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Mobile Heritage: Practices, Interventions, Politics [Minkštas viršelis]

Edited by (University of Greenwich, UK.)
  • Formatas: Paperback / softback, 254 pages, aukštis x plotis: 234x156 mm, weight: 500 g, 3 Tables, black and white; 18 Halftones, black and white; 18 Illustrations, black and white
  • Serija: Key Issues in Cultural Heritage
  • Išleidimo metai: 22-Apr-2025
  • Leidėjas: Routledge
  • ISBN-10: 103250918X
  • ISBN-13: 9781032509181
Kitos knygos pagal šią temą:
  • Formatas: Paperback / softback, 254 pages, aukštis x plotis: 234x156 mm, weight: 500 g, 3 Tables, black and white; 18 Halftones, black and white; 18 Illustrations, black and white
  • Serija: Key Issues in Cultural Heritage
  • Išleidimo metai: 22-Apr-2025
  • Leidėjas: Routledge
  • ISBN-10: 103250918X
  • ISBN-13: 9781032509181
Kitos knygos pagal šią temą:

This book explores how diverse digital technologies have allowed for new types of heritage-related mobilities, and thereby established a novel set of practices, interventions, and politics in heritage collections, archives, exhibitions, entertainment, preservation, management, commerce, education, restitution, activism, and regulation.



Mobile Heritage explores how diverse digital technologies (such as apps, GPS, games, social platforms, NFTs, drones, AR, VR, and MR, among others) have allowed for new types of heritage-related mobilities, and thereby established a novel set of practices, interventions, and politics in heritage collections, archives, exhibitions, entertainment, preservation, management, commerce, education, restitution, activism, and regulation.

The volume is not a ‘how to’ book. Instead, it critically examines this emerging landscape and its unsettling of existing relations between heritage and knowledge, value, identity, power, sense of place, community, nationhood, and ownership – thereby outlining a new set of issues, implications, and consequences. The volume brings together case studies from around the world and each chapter considers mobility matters related to both tangible and intangible cultural heritage (including art, film, music, historical games, manuscripts, Indigenous knowledge, LGBTQ histories, built architecture, cities, and more) and the involvement of a variety of constituents in recent digital heritage practices and interventions (such as artists, scholars, activists, communities, museums, non-profit organisations, educational institutions, enterprises, and commercial platforms). The contributors are scholars and practitioners drawing on various fields of study and disciplines including museum studies, archaeology, media studies, computing, art history, cultural studies, anthropology, gender studies, mobility studies, and law.

Mobile Heritage positions mobility as a critical tool to understanding the changing (digital) heritage landscape, making this volume an essential read for students, academics, and practitioners alike.

Introduction: What is mobile heritage? (Ana-Maria Herman); 1 No freedom,
no honour: Red Dead Redemption 2 and heritage as procedural rhetoric
(Leighton Evans); 2 Museum pieces or stealing the show? NFTs and the story of
cinematic heritage in fragments (Johanna Gibson); 3 Digital mobilisation: A
just restitution? The transfer to Ethiopia of digitised manuscript copies by
the British Library (Eyob Derillo and Alexander Herman); 4 Open Cabinet:
Critically contextualising contested heritage through augmented reality
(Joanna Rivera-Carlisle and Kathryn Eccles); 5 The use of drone technology in
the conservation of conflict-affected heritage: The case of Vila do Ibo,
Mozambique (Kristen Barrett-Casey); 6 The museum response to the Art NFT:
Reinventing (digital) collections and the promise of economic mobilities
(Emily Gould); 7 Coffee with a Codex and #manuscriptASMR: Showcasing rare
books as a heritage practice (Nicholas Herman and Dot Porter); 8
Reconstructing the Yi identity through popular music and social media in
China (Junmin Liu); 9 Hybrid spaces and geolocative mobile apps for LGBTQ
heritage (Visa Immonen); 10 Mobile realities beyond vision and photorealism:
On collaborative user explorations with Indigenous heritage and the use of
intelligent contestation in Australia (Erik Champion and Hafizur Rahaman); 11
The Virtual Illés Initiative: Remediating architectures of information within
a 3D, real-time visualisation of 19th-century Jerusalem (Maryvelma Smith
ONeil and Andrew Yip); 12 Digital interventions in art world gender
politics: The +Archive Gwen John app and the (im)mobilising power of
copyright (Ana-Maria Herman); Index.
Ana-Maria Herman is Associate Professor at University of Greenwich, UK.