Introduction |
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ix | |
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Part One Cinema: The Big Screen |
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1 | (86) |
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Chapter 1 Psychoanalytic Renditions and Film Noir Traditions |
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3 | (10) |
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Chapter 2 The Meme of Escaped (Male) Mental Patients in American Horror Films |
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13 | (10) |
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Chapter 3 Filming Hallucinations for A Beautiful Mind, Black Swan, Spider, and Take Shelter |
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23 | (12) |
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Chapter 4 Dissociative Identity Disorder in Horror Cinema (You D.I.D.n't See That Coming) |
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35 | (10) |
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Chapter 5 Spirit Possession, Mental Illness, and the Movies, or What's Gotten into You? |
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45 | (10) |
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Chapter 6 Hitchcock: Master of Suspense and Mental Illness |
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55 | (10) |
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Chapter 7 McMurphy the Trickster, Foucault, and One Flew Over the Cuckoo's Nest |
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65 | (12) |
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Chapter 8 "Nature Played Me a Dirty Trick": Illness vs. Tolerance in Gay-Themed Film |
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77 | (10) |
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Part Two Television: The Small Screen |
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87 | (82) |
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Chapter 9 Women's Agency as Madness: "The Yellow Wallpaper" to Penny Dreadful |
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89 | (10) |
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Laura E. Colmenero-Chilberg |
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Chapter 10 Orange Is the New Color for Mental Illness |
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99 | (10) |
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Chapter 11 Suffering Soldiers and PTSD: From Saigon to Walton's Mountain |
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109 | (10) |
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Chapter 12 Mirth and Mental Illness: Television Comedy and the Human Condition |
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119 | (10) |
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Chapter 13 Mentally Ill Mobsters: From Cagney's White Heat to Scarface to Bugsy and Crazy Joe |
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129 | (8) |
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Chapter 14 How Traditional Holiday TV Movies Depict Mental Illness |
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137 | (10) |
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Chapter 15 Cotard's Syndrome in True Detective, Alien Invaders, Zombies, and Pod People |
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147 | (12) |
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Chapter 16 House, Monk, Dexter, and Hannibal: "Super-Powered" Mentally Ill TV Characters |
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159 | (10) |
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Part Three Novels, Poetry, Memoirs, and Short Stories |
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169 | (54) |
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Chapter 17 Sanity and Perception in Philip K. Dick's Clans of the Alphane Moon |
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171 | (12) |
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Chapter 18 Medea, Mothers, and Madness: Classical Culture in Popular Culture |
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183 | (10) |
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Chapter 19 Narratives in The Snake Pit, I Never Promised You a Rose Garden, and Girl, Interrupted |
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193 | (12) |
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Chapter 20 Edgar Allan Poe's Unreliable Narrators, or "Madmen Know Nothing" |
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205 | (8) |
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Chapter 21 Lovecraft and "An Open Slice of Howling Fear" |
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213 | (10) |
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Part Four Comics, Art, Graphic Novels, and Video Games |
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223 | (96) |
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Chapter 22 Mind Games: Representations of Madness in Video Games |
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225 | (8) |
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Chapter 23 Graphic Narratives: Bechdel's Fun Home and Forney's Marbles |
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233 | (10) |
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Chapter 24 The X-Men as Metaphors: When Gayness Was Illness |
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243 | (10) |
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Chapter 25 Arkham Asylum's Criminally Insane Inmates and Psychotic Psychiatrists |
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253 | (12) |
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Chapter 26 Halfworld's Loonies in Rocket Raccoon Comics---Serious or Satire? |
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265 | (12) |
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Chapter 27 Van Gogh and the Changing Perceptions of Mental Illness and Art |
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277 | (10) |
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Chapter 28 From the Beats to Jean-Michel Basquiat: Cultural Madness and Mad Art |
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287 | (12) |
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Chapter 29 "Autists" and Merchandising "Autistic Art" |
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299 | (10) |
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Chapter 30 Slipping into Silent Hill: Transnational Trauma |
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309 | (10) |
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Brenda S. Gardenour Walter |
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Part Five Music, Musicians, and Musical Theater |
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319 | (22) |
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Chapter 31 Kurt Cobain, Nirvana, and Generation X's Suicide Symbol |
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321 | (10) |
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Chapter 32 Metallica, Heavy Metal, and "Suicide Music" |
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331 | (10) |
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About the Editor and Contributors |
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341 | (6) |
Index |
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347 | |