| Preface |
|
xxii | |
| Acknowledgments |
|
xxiii | |
| Introduction |
|
1 | (16) |
|
Modernist Innovation versus Academic Convention: Some Late Nineteenth- and Early Twentieth-Century Examples |
|
|
2 | (8) |
|
Neoclassicism and Romanticism: Precursors to Modern Art |
|
|
10 | (7) |
|
Chapter 1 Realism, Early Photography, and Impressionism in France, Britain, and the United States, c. 1850--1880 |
|
|
17 | (28) |
|
|
|
18 | (3) |
|
Gustave Courbet (1819--1877) |
|
|
18 | (1) |
|
Jean-Francois Millet (1814--1875) |
|
|
19 | (1) |
|
Rosa Bonheur (1822--1899) |
|
|
20 | (1) |
|
Realism in Britain: The Pre-Raphaelite Brotherhood |
|
|
21 | (3) |
|
John Everett Millais (1829--1896) |
|
|
21 | (1) |
|
Ford Madox Brown (1821--1893) |
|
|
22 | (1) |
|
The Later Pre-Raphaelite Movement |
|
|
23 | (1) |
|
The Aesthetic Movement: James Abbott McNeill Whistler (1834--1903) |
|
|
24 | (1) |
|
|
|
24 | (4) |
|
The Early Technical Development of Photography |
|
|
26 | (1) |
|
|
|
26 | (1) |
|
Oscar Rejlander (1813--1875) |
|
|
26 | (1) |
|
Gustave Le Gray (1820--1884) |
|
|
27 | (1) |
|
Masters of Mid-Nineteenth-Century Portrait Photography: Nadarand Julia Margaret Cameron |
|
|
28 | (1) |
|
|
|
28 | (1) |
|
Julia Margaret Cameron (1815--1879) |
|
|
28 | (1) |
|
|
|
29 | (1) |
|
The Painting of Modern Life: Edouard Manet (1832--1883) |
|
|
29 | (4) |
|
Le Dejeuner sur l'herbe (1863) |
|
|
30 | (2) |
|
|
|
32 | (1) |
|
Manet's Last Major Painting: A Bar at the Folies-Bergere (1882) |
|
|
33 | (1) |
|
|
|
33 | (7) |
|
Claude Monet (1840--1926) |
|
|
35 | (1) |
|
Pierre-Auguste Renoir (1841--1919) |
|
|
35 | (1) |
|
Berthe Morisot (1841--1895) |
|
|
36 | (1) |
|
|
|
37 | (2) |
|
Mary Cassatt (1844--1926) |
|
|
39 | (1) |
|
Realism in Later Nineteenth-Century American Painting |
|
|
40 | (5) |
|
Winslow Homer (1836--1910) |
|
|
40 | (1) |
|
Thomas Eakins (1844--1916) |
|
|
41 | (2) |
|
Henry Ossawa Tanner (1859--1937) |
|
|
43 | (2) |
|
Chapter 2 Post-Impressionism and Symbolism: Painting and Sculpture in Europe, c. 1886--1910 |
|
|
45 | (22) |
|
Post-Impressionist Painters of Modern Life: Georges Seurat and Henri de Toulouse-Lautrec |
|
|
46 | (2) |
|
Georges Seurat (1859--1891) |
|
|
46 | (1) |
|
Henri de Toulouse-Lautrec (1864--1901) |
|
|
47 | (1) |
|
Paul Cezanne (1839--1906) |
|
|
48 | (3) |
|
|
|
51 | (5) |
|
Precursors of Symbolism: Gustave Moreau, Pierre Puvis de Chavannes, and Odilon Redon |
|
|
52 | (1) |
|
Gustave Moreau (1826--1898) |
|
|
52 | (1) |
|
Pierre Puvis de Chavannes (1824--1898) |
|
|
52 | (1) |
|
Odilon Redon (1840--1916) |
|
|
52 | (1) |
|
Paul Gauguin (1848--1903) |
|
|
53 | (3) |
|
Precursors of Expressionism: Vincent van Gogh, Edvard Munch, and James Ensor |
|
|
56 | (4) |
|
Vincent van Gogh (1853--1890) |
|
|
56 | (3) |
|
|
|
59 | (1) |
|
|
|
59 | (1) |
|
Late Nineteenth-Century Modern Sculpture in France |
|
|
60 | (5) |
|
Auguste Rodin (1840--1917) |
|
|
61 | (3) |
|
Camille Claudel (1864--1943) |
|
|
64 | (1) |
|
Medardo Rosso (1858--1928) |
|
|
64 | (1) |
|
|
|
65 | (2) |
|
Edouard Vuillard (1868--1940) and Pierre Bonnard (1867--1947) |
|
|
65 | (2) |
|
Chapter 3 Expressionism in France, Germany, and Austria |
|
|
67 | (24) |
|
|
|
68 | (5) |
|
The Fauvism of Henri Matisse (1869--1954) |
|
|
68 | (3) |
|
|
|
71 | (1) |
|
Andre Derain (1880--1954) and Maurice de Vlaminck (1876--1958) |
|
|
71 | (2) |
|
Emilie Charmy (1878--1974) |
|
|
73 | (1) |
|
Contemporaries of the Fauves: Georges Rouault and Aristide Maillol |
|
|
73 | (1) |
|
Georges Rouault (1871--1958) |
|
|
73 | (1) |
|
Aristide Maillol (1861--1944) |
|
|
73 | (1) |
|
German Art at the Turn of the Century |
|
|
74 | (2) |
|
Paula Modersohn-Becker (1876--1907) |
|
|
74 | (1) |
|
