “the nation’s foremost contemporary Native American poet” and by Sherman Alexie as “the best poet in Indian Country,” Ray Young Bear draws on ancient Meskwaki tradition and modern popular culture to create poems that provoke, astound, and heal.

This indispensable volume, which contains three previously published collections—Winter of the Salamander(1979), The Invisible Musician (1990), and The Rock Island Hiking Club(2001)—as well as Manifestation Wolverine, a brilliant series of new pieces inspired by animistic beliefs, a Lazy-Boy recliner, and the word songs Young Bear sang to his children, is a testament to the singularity of the poet’s talent and the astonishing range of his voice.

Recenzijos

Tenderness, wit, an otherworldly attention, sorrow and abundance, dogs, irony, badgers, troubled girls, peyote and a yellow blanket. Let these poems wash over you and be thankful that Ray Young Bear is with us, here on earth, bearing witness. Louise Erdrich

Young Bear expresses feelings of isolation and loss shared by many Americans in the idiosyncratic vernacular of his tribal heritage . . . Highly recommended. Booklist

Im not exaggerating when I tell you that Ray Young Bear is the best poet in Indian Country and in the top 46 in the whole dang world. Sacred and profane, profound and irreverent, his poetry pushes you into a corner, roughs you up a bit, maybe takes your wallet, and then gives you a long kiss goodbye. Sherman Alexie   These are remarkable poems. I read them over and over again, and I become more and more convinced that they proceed from a native intelligence that is at once ancient and contemporary, straightforward and ironic, provocative and insightful. The poet speaks from a kind of timeless experience; his voice is the voice of the coyote or singer of Beowulf or the inventor of words. The Invisible Musician is a work extraordinarily rich and rewarding. N. Scott Momaday   It was clear from Ray Young Bears earliest poems that he was a poet of great ability. He has gotten better. The physical detail is ground, and there are mysterious interminglings of water and air that hold the worlds together. The Invisible Musician is rightly titled and a fine book. Robert Bly   [ Ray Young Bear is] a national treasure. Robert F. Gish   Ray Young Bear is magic. He writes as if he lived 10,000 years ago in a tribe whose dialect happens to be modern English. Richard Hugo   No one, absolutely no one, tells the tribal story like Young Bear. Elizabeth Cook-Lynn  

