|
|
|
1 Because the blue rain exists |
|
|
5 | (48) |
|
|
7 | (1) |
|
|
8 | (2) |
|
|
10 | (2) |
|
|
12 | (2) |
|
The Clouds Threw this Light |
|
|
14 | (1) |
|
|
15 | (1) |
|
|
16 | (2) |
|
|
18 | (1) |
|
|
19 | (2) |
|
|
21 | (1) |
|
|
22 | (1) |
|
|
23 | (1) |
|
|
24 | (1) |
|
morning-water train woman |
|
|
25 | (2) |
|
|
27 | (2) |
|
|
29 | (1) |
|
Birds with tears in their bones |
|
|
30 | (2) |
|
parts: my grandfathers walked speaking 1970 |
|
|
32 | (2) |
|
|
34 | (1) |
|
|
35 | (2) |
|
|
37 | (1) |
|
|
38 | (2) |
|
|
40 | (2) |
|
|
42 | (2) |
|
|
44 | (1) |
|
|
45 | (1) |
|
|
46 | (2) |
|
|
48 | (1) |
|
|
49 | (2) |
|
The otter swims on to others |
|
|
51 | (2) |
|
2 When we assume life will go well for us |
|
|
53 | (48) |
|
|
55 | (2) |
|
The crow children walk my circles in the snow |
|
|
57 | (2) |
|
|
59 | (1) |
|
|
60 | (3) |
|
|
63 | (2) |
|
|
65 | (1) |
|
|
66 | (1) |
|
In dream: the privacy of sequence |
|
|
67 | (4) |
|
|
71 | (2) |
|
|
73 | (1) |
|
|
74 | (4) |
|
|
78 | (2) |
|
|
80 | (2) |
|
|
82 | (2) |
|
|
84 | (2) |
|
|
86 | (3) |
|
|
89 | (2) |
|
|
91 | (2) |
|
|
93 | (3) |
|
|
96 | (2) |
|
|
98 | (3) |
|
3 In the brilliance of the summer daylight |
|
|
101 | (32) |
|
In the first place of my life |
|
|
103 | (3) |
|
|
106 | (1) |
|
Before leaving me, the poem: eagle butte and black river falls |
|
|
107 | (4) |
|
The spider: a naked body in the summer |
|
|
111 | (2) |
|
|
113 | (2) |
|
|
115 | (3) |
|
The characters of our addiction |
|
|
118 | (3) |
|
|
121 | (2) |
|
The moon and the stars, the stone and the fire |
|
|
123 | (1) |
|
|
124 | (2) |
|
In disgust and in response to indian-type poetry written by whites published in a mag which keeps rejecting me |
|
|
126 | (3) |
|
|
129 | (4) |
|
4 The sound he makes---the sound I hear |
|
|
133 | (82) |
|
It seems as if we are so far apart |
|
|
135 | (3) |
|
|
138 | (2) |
|
A pool of water, a reflection of a summer |
|
|
140 | (2) |
|
In viewpoint: poem for 14 catfish and the town of tama, iowa |
|
|
142 | (4) |
|
It is the fish-faced boy who struggles |
|
|
146 | (4) |
|
|
150 | (2) |
|
No one can deny the strong force |
|
|
152 | (7) |
|
The birds are housed in a small glass house |
|
|
159 | (5) |
|
I can still picture the caribou |
|
|
164 | (5) |
|
|
169 | (1) |
|
For the rain in march: the blackened hearts of herons |
|
|
170 | (12) |
|
|
182 | (1) |
|
|
183 | (3) |
|
Having dragged the shell of my house |
|
|
186 | (2) |
|
|
188 | (1) |
|
|
189 | (1) |
|
|
190 | (2) |
|
Three reasons for transgression: the fierce head of the eagle, the otter, and the daylight |
|
|
192 | (12) |
|
From morning star press and other letters: 1978 |
|
|
204 | (7) |
|
|
211 | (4) |
|
|
|
The Significance of a Water Animal |
|
|
215 | (1) |
|
The Personification of a Name |
|
|
216 | (1) |
|
|
217 | (2) |
|
The Last Time They Were Here |
|
|
219 | (1) |
|
The Reason Why I Am Afraid Even Though I Am a Fisherman |
|
|
220 | (1) |
|
The Song Taught to Joseph |
|
|
221 | (1) |
|
|
222 | (1) |
|
|
223 | (2) |
|
|
225 | (2) |
|
|
227 | (4) |
|
|
231 | (1) |
|
Emily Dickinson, Bismarck and the Roadrunner's Inquiry |
|
|
232 | (5) |
|
|
237 | (2) |
|
The King Cobra as Political Assassin |
|
|
239 | (3) |
|
|
242 | (4) |
|
The First Dimension of Skunk |
|
|
246 | (3) |
|
Meskwaki Tribal Celebration Songs |
|
|
249 | (1) |
|
We ta se Na ka mo ni, Viet Nam Memorial |
|
|
250 | (1) |
|
Race of the Kingfishers: In Nuclear Winter |