Kathe Kollwitz (1867--1945) |
|
|
75 | (1) |
|
|
|
76 | (4) |
|
Ernst Ludwig Kirchner (1880--1938) |
|
|
77 | (1) |
|
Erich Heckel (1883--1970) |
|
|
78 | (1) |
|
|
|
79 | (1) |
|
German Expressionist Sculpture |
|
|
80 | (1) |
|
Ernst Barlach (1870--1938) |
|
|
80 | (1) |
|
Wilhelm Lehmbruck (1881--1919) |
|
|
81 | (1) |
|
|
|
81 | (6) |
|
Vasily Kandinsky (1866--1944) |
|
|
82 | (2) |
|
Gabriele Miinter (1877--1962) |
|
|
84 | (1) |
|
|
|
84 | (2) |
|
|
|
86 | (1) |
|
|
|
87 | (4) |
|
Oskar Kokoschka (1886--1980) |
|
|
88 | (1) |
|
Egon Schiele (1890--1918) |
|
|
89 | (2) |
|
Chapter 4 The Cubist Revolution |
|
|
91 | (24) |
|
Pablo Picasso (1881--1973): His Early Career |
|
|
92 | (3) |
|
Georges Braque (1882--1963): His Early Career |
|
|
95 | (2) |
|
Picasso's and Braque's Development of Cubism |
|
|
97 | (1) |
|
Analytic Cubism: 1909--1911 |
|
|
97 | (3) |
|
Collage, Papier Colle, Assemblage, and Synthetic Cubism: 1912--1914 |
|
|
100 | (2) |
|
|
|
102 | (2) |
|
Alexander Archipenko (1887--1964) |
|
|
103 | (1) |
|
Raymond Duchamp-Villon (1876--1918) |
|
|
103 | (1) |
|
Jacques Lipchitz (1891--1973) |
|
|
103 | (1) |
|
|
|
104 | (5) |
|
Marie Laurencin (1883--1956) |
|
|
104 | (1) |
|
|
|
105 | (1) |
|
Maria Blanchard (1881--1932) |
|
|
106 | (1) |
|
Fernand Leger (1881--1955) |
|
|
106 | (1) |
|
Robert Delaunay (1885--1941) |
|
|
107 | (1) |
|
Sonia Delaunay-Terk (1885--1979) |
|
|
108 | (1) |
|
Frantisek Kupka (1871--1957) |
|
|
108 | (1) |
|
Marcel Duchamp (1887--1968) |
|
|
109 | (1) |
|
|
|
109 | (5) |
|
Giacomo Balla (1871--1958) |
|
|
110 | (1) |
|
Anton Giulio Bragaglia (1890--1960) |
|
|
111 | (1) |
|
Gino Severini (1883--1966) |
|
|
111 | (1) |
|
Umberto Boccioni (1882--1916) |
|
|
112 | (1) |
|
Antonio Sant 'Elia (1888--1916) |
|
|
113 | (1) |
|
|
|
114 | (1) |
|
Chapter 5 Modern Architecture in Western Europe and the United States, Late Nineteenth Century to World War I |
|
|
115 | (18) |
|
Beaux-Arts Architecture: Charles Garnier's Paris Opera |
|
|
115 | (1) |
|
Iron Architecture for the International Expositions |
|
|
116 | (1) |
|
William Morris (1834--1896) and the Arts and Crafts Movement |
|
|
117 | (2) |
|
C. F. A. Voysey (1857--1941) |
|
|
118 | (1) |
|
Charles Rennie Mackintosh (1868--1928) |
|
|
118 | (1) |
|
|
|
119 | (2) |
|
Victor Horta (1861--1947) |
|
|
119 | (1) |
|
Hector Guimard (1867--1942) |
|
|
119 | (1) |
|
Antoni Gaudi (1852--1926) |
|
|
120 | (1) |
|
Turn-of-the-Century Modern Architecture in Vienna |
|
|
121 | (4) |
|
|
|
122 | (1) |
|
|
|
122 | (1) |
|
Joseph Maria Olbrich (1867--1908) |
|
|
123 | (1) |
|
Josef Hoffmann (1870--1956) |
|
|
123 | (1) |
|
|
|
124 | (1) |
|
The New American Architecture |
|
|
125 | (4) |
|
H. H. Richardson (1838--1886) |
|
|
125 | (1) |
|
The Chicago School and the Rise of the Skyscraper |
|
|
126 | (1) |
|
Louis Sullivan (1856--1924) and the "Tall Building Artistically Considered" |
|
|
127 | (1) |
|
|
|
128 | (1) |
|
Frank Lloyd Wright (1867--1959) |
|
|
128 | (1) |
|
Early Twentieth-Century Modern Architecture in Germany: The Deutscher Werkbund |
|
|
129 | (4) |
|
Peter Behrens (1868--1940) |
|
|
130 | (1) |
|
Walter Gropius (1883--1969) and Adolf Meyer (1881--1929) |
|
|
130 | (3) |
|
Chapter 6 The Russian Avant-Garde, De Stijl, and the Bauhaus |
|
|
133 | (22) |
|
The Avant-Garde in Russia |
|
|
134 | (5) |
|
Mikhail Larionov (1881--1964) and Natalia Goncharova (1881--1962) |
|
|
134 | (1) |
|
Liubov Popova (1889--1924) |
|
|
135 | (1) |
|
Kazimir Malevich (1879--1935) and Suprematism |
|
|
135 | (3) |
|
El Lissitzky (1890--1941) |
|
|
138 | (1) |
|
Vladimir Tatlin (1885--1953) |
|
|
138 | (1) |
|
|
|
139 | (4) |
|
Aleksandr Rodchenko (1891--1956) |
|
|
139 | (1) |
|
