Preface to the Third Edition |
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xi | |
Mark as an Oral/Aural Composition |
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xi | |
The Importance of the Cosmic Dimensions of Mark's Story |
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xii | |
The Roman Imperial Context |
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xiii | |
Introduction: The Gospel of Mark as Story |
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1 | (8) |
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The Historical Context of the Gospel of Mark |
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2 | (1) |
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What Type of Story Did Mark Compose? |
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2 | (1) |
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The Coherence of Mark's Narrative |
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3 | (1) |
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4 | (1) |
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Guidelines for Reading Mark as a Story |
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5 | (1) |
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A Narrative Method for Interpreting Mark |
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6 | (3) |
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Chapter 1 The Gospel of Mark |
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9 | (30) |
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Introduction to the Translation |
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9 | (2) |
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11 | (28) |
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39 | (24) |
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39 | (5) |
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The narrator speaks from outside the story world |
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41 | (1) |
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The narrator is not bound by time or space |
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41 | (1) |
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Mark's narrator is omniscient |
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41 | (1) |
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The narrator guides by means of "asides" |
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42 | (1) |
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The narrator gives the audience privileged knowledge |
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43 | (1) |
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The Narrator's Point of View |
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44 | (2) |
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The narrator is not neutral |
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44 | (1) |
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The narrator's standards of judgment |
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45 | (1) |
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The Narrator's Style and Tempo |
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46 | (1) |
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The Narrator's Patterns of Repetition in Storytelling |
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47 | (7) |
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48 | (1) |
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Foreshadowing and retrospection |
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48 | (1) |
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49 | (2) |
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51 | (1) |
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51 | (1) |
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52 | (1) |
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Episodes in a concentric pattern |
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52 | (2) |
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Progressive episodes in series of three |
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54 | (1) |
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54 | (6) |
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55 | (1) |
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56 | (1) |
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Quotations from the writings |
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57 | (1) |
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58 | (1) |
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59 | (1) |
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60 | (3) |
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63 | (10) |
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64 | (2) |
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The Political-Cultural Setting |
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66 | (1) |
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66 | (6) |
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Patterns of movement on the journey |
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67 | (2) |
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Settings recalling Israel's past |
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69 | (1) |
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Public and private settings |
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70 | (1) |
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The journey as the way of God |
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71 | (1) |
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72 | (1) |
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73 | (26) |
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73 | (5) |
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73 | (1) |
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Beginning, middle, and end |
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74 | (1) |
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Connections in Mark's plot |
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75 | (1) |
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The fulfillment or nonfulfillment of expectations |
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76 | (1) |
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The outcome of Mark's plot |
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76 | (1) |
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The plot involves conflict |
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77 | (1) |
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The Rule of God Initiates the Conflicts |
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78 | (4) |
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Stage 1 The inauguration of the rule of God |
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80 | (1) |
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Stage 2 The culmination of the rule of God |
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81 | (1) |
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Jesus in Conflict with Cosmic Forces |
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82 | (2) |
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Jesus in Conflict with the Authorities |
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84 | (6) |
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The development of the conflict in the plot |
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85 | (3) |
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The authorities' side of the conflict: Defending God's law |
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88 | (1) |
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Jesus' side of the conflict: Message and evasion |
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89 | (1) |
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The resolution of the conflict |
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89 | (1) |
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Jesus in Conflict with the Disciples |
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90 | (6) |
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The development of the conflict in the plot |
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91 | (2) |
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The disciples' side of the conflict: Overwhelmed by the rule of God |
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93 | (1) |
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Jesus' side of the conflict: Making faithful disciples |
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94 | (1) |
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The resolution of the conflict |
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95 | (1) |
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96 | (3) |
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Chapter 5 The Characters I: Jesus |
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99 | (18) |
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Approaches to Characterization |
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100 | (4) |
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101 | (1) |
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102 | (1) |
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102 | (1) |
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103 | (1) |
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Identification with characters |
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103 | (1) |
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104 | (1) |
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104 | (13) |
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105 | (1) |
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105 | (1) |
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106 | (2) |
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108 | (1) |
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Serving and not lording over others |
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108 | (2) |
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Renouncing self, being least, and losing life for others |
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110 | (1) |
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111 | (1) |
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112 | (1) |
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The meaning of Jesus' crucifixion |
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113 | (2) |
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115 | (2) |
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Chapter 6 The Characters II: The Authorities, the Disciples, and the Minor Characters |
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117 | (20) |
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117 | (6) |
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118 | (1) |
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118 | (1) |
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No love for God or neighbor |
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119 | (1) |
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119 | (1) |
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120 | (1) |
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The authorities save themselves |
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121 | (1) |
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Fear is at the root of their actions |
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121 | (1) |
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The authorities lord over people |
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122 | (1) |
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The audience and the authorities |
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123 | (1) |
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123 | (7) |
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124 | (1) |
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Faith, loyalty, and authority |
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125 | (1) |
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Lack of understanding, fear, and lack of faith |
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125 | (1) |
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Seeking glory and resisting death on the journey |
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126 | (1) |
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Fear and flight in Jerusalem |
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127 | (1) |
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The failure of the disciples |
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128 | (1) |
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129 | (1) |
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The audience and the disciples |
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129 | (1) |
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130 | (6) |
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131 | (1) |
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131 | (1) |
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Losing life, being least, and serving |
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132 | (1) |
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133 | (1) |
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Comparison and contrast with other characters |
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133 | (1) |
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134 | (1) |
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134 | (1) |
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The audience and the minor characters |
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135 | (1) |
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136 | (1) |
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137 | (16) |
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137 | (1) |
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138 | (6) |
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Stage 1 Experiencing the rule of God |
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139 | (1) |
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Stage 2 Overcoming resistance to the rule of God |
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140 | (1) |
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Stage 3 Facing persecution and execution in Jerusalem |
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141 | (1) |
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142 | (2) |
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Hypothetical First-Century Audiences |
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144 | (2) |
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Case Study: A Performance Scenario |
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146 | (6) |
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The reign of God and the empire of Rome |
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147 | (1) |
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The culture of the rule of God |
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148 | (1) |
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In the aftermath of the Roman-Judean War |
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148 | (1) |
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Opposing the Judean revolutionaries |
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149 | (1) |
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150 | (1) |
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151 | (1) |
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152 | (1) |
Epilogue: Reading as a Dialogue: The Ethics of Reading |
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153 | (4) |
Afterword |
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157 | (6) |
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Appendix 1 Exercises for an Overall Narrative Analysis of Mark |
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163 | (4) |
Appendix 2 Exercises for a Narrative Analysis of Episodes |
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167 | (6) |
Appendix 3 Exercises for Learning and Telling Episodes |
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173 | (6) |
Notes |
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179 | (10) |
Selected Bibliography for the Third Edition |
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189 | |