Atnaujinkite slapukų nuostatas

El. knyga: Masculinity in Contemporary Science Fiction Cinema: Cyborgs, Troopers and Other Men of the Future

(Université de Picardie Jules Verne, France)
Kitos knygos pagal šią temą:
Kitos knygos pagal šią temą:

DRM apribojimai

  • Kopijuoti:

    neleidžiama

  • Spausdinti:

    neleidžiama

  • El. knygos naudojimas:

    Skaitmeninių teisių valdymas (DRM)
    Leidykla pateikė šią knygą šifruota forma, o tai reiškia, kad norint ją atrakinti ir perskaityti reikia įdiegti nemokamą programinę įrangą. Norint skaityti šią el. knygą, turite susikurti Adobe ID . Daugiau informacijos  čia. El. knygą galima atsisiųsti į 6 įrenginius (vienas vartotojas su tuo pačiu Adobe ID).

    Reikalinga programinė įranga
    Norint skaityti šią el. knygą mobiliajame įrenginyje (telefone ar planšetiniame kompiuteryje), turite įdiegti šią nemokamą programėlę: PocketBook Reader (iOS / Android)

    Norint skaityti šią el. knygą asmeniniame arba „Mac“ kompiuteryje, Jums reikalinga  Adobe Digital Editions “ (tai nemokama programa, specialiai sukurta el. knygoms. Tai nėra tas pats, kas „Adobe Reader“, kurią tikriausiai jau turite savo kompiuteryje.)

    Negalite skaityti šios el. knygos naudodami „Amazon Kindle“.

If science fiction stages the battle between humans and non-humans, whether alien or machine, who is elected to fight for us? In the classics of science fiction cinema, humanity is nearly always represented by a male, and until recently, a white male. Spanning landmark American films from Blade Runner to Avatar, this major new study offers the first ever analysis of masculinity in science fiction cinema. It uncovers the evolution of masculine heroes from the 1980s until the present day, and the roles played by their feminine counterparts. Considering gender alongside racial and class politics, Masculinity in Contemporary Science Fiction Cinema also situates filmic examples within the broader culture. It is indispensable for understanding science fiction and its role in contemporary cultural politics.

Recenzijos

[ A] very readable and insightful volume. With Kac-Vergnes study in hand, the field of masculinity and sf cinema studies is well poised to tackle films in the next era of sf blockbusters. * Science Fiction Studies * Compelling This book will be of value to researchers of science fiction and gender studies and beyond. Kac-Vergne successfully demonstrates that representations of masculinity in contemporary science fiction have evolved, but with the caveat that the white man remains the genres representative of humanity, perpetuating the sidelining of women and racial minorities. -- Marianne Kac-Vergne * Feminist Media Studies * Kac-Vergnes book is uniformly engaging and often exhilarating as she exposes both the consistent shortcomings of Hollywood and the frequent efforts of filmmakers to subvert the hegemonic order. -- Rob Mayo * Foundation: International Review of Science Fiction * Specifically focusing on hegemonic masculinity as a set normative system that the films maintain, trouble or threaten to upheave, the authors historical approach guides the reader through evolving and reproduced notions of masculinity in Hollywood science fiction films. Each of the historicised case studies is supported effectively by close textual analysis. * Frames Cinema Journal * A must read about gender politics in popular culture, this is a revealing and original historical study about constructed male identities in the flourishing genre of science fiction. Marianne Kac-Vergne eloquently coins key developments in the depiction of (hyper)masculinity in Hollywood blockbusters and traces the 1980s heroes with bulging muscles and hard bodies to the twenty-first century- sci-fi-species equipped with clever minds and a heart. The only staple: women stay on the sidelines while hegemonic masculinity rules. In the current political climate Kac-Vergne teaches us invaluable new insights to engage with the ideas of race and gender in mainstream film. * Karen A. Ritzenhoff, Professor, Department of Communication, Central Connecticut State University, USA * Marianne Kac-Vergnes Masculinity in Contemporary Science Fiction Cinema: Cyborgs, Troopers and Other Men of the Future is a brilliant analysis of contemporary science fiction cinema. It will appeal to academics and students in film studies, gender studies, and cultural studies alike: its smart contextualisations, subtle commentary of intertexts and astute close readings, combined with strong intersectional analyses of the masculinity in these well-known films will prompt re-viewing in another light. Broader audiences will find this is a highly enjoyable read, with a dose of wit and wry humour. This is truly a must-read for anyone who watches, studies, or indeed, makes science fiction films today. * Monica Michlin, Professor of Contemporary American Studies, Université Paul Valéry Montpellier, France *

Daugiau informacijos

First full account of men & masculinity in modern science fiction cinema.
List of Illustrations
viii
Series Editors' Foreword ix
Acknowledgements x
Introduction 1(8)
1 Vulnerable Hypermasculinity
9(34)
Reclaiming Hegemony Through Hypermasculinity
12(11)
Vulnerability as a Path to Victimhood
23(10)
Questioning Hypermasculinity
33(10)
2 Dystopia and Class War
43(40)
Dystopian Societies
46(11)
Worlds Devoid of Humanity
57(10)
Defusing Class Warfare
67(16)
3 Sidelining Women
83(38)
Women as Sidekicks
85(9)
The Fleeting Rise of Action Heroines
94(14)
Back to the Sidelines
108(13)
4 `White Folks Ain't Planning for Us to be Here'
121(36)
Demons with a Purpose
124(10)
Integrated Members of Multiracial Teams
134(9)
Will Smith, Lone Black Hero
143(14)
5 Redefining Masculinity in Times of `Crisis'
157(36)
Away from Hypermasculinity
159(15)
The Turn to Fatherhood
174(19)
Afterword: The Gender Politics of Science Fiction Blockbusters 193(3)
Notes 196(28)
Bibliography 224(12)
Filmography 236(5)
Index 241
Marianne Kac-Vergne is Lecturer at the Universite de Picardie Jules Verne in Amiens, France, where she teaches courses in American cultural history at graduate and undergraduate levels. Her research focuses on gender and genre in American cinema, and she has published and presented on masculinity and femininity in science fiction, romantic comedy and western films. Previously, she was Assistant Professor at the Universite Paris 1 Pantheon-Sorbonne.