Varvara Stepanova (1894--1958) |
|
|
140 | (1) |
|
Naum Gabo (1890--1977) and Antoine (Anton) Pevsner (1886--1962) |
|
|
141 | (2) |
|
|
|
143 | (3) |
|
Piet Mondrian (1872--1944) |
|
|
143 | (2) |
|
Theo van Doesburg (1883--1931) |
|
|
145 | (1) |
|
Gerrit Rietveld (1888--1964) |
|
|
145 | (1) |
|
|
|
146 | (9) |
|
Walter Gropius (1883--1969)'s Bauhaus Building |
|
|
147 | (1) |
|
|
|
147 | (2) |
|
Vasily Kandinsky (1866-1944) |
|
|
149 | (1) |
|
Laszlo Moholy-Nagy (1895--1946) |
|
|
150 | (1) |
|
Marianne Brandt (1893--1983) |
|
|
150 | (1) |
|
Josef Albers (1888--1976) |
|
|
151 | (1) |
|
Gunta Stolzl (1897--1983) |
|
|
151 | (1) |
|
|
|
152 | (3) |
|
Chapter 7 Dada and the New Objectivity |
|
|
155 | (1) |
|
|
|
156 | (1) |
|
Jean (Hans) Arp (1886--1966) |
|
|
156 | (1) |
|
Sophie Taeuber-Arp (1889--1943) |
|
|
157 | (1) |
|
|
|
158 | (1) |
|
Marcel Duchamp (1887--1968) |
|
|
158 | (3) |
|
Francis Picabia (1879--1953) |
|
|
161 | (1) |
|
|
|
162 | (1) |
|
|
|
162 | (4) |
|
Raoul Hausmann (1886--1971) |
|
|
162 | (1) |
|
|
|
163 | (1) |
|
John Heartfield (1891--1968) |
|
|
164 | (1) |
|
Kurt Schwitters (1887--1948) |
|
|
164 | (1) |
|
|
|
164 | (2) |
|
|
|
166 | (5) |
|
George Grosz (1893--1959) |
|
|
166 | (1) |
|
|
|
166 | (1) |
|
August Sander (1876--1964) |
|
|
167 | (1) |
|
Max Beckmann (1884--1950) |
|
|
168 | (3) |
|
|
|
171 | (22) |
|
|
|
172 | (1) |
|
Early Twentieth-Century Precursors of Surrealism: Henri Rousseau (1844--1910), Marc Chagall (1887--1985), and Giorgio de Chirico (1888--1978) |
|
|
172 | (3) |
|
Abstract Surrealist Painting |
|
|
175 | (3) |
|
Andre Masson (1896--1987) |
|
|
175 | (1) |
|
|
|
176 | (1) |
|
|
|
177 | (1) |
|
|
|
178 | (1) |
|
Illusionistic Surrealist Painting |
|
|
178 | (4) |
|
|
|
178 | (1) |
|
Salvador Dali (1904--1989) |
|
|
179 | (2) |
|
Rene Magritte (1898--1967) |
|
|
181 | (1) |
|
Leonora Carrington (1917--2011) |
|
|
181 | (1) |
|
Dorothea Tanning (1910--2012) |
|
|
182 | (2) |
|
|
|
183 | (1) |
|
Alberto Giacometti (1901--1966) |
|
|
183 | (1) |
|
|
|
184 | (1) |
|
|
|
185 | (1) |
|
Meret Oppenheim (1913--1985) |
|
|
185 | (8) |
|
Surrealism and Photography |
|
|
186 | (1) |
|
Eugene Atget (1857--1927) |
|
|
186 | (1) |
|
|
|
187 | (1) |
|
|
|
188 | (1) |
|
|
|
188 | (1) |
|
Claude Cahun (1894--1954) |
|
|
189 | (1) |
|
Andre Kertesz (1894--1985) |
|
|
189 | (1) |
|
|
|
190 | (1) |
|
Henri Cartier-Bresson (1908--2004) |
|
|
190 | (3) |
|
Chapter 9 Art in France and England between the World Wars |
|
|
193 | (20) |
|
|
|
194 | (1) |
|
Amedeo Modigliani (1884--1920) |
|
|
194 | (1) |
|
Chaim Soutine (1893--1943) |
|
|
194 | (1) |
|
Suzanne Valadon (1865--1938) |
|
|
195 | (1) |
|
The Later Work of Henri Matisse |
|
|
195 | (3) |
|
The Later Work of Georges Braque |
|
|
198 | (1) |
|
The Later Work of Pablo Picasso |
|
|
198 | (4) |
|
School of Paris Sculpture |
|
|
202 | (3) |
|
Julio Gonzalez (1876--1942) |
|
|
202 | (1) |
|
Jacques Lipchitz's Later Work |
|
|
203 | (1) |
|
Constantin Brancusi (1876--1957) |
|
|
203 | (2) |
|
The Later Work of Fernand Leger |
|
|
205 | (1) |
|
|
|
206 | (1) |
|
Modern Art in England between the Wars |
|
|
207 | (6) |
|
Stanley Spencer (1891--1959) |
|
|
208 | (1) |
|
|
|
208 | (1) |
|
The Early Work of Henry Moore (1898--1986) |
|
|
208 | (2) |
|
The Early Work of Barbara Hepworth (1903--1975) |
|
|
210 | (1) |
|
Ben Nicholson (1894--1982) |
|
|
211 | (2) |
|
Chapter 10 Modern Art in the United States, Canada, and Latin America, c. 1900--1945 |
|
|
213 | (30) |
|
Modem Realism in New York: The Ashcan School |
|
|
214 | (2) |
|
Robert Henri (1865--1929) |
|
|
214 | (1) |
|
George Bellows (1882--1925) |
|
|
214 | (2) |
|
Art and Reform: Abastenia St. Leger Eberle (1878--1942) and Lewis Hine (1874--1940) |
