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Michael Gambon: A Life in Acting [Minkštas viršelis]

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  • Formatas: Paperback / softback, 322 pages, aukštis x plotis x storis: 229x152x15 mm, weight: 336 g
  • Serija: Applause Books
  • Išleidimo metai: 05-Mar-2005
  • Leidėjas: Applause Theatre Book Publishers
  • ISBN-10: 1557836442
  • ISBN-13: 9781557836441
Kitos knygos pagal šią temą:
  • Formatas: Paperback / softback, 322 pages, aukštis x plotis x storis: 229x152x15 mm, weight: 336 g
  • Serija: Applause Books
  • Išleidimo metai: 05-Mar-2005
  • Leidėjas: Applause Theatre Book Publishers
  • ISBN-10: 1557836442
  • ISBN-13: 9781557836441
Kitos knygos pagal šią temą:
This volume presents more than a dozen interviews with British stage and screen actor Michael Gambon. Conducted between 1990 and 2003, these interviews reflect on Gambon's career from his early work with Sir Laurence Olivier in the National Theater through his portrayal of Professor Dumbledore in recent Harry Potter movies. Gussow (a drama critic for the New York Times) also draws insights from some of the people who have worked with Gambon, including playwright Harold Pinter and director Deborah Warner. Annotation ©2004 Book News, Inc., Portland, OR (booknews.com)

This is the first book devoted to the actor who has created a judicious blend of high-definition performances on the British stage and a wide range of award-winning television and film roles. New York Times writer Mel Gussow interviewed Gambon on many occasions, and those conversations comprise the majority of this book. Gussow also draws insights from some of the people who have worked with Gambon. Gambon was named the successor to the late Richard Harris as Professor Dumbledore in the Harry Potter films, making his debut in 2004's Harry Potter and the Prisoner of Azkaban, and he will be featured more prominently in the June 2005 film Harry Potter and the Goblet of Fire. He can also be seen in Mike Nichols' Emmy Award-winning HBO film of Tony Kushner's Angels in America and a growing number of films, including the recent Being Julia with Annette Bening, Sky Captain and the World of Tomorrow, and Wes Anderson's The Life Aquatic with Steve Zissou with Bill Murray.
Acknowledgements 9(2)
Introduction 11(16)
"Actors and actresses always required for near-professional productions" (June 12, 1990) 27(19)
"I think I'm more the carthorse to Ian's racing thoroughbred" (June 13, 1990) 46(14)
"The tradition of acting is based on copying. It's passed on from one actor to another" (June 15, 1990) 60(10)
"So I ran over and killed the rabbit" (June 18, 1990) 70(15)
"I exaggerate every story. I diddle them around the edges, make them much more entertaining and funny" (June 20, 1990) 85(6)
"It's a charmed bloody career that I've had" (June 28, 1990) 91(10)
"It's like a compulsion. I have to do it" (July 2, 1990) 101(7)
"Actors are show-offs, bigheaded bastards, egomaniacs. I can't think of any other reason they act" (July 3, 1990) 108(10)
"You go over the top, don't you?" (July 5, 1990) 118(4)
Interlude 122(7)
"If I had been born again, I'd be a ballet dancer" (November 21, 2002) 129(43)
"He made me do one scene 32 times - 32 takes. I didn't know what he was after and he wouldn't tell me...I thought maybe he thinks I find acting too easy, and he's going to make me find it difficult" (November 22, 2002) 172(21)
"When you're acting in a drama on stage, there's a little man in your head talking to you all the time. He's saying, 'That went well. Now bring it up a bit. Now bring it down"' (August 14, 2003) 193(11)
"I became an actor because I wanted to be behind the curtain. I wanted to be in the secret world of the curtain and the stage door and the backstage and the other world-and with the audience out there. I like to retain the mystery" (August 19, 2003) 204(11)
Afterword 215(2)
Conversations about Gambon 217(8)
Alan Ayckbourn, Harold Pinter, Adrian Noble, Dennis Potter, Peter Hall, Simon Russell Beale, Deborah Warner
Principal Roles 225(2)
Theatre, Film, Television and Radio
Index 227