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Mixing a Musical: Broadway Theatrical Sound Techniques [Minkštas viršelis]

4.38/5 (42 ratings by Goodreads)
  • Formatas: Paperback / softback, 232 pages, aukštis x plotis: 234x190 mm, weight: 476 g
  • Išleidimo metai: 07-Oct-2011
  • Leidėjas: Focal Press
  • ISBN-10: 0240817591
  • ISBN-13: 9780240817590
Kitos knygos pagal šią temą:
  • Formatas: Paperback / softback, 232 pages, aukštis x plotis: 234x190 mm, weight: 476 g
  • Išleidimo metai: 07-Oct-2011
  • Leidėjas: Focal Press
  • ISBN-10: 0240817591
  • ISBN-13: 9780240817590
Kitos knygos pagal šią temą:

When mixing a live show, for the first time or hundredth time, there are countless things running through your mind, foremost- this is live and you have to get it right! Whether you are working on Broadway, in a regional theatre or on the school production, having an understanding of the equipment, set up, and how sound behaves is crucial to the success of your show's performance. In this guide to live sound mixing for theatre, Shannon Slaton shares his expert knowledge and proven, effective techniques acquired from years of experience working on Broadway shows. Written in a clear and easy to read style, and illustrated with real world examples of personal experience and professional interviews, Slaton shows you how how to mix live theatre shows from the basics of equipment, set ups, and using sound levels to creating atmosphere, emotion and tension to ensure a first rate performance every time.

*Learn what it takes to be a Broadway theatrical mixer *Learn tips and tricks from some of today’s top Broadway mixers *Learn the techniques that will help you get ahead in this field





When mixing a live show, for the first time or hundredth time, there are countless things running through your mind, foremost- this is live and you have to get it right!

Whether you are working on Broadway, in a regional theatre or on the school production, having an understanding of the equipment, set up, and how sound behaves is crucial to the success of your show's performance.

In this guide to live sound mixing for theatre, Shannon Slaton shares his expert knowledge and proven, effective techniques acquired from years of experience working on Broadway shows.

Written in a clear and easy to read style, and illustrated with real world examples of personal experience and professional interviews, Slaton shows you how how to mix live theatre shows from the basics of equipment, set ups, and using sound levels to creating atmosphere, emotion and tension to ensure a first rate performance every time.

Recenzijos

"When mixing a live show, for the first time or hundredth time, there are countless things running through your mind, foremost- this is live and you have to get it right! Whether you are working on Broadway, in a regional theatre or on the school production, having an understanding of the equipment, set up, and how sound behaves is crucial to the success of your show's performance. In this guide to live sound mixing for theatre, Shannon Slaton shares his expert knowledge and proven, effective techniques acquired from years of experience working on Broadway shows. Written in a clear and easy to read style, and illustrated with real world examples of personal experience and professional interviews, Slaton shows you how to mix live theatre shows from the basics of equipment, set ups, and using sound levels to creating atmosphere, emotion and tension to ensure a first rate performance every time."--Book Bargains And Previews.com



"Sound designer Shannon Slaton has written a new book on theatre sound, Mixing a Musical: Broadway Theatrical Sound Techniques. The book is aimed at theatre sound design on many levels, from Broadway to regional theatre to school production. Slaton, a regular contributor to Live Design, shares his proven, effective techniques acquired over years of experience working on Broadway shows."--LiveDesignOnline.com

Foreword xi
Preface xv
PART I THE CAREER PATH
1(58)
Chapter 1 What Does It Mean to Be a Theatrical Mixer?
3(10)
Chapter 2 History of Theatrical Sound
13(8)
Chapter 3 Different Positions in Theatrical Sound
21(24)
Designer
21(4)
Associate Designer
25(1)
Assistant Designer
26(3)
Production Sound
29(3)
A1/Head Sound
32(4)
A2/Deck Sound
36(6)
Monitor Mixer
42(3)
Chapter 4 Different Levels of Theatrical Sound
45(14)
Small-scale and Off-Off Broadway
46(2)
Regional Theatre and Off-Broadway
48(3)
Touring Theatre
51(3)
Broadway Theatre
54(1)
Hierarchy and Loyalty
55(4)
PART II THE PREP
59(72)
Chapter 5 Design Team's Job
61(10)
Chapter 6 Mixer's Job
71(4)
Chapter 7 The Shop
75(12)
Salesperson
76(5)
Shop Foreman
81(1)
Show Key
82(2)
Shop Etiquette
84(3)
Chapter 8 Build Schedule
87(12)
Production Manager or Technical Director
87(1)
Hire Crew
88(2)
Break Down System into Tasks
90(6)
Payroll
96(3)
Chapter 9 Build Techniques
99(32)
Paperwork
99(7)
Labels
106(3)
Mults
109(6)
Bundles
115(5)
Communications
120(3)
Video
123(2)
Testing
125(4)
Packing
129(2)
PART III THE TAKE-IN OR LOAD-IN
131(28)
Chapter 10 Design Team's Job
135(4)
Chapter 11 Mixer's Job
139(4)
Chapter 12 Unions
143(12)
Local One
144(2)
I.A.T.S.E.
146(2)
802
148(3)
922 and 829
151(2)
Article 1 Theatrical Wardrobe Union Local 764
152(1)
Equity
153(2)
Chapter 13 The Schedule
155(4)
PART IV TECH
159(38)
Chapter 14 Design Team's Job
161(4)
Chapter 15 Mixer's Job
165(16)
Script
166(4)
VCAs/DCAs/Control Groups
170(5)
Console Programming
175(3)
Playback Programming
178(3)
Chapter 16 A2's Job (Making Techniques)
181(6)
Chapter 17 Mixing the Musical
187(10)
Epilogue 197(2)
Index 199
Shannon Slaton designed the tours for Aeros, Kiss Me Kate, The Full Monty, Hairspray, Sweeney Todd, and The Wizard of Oz. His Broadway mixing experience includes A Christmas Carol, Jersey Boys, Dirty Rotten Scoundrels, The Drowsy and Legally Blonde. He is also the Production Sound for The Phantom of the Opera on Broadway and the US National tour.