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Models of Discovery and Creativity 2009 ed. [Kietas viršelis]

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A key result of the contemporary study of discovery and creativity concerns the availability of descriptive and normative models for explaining discovery and creative processes. This book addresses these models and the changes they induced within methodology.

Since the origin of the modern sciences, our views on discovery and creativity had a remarkable history. Originally, discovery was seen as an integral part of methodology and the logic of discovery as algorithmic or nearly algorithmic. During the nineteenth century, conceptions in line with romanticism led to the famous opposition between the context of discovery and the context of justification, culminating in a view that banned discovery from methodology. The revival of the methodological investigation of discovery, which started some thirty years ago, derived its major impetus from historical and sociological studies of the sciences and from developments within cognitive psychology and artificial intelligence. Today, a large majority of philosophers of science agrees that the classical conception as well as the romantic conception are mistaken. Against the classical conception, it is generally accepted that truly novel discoveries are not the result of simply applying some standardized procedure. Against the romantic conception, it is rejected that discoveries are produced by unstructured flashes of insight.An especially important result of the contemporary study concerns the availability of (descriptive and normative) models for explaining discoveries and creative processes. Descriptive models mainly aim at explaining the origin of novel products; normative models moreover address the question how rational researchers should proceed when confronted with problems for which a standard procedure is missing. The present book provides an overview of these models and of the important changes they induced within methodology. As appears from several papers, the methodological study of discovery and creativity led to profound changes in our conceptions of justification and acceptance, of rationality, of scientific change, and of conceptual change. The book contains contributions from both historians and philosophers of science. All of them, however, are methodological in the contemporary sense of the term. The central values of this methodology are empirical accurateness, clarity and precision, and rationality. The different contributions realize these values by their interdisciplinary nature. Some philosophically oriented papers rely on historical case studies and results from the cognitive sciences, others on recent results from the computer sciences and/or non-standard logics. The historically oriented papers address central philosophical questions and hypotheses.
Foreword vii
Preface ix
Unexpected discoveries, Graded Structures, and the Difference between Acceptance and Neglect
1(28)
Hanne Andersen
The Conceptual Analysis
3(1)
Nuclear Physics
4(18)
Philosophical Morals
22(7)
Conceptual Comparison and Conceptual Innovation
29(14)
Harold I. Brown
Discovering Mechanisms in Molecular Biology Finding and Fixing Incompleteness and Incorrectness
43(14)
Lindley Darden
Introduction
43(2)
Characterization of Mechanisms
45(2)
Revision of Incomplete Schemata
47(3)
Revision of Incorrect Schemata
50(3)
Conclusion
53(4)
On the Role of Thought-Experiments in Mathematical Discovery
57(8)
Eduard Glas
Archimedes's Method
58(2)
Impossible Numbers
60(3)
Conclusion
63(2)
Experimental Systems, Investigative Pathways, and the Nature of Discovery
65(16)
Frederic L. Holmes
Abduction as a Heuristic Constraint
81(14)
Scott A. Kleiner
Introduction
81(2)
The Problem of Abduction
83(3)
Evolutionary Biology
86(6)
Conclusions
92(3)
Creative Abduction and Hypothesis Withdrawal
95(32)
Lorenzo Magnani
Change in Theoretical Systems
95(2)
Abduction: Sentential, Model-Based, Manipulative
97(7)
Governing Inconsistencies in Abductive Reasoning
104(10)
Withdrawing Unfalsifiable Hypotheses
114(13)
Conceptual Change: Creativity, Cognition, and Culture
127(40)
Nancy J. Nersessian
Introduction
127(1)
Interpreting Conceptual Practices: Cognitive-Historical Analysis
127(4)
Cognition and Culture: Situated and Distributed Cognition
131(6)
Creativity in Conceptual Change: The Role of Model-Based Reasoning
137(16)
Model-based Reasoning as Situated and Distributed Reasoning
153(5)
Culture and Cognition: Implications for Creativity
158(9)
The Strange Story of Scientific Method
167(42)
Thomas Nickles
Introduction
167(2)
Traditional Views of Method and Discovery
169(2)
Scientific Method (So-Conceived) Is Impossible
171(10)
Reasons for Optimism?
181(3)
Two Objections
184(2)
The Triumph of the Darwinian Method?
186(4)
BV+SR: Madness or Method?
190(8)
The Generality Question and the NFL Theorems
198(2)
The Classical Discovery Program Revisited
200(9)
Tradition and Innovation: Exploring and Transforming Conceptual Structures
209(14)
Matti Sintonen
Introduction
209(1)
Taditionalists and Iconoclasts
210(2)
Scientific Structures
212(2)
Applied and Intractable Fields
214(2)
Discovery in the Mature Sciences
216(2)
Exploring Paradigms
218(5)
A Purposeful Alliance in the Service of Creative Research The Network of Vitamin Investigators
223(14)
Petra Werner
Introduction
223(1)
The Significance of Collective Work
224(2)
How are the Results Evaluated from the Current Perspective?
226(8)
How Effective was the Network?
234(1)
Conclusion
235(2)
Index 237