WINTER OF THE SALAMANDER
1 Because the blue rain exists
5(48)
Grandmother
7(1)
Painted Visions
8(2)
Four Songs of Life
10(2)
Catching the Distance
12(2)
The Clouds Threw this Light
14(1)
Doors
15(1)
Rushing
16(2)
These horses came
18(1)
Mix these eyes
19(2)
Between his fingers
21(1)
War walking near
22(1)
Seeing at night
23(1)
One chip of human bone
24(1)
morning-water train woman
25(2)
The sun and the morning
27(2)
oasis
29(1)
Birds with tears in their bones
30(2)
parts: my grandfathers walked speaking 1970
32(2)
signs
34(1)
Like a coiled wire
35(2)
Two times
37(1)
Poem for viet nam
38(2)
Wooden men
40(2)
Coming back home
42(2)
Santa ana winds
44(1)
To remember the smallest
45(1)
Morning talking mother
46(2)
usage
48(1)
Trains made of stone
49(2)
The otter swims on to others
51(2)
2 When we assume life will go well for us
53(48)
Four poems
55(2)
The crow children walk my circles in the snow
57(2)
The woman's vision
59(1)
The way the bird sat
60(3)
The cook
63(2)
The seal
65(1)
The winter s heart
66(1)
In dream: the privacy of sequence
67(4)
Her husband
71(2)
Another face
73(1)
Waiting to be fed
74(4)
spearfishermen
78(2)
Star blanket
80(2)
The place of 1
82(2)
The place of m
84(2)
celebration
86(3)
This house
89(2)
In missing
91(2)
From his dream
93(3)
The last dream
96(2)
Winter of the salamander
98(3)
3 In the brilliance of the summer daylight
101(32)
In the first place of my life
103(3)
A woman's name
106(1)
Before leaving me, the poem: eagle butte and black river falls
107(4)
The spider: a naked body in the summer
111(2)
All day i have seen you
113(2)
July twenty-six/1975
115(3)
The characters of our addiction
118(3)
Memories for no one
121(2)
The moon and the stars, the stone and the fire
123(1)
They ask for recognition
124(2)
In disgust and in response to indian-type poetry written by whites published in a mag which keeps rejecting me
126(3)
We are darkness itself
129(4)
4 The sound he makes---the sound I hear
133(82)
It seems as if we are so far apart
135(3)
I touch a gentle deer
138(2)
A pool of water, a reflection of a summer
140(2)
In viewpoint: poem for 14 catfish and the town of tama, iowa
142(4)
It is the fish-faced boy who struggles
146(4)
In each of us
150(2)
No one can deny the strong force
152(7)
The birds are housed in a small glass house
159(5)
I can still picture the caribou
164(5)
After the fourth autumn
169(1)
For the rain in march: the blackened hearts of herons
170(12)
March twenty-eight/1977
182(1)
Poem one
183(3)
Having dragged the shell of my house
186(2)
Poem for november
188(1)
Poem for december
189(1)
Poem two/rainbow
190(2)
Three reasons for transgression: the fierce head of the eagle, the otter, and the daylight
192(12)
From morning star press and other letters: 1978
204(7)
March eight/1979
211(4)
THE INVISIBLE MUSICIAN
The Significance of a Water Animal
215(1)
The Personification of a Name
216(1)
The Language of Weather
217(2)
The Last Time They Were Here
219(1)
The Reason Why I Am Afraid Even Though I Am a Fisherman
220(1)
The Song Taught to Joseph
221(1)
From the Spotted Night
222(1)
All Star's Thanksgiving
223(2)
Eagle Crossing july 1975
225(2)
Three Poems
227(4)
Meskwaki Love Song
231(1)
Emily Dickinson, Bismarck and the Roadrunner's Inquiry
232(5)
The Suit of a Hand
237(2)
The King Cobra as Political Assassin
239(3)
A Drive to Lone Ranger
242(4)
The First Dimension of Skunk
246(3)
Meskwaki Tribal Celebration Songs
249(1)
We ta se Na ka mo ni, Viet Nam Memorial
250(1)
Race of the Kingfishers: In Nuclear Winter
251(6)
Nothing Could Take Away the Bear-King's Image
257(5)
Nineteen Eighty Three
262(2)
Cool Places of Transformation
264(2)
Three Views of a Northern Pike
266(2)
Debut of the Woodland Drum
268(1)
A Woman's Name is in the Second Verse: Earthquakes and Parallels
269(3)
Meskwaki Love Song
272(1)
Green Threatening Clouds
273(2)
My Grandmother's Words (and Mine) on the Last Spring Blizzard
275(1)
If the Word for Whale is Right
276(2)
Three Translated Poems for October
278(2)
Journal Entry, November 12, 1960
280(1)
The Black Antelope Tine
281(2)
Quail and His Role in Agriculture
283(2)
Colleen's Faith
285(1)
Fred Bloodclot Red's Composition: For Use on the Third Night of Footsteps
286(1)
Always is He Criticized
287(3)
The Handcuff Symbol
290(3)
The Dream of Purple Birds in Marshall, Washington
293(1)
Two Poems for Southeastern Washington
294(1)
Fox Guides From La Crosse On
295(2)
Shadows of Clouds
297(1)
Meskwaki Love Song
298(11)
Notes to The Invisible Musician
299(10)
THE ROCK ISLAND HIKING CLUB
The Rock Island Hiking Club
309(1)
Our Bird Aegis
310(1)
American Flag Dress
311(3)
The Aura of the Blue Flower That Is a Goddess
314(2)
Father Scarmark---World War I Hero---and Democracy
316(3)
The Reptile Decree from Paris
319(3)
January Gifts from the Ground Squirrel Entity
322(2)
The Mask of Four Indistinguishable Thunderstorms
324(3)
Summer Tripe Dreams and Concrete Leaves
327(2)
Eagle Feathers in Colour Photocopy
329(2)
The Bread Factory
331(2)
A Season of Provocations and Other Ethnic Dreams
333(3)
For Lazy-Boys, Devoted Pets, Health, and Tribal Homeland Reality, or How We Are Each a Lone Hovercraft
336(2)
Poems for Dreams and Underwater Portals
338(2)
November 12, 1951
340(1)
Improvised Sealant for Hissing Wounds
341(1)
An Act of Purification, No. 1
342(1)
Four Poems for Immediacy
343(2)
Crestwood School of Social Research
345(3)
Dish Shapes and Remnant Pools
348(2)
In the Tree's Shadow
350(1)
Moon-like Craters on My Legs
351(2)
Laramie's Peripheral Vision
353(6)
MANIFESTATION WOLVERINE
Four Hinterland Abstractions
359(2)
From the Landscape: A Superimposition
361(3)
Kamden Quadrangle
364(3)
The Lone Swimmer of Henry County, Virginia
367(4)
Ni ta na to ta-Ma ni-Eye-Me kwi te e ya ni, I Will Talk About This While I Still Remember
371(4)
For Lady Z Before She Became a Terrorist
375(4)
Somewhere, New Mexico*
379(2)
The Three Brothers, 1999
381(8)
Driftwood Over My Heart*
389(2)
The Last Day Geese Drones Circled Home
391(4)
The Rock's Message*
395(1)
Ultrasound, The Missing, Down Under
396(2)
A Life-shaping Spoon
398(1)
She Said I Know More Than Your Kids and Grandkids
399(1)
The Lonely Crickets Theatre
400(1)
For You, A Handful of the Greatest Gift
401(3)
Footprints Made of Snow
404(1)
Gate 632
405(5)
Obvious for Stars Only
410(2)
Retorna Me ... Cora Mia Ti Amo
412(9)
Nye wi Mamitti Nakamonani, Four Peyote Songs, ca. 1930
421(5)
Contemporary Meskwaki Social Dance Songs
426(13)
Notes to "Four Hinterland Abstractions"
431(4)
Notes to "Contemporary Meskwaki Social Dance Songs"
435(4)
Acknowledgments 439(2)
About the Author 441
Ray Young Bear is a lifetime resident of the Meskwaki Settlement in central Iowa. His poems have appeared in numerous magazines and anthologies, including Virginia Quarterly Review, New Letters, Prairie Schooner, the Iowa Review, the American Poetry Review, and the Best American Poetry, and have been collected into three books: Winter of the Salamander (1980), The Invisible Musician (1990), and The Rock Island Hiking Club (2001). He also wrote Black Eagle Child: The Facepaint Narratives (1995), a novel combining prose and poetry that was heralded by the New York Times as magnificent. Its sequel, Remnants of the First Earth (1998), won the Ruth Suckow Award as an outstanding work of fiction about Iowa.

The recipient of a grant from the National Endowment for the Arts, Ray Young Bear has taught creative writing and Native American literature at numerous schools across the United States, including the University of Iowa and the Institute of American Indian Arts. A singer as well as an author, Young Bear is a cofounder of the Woodland Singers & Dancers, which performs contemporary and traditional tribal dances throughout the country.