|
|
216 | (1) |
|
Alfred Stieglitz (1864--1946) and the Rise of Abstraction |
|
|
216 | (4) |
|
Gertrude Kasebier (1852--1934) |
|
|
217 | (1) |
|
Stieglitz as a Photographer |
|
|
217 | (1) |
|
Stieglitz's Support of American Painters |
|
|
218 | (1) |
|
Arthur Dove (1880--1946) and John Marin (1870--1953) |
|
|
219 | (1) |
|
Marsden Hartley (1877--1943) |
|
|
219 | (1) |
|
Georgia O'Keeffe (1887--1986) |
|
|
220 | (1) |
|
Modernist Photography in California: Edward Weston (1886--1958) and Group f.64 |
|
|
220 | (1) |
|
The Machine Aesthetic and Precisionism |
|
|
221 | (2) |
|
Charles Demuth (1883--1935) |
|
|
221 | (1) |
|
Charles Sheeler (1883--1965) |
|
|
222 | (1) |
|
|
|
223 | (2) |
|
Aaron Douglas (1899--1979) |
|
|
223 | (1) |
|
James Van Der Zee (1886--1983) |
|
|
224 | (1) |
|
Augusta Savage (1892--1962) |
|
|
224 | (1) |
|
Jacob Lawrence (1917--2000) |
|
|
225 | (1) |
|
Picturing the American Scene |
|
|
225 | (4) |
|
Edward Hopper (1882--1967) |
|
|
225 | (2) |
|
Thomas Hart Benton (1889--1975) |
|
|
227 | (1) |
|
John Steuart Curry (1897--1946) and Grant Wood (1891--1942) |
|
|
228 | (1) |
|
|
|
228 | (1) |
|
Photographers of Rural Poverty: Dorothea Lange (1895--1965) and Walker Evans (1903--1975) |
|
|
229 | (1) |
|
US Abstraction in the 1930s |
|
|
230 | (1) |
|
Stuart Davis (1892--1964) |
|
|
230 | (1) |
|
Alexander Calder (1898--1976) |
|
|
231 | (1) |
|
|
|
231 | (3) |
|
Tom Thomson (1877--1917) and the Group of Seven |
|
|
232 | (1) |
|
Lawren Harris (1885--1970) |
|
|
233 | (1) |
|
|
|
233 | (1) |
|
Modern Art in Latin America |
|
|
234 | (1) |
|
|
|
234 | (1) |
|
Tarsila do Amaral (1886--1973) |
|
|
235 | (1) |
|
|
|
235 | (3) |
|
Diego Rivera (1886--1957) |
|
|
236 | (1) |
|
|
|
237 | (1) |
|
Manuel Alvarez Bravo (1902--2002) |
|
|
238 | (1) |
|
|
|
238 | (1) |
|
Amelia Pelaez (1896--1968) |
|
|
238 | (1) |
|
|
|
238 | (1) |
|
Uruguay: Joaquin Torres-Garcia (1874--1949) |
|
|
239 | (1) |
|
|
|
240 | (3) |
|
|
|
240 | (1) |
|
Concrete Abstraction in Argentina |
|
|
241 | (2) |
|
Chapter 11 Modern Art in Asia: India, Japan, Korea, and China, c. 1900--1945 |
|
|
243 | (18) |
|
|
|
243 | (4) |
|
Abanindranath Tagore (1871--1951) |
|
|
244 | (1) |
|
Gaganendranath Tagore (1867--1938) |
|
|
244 | (1) |
|
Rabindranath Tagore (1861--1941) |
|
|
244 | (1) |
|
Amrita Sher-Gil (1913--1941) |
|
|
245 | (1) |
|
|
|
246 | (1) |
|
|
|
247 | (3) |
|
Ernest Fenollosa, Okakura Kakuzo, and Nihonga |
|
|
247 | (1) |
|
Yokoyama Taikan (1868--1958) and Hishida Shunso (1874--1911) |
|
|
247 | (1) |
|
Yoga: Kuroda Seiki (1866--1924) |
|
|
248 | (1) |
|
The Fiizainkai and the Nikakai |
|
|
248 | (1) |
|
Yorozu Tetsugoro (1885--1927) |
|
|
248 | (1) |
|
|
|
249 | (1) |
|
|
|
250 | (1) |
|
|
|
250 | (5) |
|
|
|
252 | (1) |
|
|
|
252 | (1) |
|
The Choson Art Exhibition, Local Colors, and Lee In-sung (1912--1950) |
|
|
252 | (1) |
|
|
|
253 | (1) |
|
Abstraction: Kim Whanki (1913--1974) |
|
|
254 | (1) |
|
|
|
255 | (6) |
|
|
|
255 | (1) |
|
Chen Hengke (1876--1923) and Qi Baishi (1864--1957) |
|
|
256 | (1) |
|
Gao Jianfu (1879--1951) and the Lingnan School |
|
|
256 | (1) |
|
Cai Yuanpei and the New Culture Movement |
|
|
256 | (1) |
|
|
|
257 | (1) |
|
Lin Fengmian (1900--1991) |
|
|
257 | (1) |
|
The First National Exhibition of Art and the Xu Beihong-Xu Zhimo Debate |
|
|
257 | (1) |
|
|
|
258 | (1) |
|
|
|
258 | (1) |
|
Lu Xun and the Modern Woodcut Movement |
|
|
259 | (2) |
|
Chapter 12 Postwar Art in the United States: Abstract Expressionism and the New American Sculpture and Photography |
|
|
261 | (26) |
|
Early Abstract Expressionism |
|
|
262 | (3) |
|
Arshile Gorky (1904--1948) |
|
|
262 | (1) |
|
The Early Work of Mark Rothko (1903--1970) |
