Atnaujinkite slapukų nuostatas

Maya Narrative Arts [Kietas viršelis]

  • Formatas: Hardback, 328 pages, aukštis x plotis x storis: 229x152x25 mm, weight: 590 g, Illustrations
  • Išleidimo metai: 21-Jan-2019
  • Leidėjas: University Press of Colorado
  • ISBN-10: 1607328216
  • ISBN-13: 9781607328216
Kitos knygos pagal šią temą:
  • Formatas: Hardback, 328 pages, aukštis x plotis x storis: 229x152x25 mm, weight: 590 g, Illustrations
  • Išleidimo metai: 21-Jan-2019
  • Leidėjas: University Press of Colorado
  • ISBN-10: 1607328216
  • ISBN-13: 9781607328216
Kitos knygos pagal šią temą:
Authors Karen Bassie-Sweet and Nicholas A. Hopkins present a comprehensive and innovative analysis of the principles of Classic Maya narrative arts.


In Maya Narrative Arts, authors Karen Bassie-Sweet and Nicholas A. Hopkins present a comprehensive and innovative analysis of the principles of Classic Maya narrative arts and apply those principles to some of the major monuments of the site of Palenque. They demonstrate a recent methodological shift in the examination of art and inscriptions away from minute technical issues and toward the poetics and narratives of texts and the relationship between texts and images.
 
Bassie-Sweet and Hopkins show that both visual and verbal media present carefully planned narratives, and that the two are intimately related in the composition of Classic Maya monuments. Text and image interaction is discussed through examples of stelae, wall panels, lintels, benches, and miscellaneous artifacts including ceramic vessels and codices. Bassie-Sweet and Hopkins consider the principles of contrast and complementarity that underlie narrative structures and place this study in the context of earlier work, proposing a new paradigm for Maya epigraphy. They also address the narrative organization of texts and images as manifested in selected hieroglyphic inscriptions and the accompanying illustrations, stressing the interplay between the two.
 
