Maternal Performance: Feminist Relations bridges the fields of performance, feminism, maternal studies, and ethics. It loosely follows the life course with chapters on maternal loss, pregnancy, birth, aftermath, maintenance, generations, and futures. Performance and the maternal have an affinity as both are lived through the body of the mother/artist, are played out in real time, and are concerned with creating ethical relationships with an other be that other the child, the theatrical audience, or our wider communities. The authors contend that maternal performance takes the largely hidden, private and domestic work of mothering and makes it worthy of consideration and contemplation within the public sphere.
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1 | (36) |
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37 | (22) |
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59 | (24) |
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83 | (24) |
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107 | (26) |
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133 | (30) |
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163 | (26) |
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189 | (26) |
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9 New Beginnings (9 months) |
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215 | (20) |
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235 | |
Lena imi is a Reader in Drama at Edge Hill University, UK. Her research areas include contemporary performance practice, live art, art activism, feminist theatre and performance, and critical arts practice in relation to climate crisis, ecology and environment.
Emily Underwood-Lee is Associate Professor in Performance Studies at the University South Wales, UK. Her work focuses on amplifying little heard personal stories. She has a particular interest in the performance of the maternal, gender, health/illness and heritage.
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