|
|
263 | (1) |
|
The Early Work of Jackson Pollock (1912--1956) |
|
|
264 | (1) |
|
|
|
265 | (5) |
|
Jackson Pollock's Drip Paintings |
|
|
265 | (1) |
|
|
|
266 | (1) |
|
Willem de Kooning (1904--1997) |
|
|
266 | (2) |
|
|
|
268 | (1) |
|
Joan Mitchell (1925--1992) |
|
|
268 | (2) |
|
|
|
270 | (2) |
|
Clyfford Still (1904--1980) |
|
|
270 | (1) |
|
|
|
270 | (1) |
|
Barnett Newman (1905--1970) |
|
|
271 | (1) |
|
Between Gesture and Field |
|
|
272 | (3) |
|
Adolph Gottlieb (1903--1974) |
|
|
272 | (1) |
|
Robert Motherwell (1915--1991) |
|
|
273 | (1) |
|
Norman Lewis (1909--1979) |
|
|
273 | (2) |
|
Ad Reinhardt (1913--1967) |
|
|
275 | (1) |
|
Figurative Painting in the Age of Abstract Expressionism |
|
|
275 | (1) |
|
East Coast Artists: Andrew Wyeth (1917-2009), Grace Hartigan (1922--2008), and Larry Rivers (1923--2002) |
|
|
275 | (1) |
|
San Francisco Bay Area Artists: David Park (1911--1960) and Richard Diebenkorn (1922--1993) |
|
|
275 | (1) |
|
New York Sculpture at Mid-Century |
|
|
276 | (4) |
|
|
|
276 | (3) |
|
Isamu Noguchi (1904--1988) |
|
|
279 | (1) |
|
Louise Bourgeois (1911--2010) |
|
|
279 | (1) |
|
Joseph Cornell (1903--1972) |
|
|
279 | (1) |
|
Postwar American Photography |
|
|
280 | (7) |
|
Photojournalism: Margaret Bourke-White (1904-1971) and Robert Capa (1913--1954) |
|
|
281 | (1) |
|
Abstraction: Minor White (1908--1976), Harry Callahan (1912-1999), and Aaron Siskind (1903--1991) |
|
|
281 | (1) |
|
Urban Life: Helen Levitt (1913--2009), Lisette Model (1901-1983), Gordon Parks (1912--2006), and Roy DeCarava (1919--2009) |
|
|
282 | (2) |
|
|
|
284 | (1) |
|
Robert Frank (1924--2019) |
|
|
285 | (2) |
|
Chapter 13 Postwar Art in Europe |
|
|
287 | (14) |
|
|
|
287 | (3) |
|
Jean Fautrier (1898--1964) |
|
|
288 | (1) |
|
|
|
288 | (1) |
|
Georges Mathieu (1921--2012) |
|
|
288 | (1) |
|
Pierre Soulages (1919--2022) |
|
|
289 | (1) |
|
School of Paris Abstraction: Maria Helena Vieria da Silva (1908--1992) |
|
|
290 | (1) |
|
Art Informel in Italy and Spain |
|
|
290 | (3) |
|
Lucio Fontana (1899--1968) |
|
|
290 | (1) |
|
Alberto Burri (1915--1995) |
|
|
291 | (1) |
|
Antoni Tapies (1923--2012) |
|
|
292 | (1) |
|
Postwar Figuration in France |
|
|
293 | (3) |
|
Jean Dubuffet (1901---1985) |
|
|
293 | (1) |
|
|
|
294 | (1) |
|
The Later Work of Alberto Giacometti |
|
|
294 | (2) |
|
Germaine Richier (1902--1959) |
|
|
296 | (1) |
|
Postwar Figuration in Britain |
|
|
296 | (5) |
|
The Later Work of Henry Moore and Barbara Hepworth |
|
|
297 | (1) |
|
Francis Bacon (1909--1992) and Lucian Freud (1922--2011) |
|
|
298 | (3) |
|
Chapter 14 Between Art and Life: International Trends of the 1950s and 1960s |
|
|
301 | (24) |
|
Assemblage in the United States |
|
|
301 | (7) |
|
Robert Rauschenberg (1925--2008) |
|
|
302 | (2) |
|
|
|
304 | (1) |
|
Louise Nevelson (1899--1988) |
|
|
305 | (1) |
|
|
|
306 | (1) |
|
John Chamberlain (1927--2011) |
|
|
306 | (1) |
|
Lee Bontecou (1931--2002) |
|
|
306 | (1) |
|
Edward Kienholz (1927--1994) |
|
|
307 | (1) |
|
Romare Bearden (1911--1988) |
|
|
308 | (1) |
|
|
|
308 | (1) |
|
The New Documents Photographers |
|
|
309 | (1) |
|
|
|
309 | (1) |
|
Lee Friedlander (b. 1934) |
|
|
310 | (1) |
|
Garry Winogrand (1928--1984) |
|
|
310 | (1) |
|
|
|
310 | (4) |
|
|
|
311 | (1) |
|
Jean Tinguely (1925--1991) |
|
|
312 | (1) |
|
Niki de Saint Phalle (1930--2002) |
|
|
312 | (1) |
|
|
|
313 | (1) |
|
|
|
314 | (3) |
|
Tanaka Atsuko (1932--2005) |
|
|
316 | (1) |
|
|
|
317 | (2) |
|
Allan Kaprow (1927--2006) |
|
|
317 | (1) |
|
|
|
318 | (1) |
|
|
|
319 | (2) |
|
|
|
320 | (1) |
|
Nam June Paik (1932--2006) |
|
|
320 | (1) |
|
Joseph Beuys (1921--1986) |
|
|
321 | (1) |
|
|
|
322 | (3) |