Arguing for a more holistic approach to Classic Maya art and literature, Maya Narrative Arts reveals how close observation and reading can be equally if not more productive than theoretical discussions, which too often stray from the very data that they attempt to elucidate. The book will be significant for Mesoamerican art historians, epigraphers, linguists, and archaeologists.
List of figures
xi
Acknowledgments xv
Introduction 3(24)
Paradigms in the Study of Maya Hieroglyphs, Past and Present
5(4)
Toward a New Paradigm
9(1)
Contrast and Complementarity in Language
10(4)
Contrast and Complementarity in Mythology
14(4)
Contrast and Complementarity between Text and Image
18(1)
The Composition of a Classic-Period Monument
19(4)
The Organization of This Book
23(4)
Chapter 1 The Creator Grandparents and the Place of Duality
27(41)
The Nomenclature and Manifestations of Maya Deities
28(1)
The Multiple Manifestations of Deities and Humans
29(1)
The Chahk Deities
30(1)
The Triad of Thunderbolt Gods
30(2)
The Thunderbolt Deity GI
32(2)
The Thunderbolt Deity GUI
34(1)
The Thunderbolt Deity Gil
35(2)
K'awiil
37(1)
The Meteor Deity Tlaloc
37(1)
Avian Avatars
38(1)
The Creator Grandparents and Complementary Opposition
38(2)
The Waters of the Place of Duality
40(5)
The Water lily Bird-Serpent and the Waters of the Place of Duality
45(3)
Water Shrines
48(2)
The Sky
50(1)
The Quadrilateral World of the Creator Deities
51(2)
House Metaphors
53(1)
The Hearthstones
54(1)
Heat
55(1)
The Place of Duality in the Sky
56(3)
The Sun and the Place of Duality
59(1)
The Sun God
59(2)
The K'inich and K'inich Ajaw Titles
61(1)
The Number Four God
62(1)
Flower Motifs and the Place of Duality
63(3)
Sky and Earth Gods as a Class of Deities
66(1)
Summary
67(1)
Chapter 2 The Family of the Creator Grandparents and Complementary Opposition
68(21)
The Second Generation of Creator Deities
68(5)
The Third Generation of Creator Deities
73(2)
The Wisdom and Knowledge of the Creator Deities
75(2)
The Complementary Opposition of the Deities
77(5)
The Moon and Complementary Opposition
82(4)
Impersonations of One Moon and Lady Moon
86(1)
Summary
87(2)
Chapter 3 The Calendar and the Narrative Time Frame
89(20)
The Divination and Solar Calendars
90(2)
The Long Count
92(2)
The Glyph G Series
94(1)
The Lunar Series
94(1)
Patron Gods of the K'atun Period
95(3)
The Mythological Period Ending Event of 4 Ajaw 8 Kumk'u
98(1)
Periods of poo Days
99(1)
The Narrative Time Frame
100(1)
Variation
101(6)
Summary
107(2)
Chapter 4 The Literary Nature of Mayan Texts, Ancient and Modem
109(33)
Categories of Speech
111(3)
Poetry in a Modern Maya Text
114(1)
Narrative Structure of Modern Texts
115(3)
The Sarcophagus Lid Text of the Palenque Temple of the Inscriptions
118(7)
The Palenque Palace Tablet of House A-D
125(8)
Distance Number Treatment
133(1)
Topical Divisions of the Text
134(1)
Distance Number Introductory Glyphs
135(2)
Elaboration and Relative Weight
137(1)
Summary
138(4)
Chapter 5 Text and Image
142(1)
Semantic Markers in Maya Art
142(4)
Text and Image Interchange in Headdress Motifs
146(2)
Text and Image Interchange in Place Names
148(3)
Text and Image Placement: Framing and Bracketing
151(8)
Visual Focus
159(2)
Verbal Couplets
161(2)
Visual Couplets
163(3)
The Poetic Structure of Co-Essences Vessels
166(3)
Other Forms of Visual Couplets
169(1)
Chiasmus Structure
169(2)
Text and Image Couplets
171(5)
Sequential Couplets on the Palenque Temple XIX Platform
176(2)
The Couplet Structure of the Palenque Temple XXI Bench
178(5)
Reversed Texts as Chiasmus Structure
183(7)
Summary
190(3)
Chapter 6 The Palenque Tablet of the 96 Glyphs
193(1)
The Historical Background of the Protagonist
193(1)
The Setting of the Monument
194(1)
The Tablet of the p6 Glyphs Narrative
195(5)
The Protagonist
200(1)
Literary Devices: Focus
200(1)
Literary Devices: Fronting and Promotion
201(1)
Visual Variations
202(1)
Summary
203(3)
Chapter 7 The Narrative of the Palenque Temple of the Inscriptions Sarcophagus
206(22)
The Setting
206(2)
The Tomb
208(1)
The Sarcophagus Lid Scene
209(4)
The Sarcophagus Lid Text
213(2)
Two Alternative Analyses
215(1)
The Sarcophagus Box
216(4)
The Secondary Lords of the Sarcophagus Lid
220(1)
The Death and Afterlife of K'inich Janaab Pakal I
221(4)
Summary
225(3)
Chapter 8 The Palenque Cross Group Narrative
228(41)
The Setting
228(2)
Peripheral Cross Group Texts
230(2)
The Alfardas
232(3)
The Sanctuary Jambs
235(1)
The Sanctuary Piers
236(2)
The Sanctuary Tablets
238(1)
The Tablet of the Cross
238(4)
The Main Text of the Tablet of the Cross
242(2)
The Main Texts of the Temples of the Sun and Foliated Cross
244(3)
The Reading Order of the Three Cross Group Tablets
247(2)
The Place Names in the Cross Group Narrative
249(1)
The Location of the Tablet of the Cross Scene
250(5)
The Location of the Tablet of the Sun Scene
255(4)
The Location of the Tablet of the Foliated Cross Scene
259(4)
GII and the Jester God
263(1)
Summary
264(5)
Chapter 9 Conclusions
269(6)
References 275(26)
Index 301