|
|
251 | (6) |
|
Nothing Could Take Away the Bear-King's Image |
|
|
257 | (5) |
|
|
262 | (2) |
|
Cool Places of Transformation |
|
|
264 | (2) |
|
Three Views of a Northern Pike |
|
|
266 | (2) |
|
Debut of the Woodland Drum |
|
|
268 | (1) |
|
A Woman's Name is in the Second Verse: Earthquakes and Parallels |
|
|
269 | (3) |
|
|
272 | (1) |
|
|
273 | (2) |
|
My Grandmother's Words (and Mine) on the Last Spring Blizzard |
|
|
275 | (1) |
|
If the Word for Whale is Right |
|
|
276 | (2) |
|
Three Translated Poems for October |
|
|
278 | (2) |
|
Journal Entry, November 12, 1960 |
|
|
280 | (1) |
|
|
281 | (2) |
|
Quail and His Role in Agriculture |
|
|
283 | (2) |
|
|
285 | (1) |
|
Fred Bloodclot Red's Composition: For Use on the Third Night of Footsteps |
|
|
286 | (1) |
|
|
287 | (3) |
|
|
290 | (3) |
|
The Dream of Purple Birds in Marshall, Washington |
|
|
293 | (1) |
|
Two Poems for Southeastern Washington |
|
|
294 | (1) |
|
Fox Guides From La Crosse On |
|
|
295 | (2) |
|
|
297 | (1) |
|
|
298 | (11) |
|
Notes to The Invisible Musician |
|
|
299 | (10) |
|
THE ROCK ISLAND HIKING CLUB |
|
|
|
The Rock Island Hiking Club |
|
|
309 | (1) |
|
|
310 | (1) |
|
|
311 | (3) |
|
The Aura of the Blue Flower That Is a Goddess |
|
|
314 | (2) |
|
Father Scarmark---World War I Hero---and Democracy |
|
|
316 | (3) |
|
The Reptile Decree from Paris |
|
|
319 | (3) |
|
January Gifts from the Ground Squirrel Entity |
|
|
322 | (2) |
|
The Mask of Four Indistinguishable Thunderstorms |
|
|
324 | (3) |
|
Summer Tripe Dreams and Concrete Leaves |
|
|
327 | (2) |
|
Eagle Feathers in Colour Photocopy |
|
|
329 | (2) |
|
|
331 | (2) |
|
A Season of Provocations and Other Ethnic Dreams |
|
|
333 | (3) |
|
For Lazy-Boys, Devoted Pets, Health, and Tribal Homeland Reality, or How We Are Each a Lone Hovercraft |
|
|
336 | (2) |
|
Poems for Dreams and Underwater Portals |
|
|
338 | (2) |
|
|
340 | (1) |
|
Improvised Sealant for Hissing Wounds |
|
|
341 | (1) |
|
An Act of Purification, No. 1 |
|
|
342 | (1) |
|
|
343 | (2) |
|
Crestwood School of Social Research |
|
|
345 | (3) |
|
Dish Shapes and Remnant Pools |
|
|
348 | (2) |
|
|
350 | (1) |
|
Moon-like Craters on My Legs |
|
|
351 | (2) |
|
Laramie's Peripheral Vision |
|
|
353 | (6) |
|
|
|
Four Hinterland Abstractions |
|
|
359 | (2) |
|
From the Landscape: A Superimposition |
|
|
361 | (3) |
|
|
364 | (3) |
|
The Lone Swimmer of Henry County, Virginia |
|
|
367 | (4) |
|
Ni ta na to ta-Ma ni-Eye-Me kwi te e ya ni, I Will Talk About This While I Still Remember |
|
|
371 | (4) |
|
For Lady Z Before She Became a Terrorist |
|
|
375 | (4) |
|
|
379 | (2) |
|
|
381 | (8) |
|
|
389 | (2) |
|
The Last Day Geese Drones Circled Home |
|
|
391 | (4) |
|
|
395 | (1) |
|
Ultrasound, The Missing, Down Under |
|
|
396 | (2) |
|
|
398 | (1) |
|
She Said I Know More Than Your Kids and Grandkids |
|
|
399 | (1) |
|
The Lonely Crickets Theatre |
|
|
400 | (1) |
|
For You, A Handful of the Greatest Gift |
|
|
401 | (3) |
|
|
404 | (1) |
|
|
405 | (5) |
|
|
410 | (2) |
|
Retorna Me ... Cora Mia Ti Amo |
|
|
412 | (9) |
|
Nye wi Mamitti Nakamonani, Four Peyote Songs, ca. 1930 |
|
|
421 | (5) |
|
Contemporary Meskwaki Social Dance Songs |
|
|
426 | (13) |
|
Notes to "Four Hinterland Abstractions" |
|
|
431 | (4) |
|
Notes to "Contemporary Meskwaki Social Dance Songs" |
|
|
435 | (4) |
Acknowledgments |
|
439 | (2) |
About the Author |
|
441 | |