|
|
|
323 | (1) |
|
|
|
323 | (1) |
|
Helio Oiticica (1937--1980) |
|
|
324 | (1) |
|
|
|
325 | (22) |
|
|
|
326 | (1) |
|
Eduardo Paolozzi (1925--2005) |
|
|
326 | (1) |
|
Richard Hamilton (1922--2011) |
|
|
326 | (1) |
|
|
|
327 | (2) |
|
|
|
327 | (1) |
|
Pauline Boty (1938--1966) |
|
|
328 | (1) |
|
|
|
328 | (1) |
|
|
|
329 | (9) |
|
Claes Oldenburg (1929--2022) |
|
|
330 | (1) |
|
Roy Lichtenstein (1923--1997) |
|
|
331 | (1) |
|
|
|
332 | (3) |
|
James Rosenquist (1933--2017) |
|
|
335 | (1) |
|
Robert Indiana (1928--2018) |
|
|
336 | (1) |
|
Tom Wesselmann (1931--2004) |
|
|
337 | (1) |
|
|
|
337 | (1) |
|
George Segal (1924--2000) |
|
|
337 | (1) |
|
|
|
338 | (1) |
|
|
|
338 | (2) |
|
|
|
338 | (1) |
|
Wayne Thiebaud (1920--2021) |
|
|
339 | (1) |
|
German Capitalist Realism |
|
|
340 | (1) |
|
Gerhard Richter (b. 1932) |
|
|
340 | (1) |
|
Sigmar Polke (1941--2010) |
|
|
340 | (1) |
|
|
|
341 | (1) |
|
|
|
342 | (1) |
|
|
|
342 | (1) |
|
Pop Art and Politics in Brazil |
|
|
342 | (2) |
|
Antonio Dias (1944--2018) |
|
|
343 | (1) |
|
Wanda Pimentel (1943--2019) |
|
|
343 | (1) |
|
|
|
344 | (3) |
|
Ushio Shinohara (b. 1932) |
|
|
344 | (1) |
|
|
|
345 | (2) |
|
Chapter 16 Abstraction in North America and Europe in the 1960s |
|
|
347 | (18) |
|
Post-Painterly Abstraction |
|
|
348 | (7) |
|
Stained Canvas Color Field Painting |
|
|
348 | (1) |
|
Helen Frankenthaler (1928--2011) |
|
|
348 | (1) |
|
Morris Louis (1912--1962) |
|
|
348 | (1) |
|
Kenneth Noland (1924--2010) |
|
|
349 | (1) |
|
Jules Olitski (1922--2007) |
|
|
350 | (1) |
|
|
|
350 | (1) |
|
|
|
351 | (1) |
|
|
|
351 | (1) |
|
Ellsworth Kelly (1923--2015) |
|
|
351 | (1) |
|
Carmen Herrera (1915--2022) |
|
|
352 | (1) |
|
Precursors of Minimalism: Agnes Martin (1912--2004) and Frank Stella (b. 1936) |
|
|
352 | (3) |
|
Abstract Sculpture in Britain: Anthony Caro (1924--2013) and the New Generation |
|
|
355 | (1) |
|
|
|
356 | (2) |
|
Victor Vasarely (1906--1997) |
|
|
356 | (1) |
|
|
|
357 | (1) |
|
Jesus Rafael Soto (1923--2005) |
|
|
358 | (1) |
|
|
|
358 | (1) |
|
|
|
358 | (1) |
|
|
|
359 | (4) |
|
Robert Morris (1931--2018) |
|
|
360 | (1) |
|
|
|
360 | (1) |
|
|
|
361 | (1) |
|
|
|
362 | (1) |
|
|
|
363 | (2) |
|
|
|
363 | (1) |
|
|
|
364 | (1) |
|
Chapter 17 Mid-Century Modern Architecture, c. 1920--1970 |
|
|
365 | (22) |
|
The First Wave of the International Style |
|
|
365 | (5) |
|
The Early Architecture of Le Corbusier (1887--1965) |
|
|
366 | (1) |
|
|
|
367 | (2) |
|
The Early Architecture of Ludwig Mies van der Rohe (1886--1969) |
|
|
369 | (1) |
|
Expressionist Architecture in Germany |
|
|
370 | (1) |
|
Erich Mendelsohn (1887--1953) |
|
|
370 | (1) |
|
The Early Diffusion of the International Style to the United States |
|
|
370 | (2) |
|
The Later Work of Frank Lloyd Wright |
|
|
372 | (2) |
|
The Organic Architecture of Alvar Aalto (1898--1976) |
|
|
374 | (1) |
|
The Later Work of Le Corbusier |
|
|
374 | (2) |
|
The Later Work of Mies van der Rohe |
|
|
376 | (2) |
|
|
|
378 | (1) |
|
Eero Saarinen (1910--1961) |
|
|
378 | (1) |
|
|
|
379 | (1) |
|
|
|
379 | (1) |
|
Mid-Century Modern Architecture in Latin America |
|
|
380 | (3) |
|
|
|
380 | (1) |
|
Juan O'Gorman (1905--1982) |
|
|
380 | (1) |
|
Luis Barragan (1902--1988) |
|
|
380 | (1) |
|
|
|
381 | (1) |
|
The Ministry of Education and Health |
|
|
381 | (1) |
|
Oscar Niemeyer (1907--2012) |
|
|
381 | (1) |
|
Costa and Niemeyer's Brasilia |
|
|
382 | (1) |
|
Lina Bo Bardi (1914--1992) |
|
|
383 | (1) |
|
Mid-Century Modern Architecture in Japan |
|
|
383 | (1) |
|
|
|
383 | (1) |
|
|
|
384 | (3) |
|
|
|
384 | (1) |
|
|
|
384 | (1) |
|
|
|
385 | (2) |
|
Chapter 18 Modern Art in India, Africa, and the Middle East, Mid-Twentieth Century |
