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El. knyga: Modern British Playwriting: The 1950s: Voices, Documents, New Interpretations

(University of Birmingham, UK), Series edited by (Emeritus Professor of Drama and Theatre Studies in the University of Leeds, UK), Contributions by , Series edited by , Contributions by , Contributions by (Department of Film, Theatre & Television, Reading)

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Essential for students of theatre studies, Methuen Drama's Decades of Modern British Playwriting series provides a comprehensive survey and study of the theatre produced in each decade from the 1950s to 2009 in six volumes. Each volume features a critical analysis and reevaluation of the work of four key playwrights from that decade authored by a team of experts, together with an extensive commentary on the period .

Modern British Playwriting: The 1950s provides an authoritative and stimulating reassessment of the theatre of the decade together with a detailed study of the work of T.S Eliot (by Sarah Bay-Cheng) , Terence Rattigan (David Pattie), John Osborne (Luc Gilleman) and Arnold Wesker (John Bull). The volume sets the context by providing a chronological survey of the 1950s, a period when Britain was changing rapidly and the very fabric of an apparently stable society seemed to be under threat. It explores the crisis in the theatrical climate and activity in the first part of the decade and the shift as the theatre began to document the unease in society, before documenting the early life of the four principal playwrights studied in the volume.

Four scholars provide detailed examinations of the playwrights' work during the decade, combining an analysis of their plays with a study of other material such as early play drafts, interviews and the critical receptions of the time. An Afterword reviews what the writers went on to do and provides a summary evaluation of their contribution to British theatre from the perspective of the twenty-first century.

Recenzijos

My view of this book can be expressed simply. Put it on your course reading list immediatelyIts a must for undergraduates and postgraduates studying British theatre Clear, well-organised and packed with useful information. * Times Higher Education Textbook Guide *

Daugiau informacijos

A critical study of the theatre produced in the 1950s with an in-depth analysis of the work of four key playwrights from the decade.
General Preface ix
Richard Boon
Philip Roberts
Acknowledgements xi
Introduction to the 1950s 1(26)
Britain 1945-60: managing the peace
4(11)
Britain 1945-60: culture and society
15(12)
1 The British Theatre 1945-60
27(47)
The British stage 1945-60: the theatre industry
28(8)
The state and the theatre
31(2)
Repertory theatre in the 1950s
33(3)
The British stage 1945-60: the writers' revolution
36(18)
Censors and critics
38(5)
Before the revolution: 1945-56
43(4)
Verse drama
47(2)
Priestley and Coward
49(2)
Ackland and Whiting
51(3)
The main engagement 1955-60: Beckett and Brecht
54(4)
Beckett
54(2)
Brecht
56(2)
The main engagement 1955-60: new British theatres
58(10)
The ESC
58(6)
Theatre Workshop
64(4)
The situation is confused: entering the 1960s
68(6)
2 Introducing the Playwrights
74(21)
Introduction
74(1)
T. S. Eliot (1888-1949): faith, fragmentation and tradition
75(6)
Terence Rattigan (1911-46): the commercial stage
81(4)
John Osborne (1929-56): the fatality of hatred
85(5)
Arnold Wesker (1932-58): `I could add to what was happening'
90(5)
3 Playwrights and Plays
95(103)
T. S. Eliot: plays of the 1950s by Sarah Bay-Cheng
95(24)
The Cocktail Party
98(7)
The Confidential Clerk
105(8)
The Elder Statesman
113(5)
Conclusion
118(1)
Terence Rattigan: private lives and public lives
119(27)
Aunt Edna
119(3)
The private and the public
122(5)
The Winslow Boy
127(3)
The Browning Version
130(5)
The Deep Blue Sea
135(5)
Separate Tables
140(5)
The private revolution
145(1)
John Osborne: the drama of emotions by Luc Gilleman
146(25)
Osborne in the 1950s
146(2)
Look Back in Anger
148(8)
The Entertainer
156(7)
Luther
163(7)
In the anguish of his spirit
170(1)
Arnold Wesker: the trilogy by John Bull
171(27)
Introduction
171(4)
Chicken Soup with Barley
175(7)
Roots
182(6)
I'm Talking About Jerusalem
188(5)
Conclusion
193(5)
4 Documents
198(31)
The golden age
198(10)
Tynan and Hobson
208(4)
Beckett and Brecht
212(3)
The Royal Court and the new drama
215(7)
Theatre Workshop
222(7)
Afterword
229(20)
Terence Rattigan (1956-77): I have tried to keep pace
231(5)
John Osborne (1961-94): watch it come down
236(7)
Arnold Wesker (1960-): what could be my crime?
243(6)
Notes 249(14)
Select Bibliography 263(8)
Index 271(10)
Notes on Contributors 281
David Pattie is Professor of Drama at the University of Chester, UK. Series editors: Richard Boon, Emeritus Professor of Drama, the University of Hull, UK, and Philip Roberts, Emeritus Professor in the School of English, University of Leeds, UK.