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Mantegna and Bellini [Kietas viršelis]

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  • Formatas: Hardback, 304 pages, aukštis x plotis: 292x241 mm, weight: 1905 g, 275 color + b-w illus.
  • Išleidimo metai: 30-Oct-2018
  • Leidėjas: National Gallery Company Ltd
  • ISBN-10: 1857096347
  • ISBN-13: 9781857096347
Kitos knygos pagal šią temą:
  • Formatas: Hardback, 304 pages, aukštis x plotis: 292x241 mm, weight: 1905 g, 275 color + b-w illus.
  • Išleidimo metai: 30-Oct-2018
  • Leidėjas: National Gallery Company Ltd
  • ISBN-10: 1857096347
  • ISBN-13: 9781857096347
Kitos knygos pagal šią temą:
An innovative study of the relationship between Andrea Mantegna and Giovanni Bellini, two masters of the Italian Renaissance 


An innovative study of the relationship between Andrea Mantegna and Giovanni Bellini, two masters of the Italian Renaissance 

Andrea Mantegna (c. 1431–1506) and Giovanni Bellini (active c. 1459; died 1516) each produced groundbreaking paintings, marked by pictorial and technical innovations, that are among the masterpieces of the Italian Renaissance. Exploring the fruitful dynamic between Mantegna’s inventive compositional approach and interest in classical antiquity and Bellini’s passion for landscape painting, this fascinating volume examines how these two artists, who were also brothers-in-law, influenced and responded to each other’s work.
 
Full of new insights and captivating juxtapositions—including comparisons of each of the artist’s depictions of the Agony in the Garden and the Presentation to the Temple—this study reveals that neither Mantegna’s nor Bellini’s achievements can be fully understood in isolation and that their continuous creative exchanges shaped the work of both.

Recenzijos

The book published to accompany the exhibition Mantegna and Bellini at Londons National Gallery, is not a catalogue in any traditional sense. It contains no discussion of the works on view in their order of display; and, apart from a listing of pictures and lenders, it pays little attention to the show or its purposes. Instead, we are treated to 20 essays that represent the latest scholarship on these two artists. The first five deal with general issues, but even the more specific essays that follow such as the discussion of the portraits are thorough investigations that bring new perspectives to long-studied themes. All this is contained in this sumptuous book, with over 250 good-sized illustrations.Theodore K. Rabb, The Art Newspaper

Directors' Preface 9(1)
Curators' Introduction 10(2)
Caroline Campbell
Dagmar Korbacher
Neville Rowley
Sarah Vowles
Maps and Family Tree
12(3)
I A Tale of Two Artists and Two Cities: Mantegna, Bellini; Padua, Venice
15(14)
Caroline Campbell
II Mantegna/Bellini: Invention versus Poetry
29(12)
Andrea De Marchi
III `Bellini stands higher ... than Mantegna'
41(10)
Neville Rowley
IV Mantegna and Bellini: Contrasting Approaches to Technique
51(18)
Jill Dunkerton
Babette Hartwieg
V Drawing Conclusions: The Graphic Work of Mantegna and Bellini
69(20)
Sarah Vowles
Dagmar Korbacher
Catalogue
Caroline Campbell
Dagmar Korbacher
Neville Rowley
Sarah Vowles
Katharina Weick-Joch
`Sculpting in paint': Mantegna's Training in Padua
89(6)
Jacopo Bellini and the Formation of Giovanni
95(13)
In Close Artistic Dialogue
108(19)
Saint Jerome
127(3)
Standing Saints: The Young Mantegna and Bellini as Draughtsmen
130(5)
The Agony in the Garden
135(5)
When Bellini traced Mantegna: Two Paintings of the Presentation of Christ in the Temple
140(8)
The Descent of Christ into Limbo
148(8)
Between Suffering and Redemption: The Motif of the Dead Christ
156(14)
Between Mantegna and Bellini: Marco Zoppo and the Invention of the sacra conversazione
170(10)
The Virgin and Child: Small-Scale Devotional Works
180(16)
Shaping Sacrifice: The Body in the Work of Mantegna and Bellini
196(10)
`Truly Lifelike and Real': The Portraits of Mantegna and Bellini
206(12)
Landscape
218(14)
Mantegna, Bellini and Antiquity
232(17)
The Last Works
249(9)
Appendix of non-exhibited works 258(8)
Notes 266(10)
Further Reading 276(1)
Bibliography 277(7)
List of Exhibited Works 284(11)
Index 295(6)
List of Lenders 301(1)
Photographic Credits 302
Caroline Campbell is Jacob Rothschild Head of the Curatorial Department at the National Gallery, London. Dagmar Korbacher is curator of Italian and French drawings and prints at the Kupferstichkabinett, Berlin. Neville Rowley is curator of early Italian paintings and sculpture at the Gemäldegalerie and Bode Museum, Berlin. Sarah Vowles is Hamish Swanston Curator of Italian and French Prints and Drawings at the British Museum, London.