|
|
387 | (26) |
|
|
|
387 | (4) |
|
The Progressive Artists' Group |
|
|
387 | (1) |
|
M. F. Husain (1915--2011) |
|
|
388 | (1) |
|
|
|
389 | (1) |
|
|
|
389 | (1) |
|
K. G. Subramanyan (1924--2016) |
|
|
389 | (1) |
|
Nasreen Mohamedi (1937--1990) |
|
|
390 | (1) |
|
|
|
391 | (2) |
|
|
|
393 | (3) |
|
|
|
393 | (1) |
|
|
|
393 | (1) |
|
The Zaria Art Society and Uche Okeke (1933--2016) |
|
|
394 | (1) |
|
The Mbari Mbayo Club and Prince Twins Seven-Seven (1944--2011) |
|
|
394 | (1) |
|
|
|
395 | (1) |
|
Mali: Seydou Keita (c. 1921--2001) |
|
|
395 | (1) |
|
|
|
396 | (2) |
|
|
|
396 | (1) |
|
|
|
397 | (1) |
|
|
|
398 | (4) |
|
Zimbabwe: The Shona School |
|
|
398 | (1) |
|
|
|
399 | (1) |
|
|
|
399 | (1) |
|
The New Group and Walter Battiss (1906--1982) |
|
|
400 | (1) |
|
Black Artists in Segregated South Africa |
|
|
400 | (1) |
|
Gerard Sekoto (1913--1993) |
|
|
400 | (1) |
|
Ernest Mancoba (1904--2002) |
|
|
401 | (1) |
|
The Polly Street Center: Cecil Skotnes (1926-2009) and Sydney Kumalo (1935--1988) |
|
|
401 | (1) |
|
|
|
401 | (1) |
|
|
|
402 | (3) |
|
Morocco: Ahmed Cherkaoui (1934--1967) |
|
|
402 | (1) |
|
Sudan: Osman Waqialla (1925--2007) and Ibrahim El-Salahi (b. 1930) |
|
|
402 | (1) |
|
|
|
403 | (1) |
|
The Art and Freedom Group and the Contemporary Art Group |
|
|
404 | (1) |
|
The Group of Modern Art: Gazbia Sirry (1925--2021) |
|
|
404 | (1) |
|
|
|
405 | (8) |
|
|
|
405 | (1) |
|
|
|
405 | (1) |
|
|
|
406 | (1) |
|
Madiha Umar (1908--2005) and Shakir Hassan al-Said (1925--2004) |
|
|
406 | (1) |
|
|
|
406 | (1) |
|
The Saqqakhaneh Artists: Charles Hossein Zenderoudi (b. 1937) and Parviz Tanavoli (b. 1937) |
|
|
406 | (2) |
|
Monir Shahroudy Farmanfarmaian (1922--2019) |
|
|
408 | (1) |
|
|
|
408 | (1) |
|
|
|
408 | (1) |
|
New Horizons: Yosef Zaritsky (1891--1985) |
|
|
409 | (1) |
|
|
|
410 | (3) |
|
Chapter 19 Pluralism: Trends of the Late 1960s to Mid-1970s |
|
|
413 | (32) |
|
|
|
414 | (2) |
|
Robert Morris (1931--2018) |
|
|
414 | (1) |
|
|
|
414 | (1) |
|
|
|
415 | (1) |
|
Sam Gilliam (1933--2022) and Lynda Benglis (b. 1941) |
|
|
416 | (1) |
|
|
|
416 | (4) |
|
|
|
417 | (1) |
|
|
|
417 | (1) |
|
|
|
417 | (1) |
|
|
|
418 | (1) |
|
Conceptual Art as Institutional Critique: Daniel Buren (b. 1938), Marcel Broodthaers (1924--1976), and Hans Haacke (b. 1936) |
|
|
418 | (1) |
|
The Art Workers' Coalition and the New York Art Strike |
|
|
419 | (1) |
|
Bernd (1931--2007) and Hilla (1934--2015) Becher |
|
|
420 | (1) |
|
|
|
420 | (2) |
|
Mono-ha: Nobuo Sekine (1942--2020) and Lee Ufan (b. 1936) |
|
|
422 | (1) |
|
Land Art and Site-Specific Works |
|
|
423 | (4) |
|
Robert Smithson (1938--1973) |
|
|
423 | (1) |
|
|
|
424 | (1) |
|
|
|
425 | (1) |
|
Walter De Maria (1935--2013) |
|
|
425 | (1) |
|
|
|
425 | (1) |
|
Christo (1935--2020) and Jeanne-Claude (1935-2009) |
|
|
425 | (2) |
|
Gordon Matta-Clark (1943--1978) |
|
|
427 | (1) |
|
|
|
427 | (3) |
|
|
|
428 | (1) |
|
Gilbert (b. 1943) and George (b. 1942) |
|
|
428 | (1) |
|
Vito Acconci (1940--2017) |
|
|
429 | (1) |
|
Chris Burden (1946--2015) and Marina Abramovic (b. 1946) |
|
|
429 | (1) |
|
Representational Painting and Sculpture in the United States |
|
|
430 | (1) |
|
The Feminist Art Movement |
|
|
431 | (6) |
|
|
|
432 | (1) |
|
Women's Work: Harmony Hammond (b. 1944), Mierle Laderman Ukeles (b. 1939), Mary Kelly (b. 1941), and Martha Rosier (b. 1943) |
|
|
432 | (1) |
|
Judy Chicago (b. 1939): The Dinner Party |
|
|
433 | (1) |
|
Miriam Schapiro (1923--2015) and the Pattern and Decoration Movement |
|
|
434 | (1) |
|
Feminist Body and Performance Art |
|
|
435 | (1) |
|
Hannah Wilke (1940--1993) |
|
|
435 | (1) |
|
