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El. knyga: Medieval literary voices: Embodiment, materiality and performance

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Voice is a fleeting physical phenomenon that leaves behind traces of its existence. Medieval literary voices offers a wide-reaching approach to the concept of literary voices, both the vanished authorial ones and the implicit textual ones. Its impressive lineup deepens our understanding of how literary voices evoke the elusive voices lurking beyond the text, capturing the absent authorial voice, the traces of scribal voices and the soundscape of the uttered text. It explores multiple dimensions of medieval voice and vocalisations, and the interactions between literary voices and their authorial, scribal and socio-political settings. It contends that through the theorizing of literary voices we can begin to understand the ways in which medieval voices mediate or proclaim an embodied selfhood or material presence, how they dictate or contest moral conventions, and how they create and sustain narrative soundscapes.

Medieval literary voices explores literary voice in relation to its authorial, scribal and socio-political settings. It reveals how literary voices evoke voices lurking beyond the text – the absent authorial voice, the traces of scribal voices and the aural soundscape of the uttered text – and how they mediate embodied life and material presence.
List of figures and tables
ix
List of contributors
xi
Preface xv
List of abbreviations
xvii
Introduction 1(17)
Louise D'Arcens
Sif Rikharosdottir
1 Articulate voices
18(19)
Ruth Evans
Part I Narrative embodiment and voicing
2 Voice of authority: free indirect discourse in Chaucer's General Prologue
37(19)
Helen Fulton
3 Speaking in person
56(19)
Fiona Somerset
Part II Authoritative, ethical and orthodox voices
4 The body speaks in The Franklin's Tale
75(20)
Mishtooni Bose
5 The sensology of the moral conscience: William Peraldus's ethical voices
95(16)
Richard Newhauser
6 Langland parrhesiastes
111(22)
Ian Cornelius
Part III Materiality and textual voices
7 Margery Kempe, the leprous woman and the voice of St Paul
133(17)
Lawrence Warner
8 Listening for the scribe: punctuation and the voicing of late medieval devotional literature
150(22)
Sarah Noonan
9 Parrot poet: Humphrey Newton and Bodleian Library, MS Lat. Misc. c. 66
172(21)
Wendy Scase
Part IV Performative voices and medieval aurality
10 Voice, materiality and history in St Erkenwald and Egils saga Skallagrimssonar
193(19)
Sif Rikharosdottir
11 Embodying the Mandevillean voice
212(20)
Sarah Salih
12 Reconstructing Christine de Pizan's musical voice in the twenty-first century
232(19)
Louise D'Arcens
Afterword: medieval voice -- a tribute to David Lawton 251(9)
John M. Ganim
Bibliography 260(30)
Index 290
Louise D'Arcens is Professor of English and Deputy Dean of Research and Innovation in the Faculty of Arts at Macquarie University, Sydney, Australia

Sif Rikhardsdottir is Chair and Professor of Comparative Literature and Head of the Institute for Research in Literature and the Visual Arts at the University of Iceland -- .