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Subsumption of Vertical Viewpoint Patterns |
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1 | (12) |
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Building Topological Spaces for Musical Objects |
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13 | (16) |
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A Model for Collective Free Improvisation |
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29 | (13) |
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On a Class of Locally Symmetric Sequences: The Right Infinite Word Λθ |
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42 | (14) |
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Sensitive Interval Property for Scales as Words in the Free Group F2 |
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56 | (13) |
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Commuting Groups and the Topos of Triads |
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69 | (15) |
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84 | (1) |
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Fundamental Passacaglia: Harmonic Functions and the Modes of the Musical Tetractys |
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84 | (31) |
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Musical Tonality, Neural Resonance and Hebbian Learning |
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115 | (11) |
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Interval Cycles, Affinity Spaces, and Transpositional Networks |
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126 | (14) |
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Two-Dimensional Visual Inspection of Pitch-Space, Many Time-Scales and Tonal Uncertainty Over Time |
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140 | (11) |
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Musical Composition and Gestural Diagrams |
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151 | (14) |
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Tonal Scales and Minimal Simple Pitch Class Cycles |
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165 | (15) |
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Scratching the Scale Labyrinth |
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180 | (16) |
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Nth Roots of Pitch-Class Inversion |
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196 | (11) |
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Cardinality Transformations in Diatonic Space |
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207 | (13) |
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Indeterminate Music and Probability Spaces: The Case of John Cage's Number Pieces |
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220 | (10) |
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Voice-Leading Prototypes and Harmonic Function in Two Chorale Corpora |
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230 | (11) |
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Emergent Formal Structures of Factor Oracle-Driven Musical Improvisations |
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241 | (1) |
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Open Form and Two Combinatorial Musical Models: The Cases of Domaines and Duel |
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241 | (29) |
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Exploding the Monochord: An Intuitive Spatial Representation of Microtonal Relational Structures |
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270 | (15) |
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Music between Hearing and Counting (A Historical Case Chosen Within Continuous Long-Lasting Conflicts) |
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285 | (12) |
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Mazzola's Model of Fuxian Counterpoint |
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297 | (14) |
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Introduction to Scale Theory over Words in Two Dimensions |
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311 | (15) |
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Short Papers (Poster Sessions) |
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The Planet-4D Model: An Original Hypersymmetric Music Space Based on Graph Theory |
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326 | (4) |
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Motivic Topologies: Mathematical and Computational Modelling in Music Analysis |
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330 | (4) |
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Christina Anagnostopoulou |
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Exploring Rameau and Beyond: A Corpus Study of Root Progression Theories |
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334 | (4) |
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Melodic Morphing Algorithm in Formalism |
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338 | (4) |
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From 2D to 3D: Using Geometry and Group Theory to Model Motivic Structure in Musical Composition |
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342 | (4) |
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Clustering and Classification of Music by Interval Categories |
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346 | (4) |
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Plactic Classification of Modes |
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350 | (4) |
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Feature Extraction Using Pitch Class Profile Information Entropy |
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354 | (4) |
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Maximos A. Kaliakatsos-Papakostas |
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Catastrophe Theory: An Enhanced Structural and Ontological Space in Music Composition |
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358 | (4) |
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Enriched Score Access for Computer Assisted Composition in PWGL |
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362 | (4) |
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Historical Development of Tonal Syntax: Counting Pitch-Class Sets in 13th-16th Century Polyphonic Vocal Music |
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366 | (4) |
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Surveying Musical Form through Melodic-Motivic Similarities |
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370 | (5) |
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| Author Index |
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375 | |