Carolee Schneemann (1939--2019) |
|
|
435 | (1) |
|
Ana Mendieta (1948--1985) |
|
|
435 | (2) |
|
|
|
437 | (1) |
|
Wadsworth Jarrell (b. 1929) |
|
|
437 | (1) |
|
|
|
437 | (1) |
|
|
|
438 | (1) |
|
|
|
438 | (1) |
|
|
|
439 | (1) |
|
Fritz Scholder (1937--2005) and T.C. Cannon (1946--1978): Critical Native American Painters |
|
|
439 | (2) |
|
|
|
441 | (4) |
|
Chapter 20 Postmodernism: Art in Europe and the United States, Late 1970s to Late 1980s |
|
|
445 | (30) |
|
|
|
446 | (7) |
|
American Neo-Expressionism |
|
|
446 | (1) |
|
Julian Schnabel (b. 1951) |
|
|
446 | (1) |
|
|
|
446 | (1) |
|
|
|
447 | (1) |
|
|
|
448 | (1) |
|
|
|
448 | (1) |
|
The Italian Transavanguardia |
|
|
449 | (1) |
|
Francesco Clemente (b. 1952) |
|
|
449 | (1) |
|
|
|
450 | (1) |
|
|
|
450 | (1) |
|
|
|
450 | (1) |
|
Jorg Immendorff (1945--2007) |
|
|
451 | (2) |
|
Sigmar Polke and Gerhard Richter |
|
|
453 | (2) |
|
Nonconformist Soviet Art: Komar (b. 1943) and Melamid (b. 1945), and llya Kabakov (b. 1933) |
|
|
455 | (1) |
|
Graffiti Art and Its Influence |
|
|
456 | (2) |
|
Keith Haring (1958--1990) |
|
|
457 | (1) |
|
Jean-Michel Basquiat (1960--1988) |
|
|
457 | (1) |
|
Tim Rollins (1955--2017) + K.O.S. |
|
|
457 | (1) |
|
Black Artists Countering Racism: David Hammons (b. 1943) and Adrian Piper (b. 1948) |
|
|
458 | (2) |
|
Photo-Based Postmodern Appropriation Art in the United States |
|
|
460 | (2) |
|
|
|
460 | (1) |
|
|
|
461 | (1) |
|
|
|
461 | (1) |
|
|
|
461 | (1) |
|
|
|
462 | (1) |
|
Public Art and Politics in the United States in the 1980s |
|
|
462 | (4) |
|
Maya Lin (b. 1959): The Vietnam Veterans Memorial |
|
|
463 | (1) |
|
Richard Serra (b. 1939): Tilted Arc |
|
|
464 | (1) |
|
|
|
464 | (1) |
|
Edgar Heap of Birds (b. 1954) |
|
|
465 | (1) |
|
Krzysztof Wodiczko (b. 1943) |
|
|
465 | (1) |
|
|
|
466 | (3) |
|
Allan McCollum (b. 1944) and Peter Halley (b. 1953) |
|
|
466 | (1) |
|
Commodity Art: Haim Steinbach (b. 1944) and Jeff Koons (b. 1955) |
|
|
467 | (2) |
|
Rosemarie Trockel (b. 1952) |
|
|
469 | (1) |
|
Late Modernist Painting and Sculpture |
|
|
469 | (2) |
|
American Art and the AIDS Crisis |
|
|
471 | (1) |
|
The Culture Wars in the United States |
|
|
472 | (3) |
|
Chapter 21 Recent Architecture: From Postmodernism to Green Design |
|
|
475 | (20) |
|
|
|
475 | (6) |
|
Robert Venturi (1925--2018) and Venturi, Rauch, and Scott Brown |
|
|
476 | (1) |
|
Charles Moore (1925--1993) |
|
|
477 | (1) |
|
Philip Johnson (1906--2005) |
|
|
478 | (1) |
|
Michael Graves (1934--2015) |
|
|
479 | (1) |
|
James Stirling (1926--1992) |
|
|
480 | (1) |
|
|
|
480 | (1) |
|
|
|
481 | (1) |
|
|
|
481 | (1) |
|
|
|
481 | (1) |
|
Tropical Modernism in South Asia |
|
|
482 | (3) |
|
Balkrishna Doshi (b. 1927) |
|
|
482 | (1) |
|
Charles Correa (1930--2015) |
|
|
483 | (1) |
|
Geoffrey Bawa (1919--2003) |
|
|
484 | (1) |
|
|
|
485 | (2) |
|
Renzo Piano (b. 1937) and Richard Rogers (1933-2021) |
|
|
485 | (1) |
|
|
|
486 | (1) |
|
Santiago Calatrava (b. 1950) |
|
|
486 | (1) |
|
|
|
487 | (4) |
|
|
|
487 | (1) |
|
|
|
488 | (1) |
|
Daniel Libeskind (b. 1946) |
|
|
489 | (1) |
|
|
|
489 | (1) |
|
Rem Koolhaas (b. 1944) and OMA |
|
|
490 | (1) |
|
|
|
491 | (4) |
|
|
|
492 | (1) |
|
Diebedo Francis Kere (b. 1965) |
|
|
493 | (1) |
|
From High Tech to Eco-Tech |
|
|
493 | (1) |
|
|
|
493 | (2) |
|
Chapter 22 The Global Contemporary: Themes in Art Since c. 1989 |
|
|
495 | (32) |
|
|
|
496 | (3) |
|
|
|
499 | (6) |
|
|
|
505 | (4) |
|
|
|
509 | (4) |
|
|
|
513 | (3) |
|
|
|
516 | (3) |
|
Death, Religion, and Spirituality |
|
|
519 | (3) |
|
|
|
522 | (5) |
| Glossary |
|
527 | (10) |
| Notes |
|
537 | (30) |
| Credits |
|
567 | (8) |
| Index |
|
575 | |
Daugiau apie elektronines knygas