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El. knyga: Modern British Playwriting: The 1990s: Voices, Documents, New Interpretations

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Series edited by , (Freelance arts journalist), Contributions by , Series edited by (Emeritus Professor of Drama and Theatre Studies in the University of Leeds, UK), Contributions by , Contributions by (Kingston University, UK), Contributions by (University of Birmingham, UK), Contributions by (Loughborough, UK)

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Essential for students of theatre studies, this series of 6 decadal volumes provides a critical survey and study of the theatre produced in each decade from the 1950s to the present. Each volume features a critical analysis of the work of four key playwrights from that decade together with an extensive commentary on the period.
The 90s volume provides a detailed study of the work of four of the major playwrights who emerged: Sarah Kane, Anthony Neilson, Mark Ravenhill and Philip Ridley.
As with other volumes in the series, it offers an analysis of some of its most important and representative plays and playwrights; provides the appropriate contextual information, and revisits each decade from the perspective of the twenty first century. Contents: 1. A chronological survey of the decade: the social, cultural and technological changes and the playwrights of the time. 2. The decade as it looked then: theatrical activity, political circumstances and historical context. 3. The four writers from their beginnings up to the start of the decade. 4. An analysis of their plays within the decade combined with a study of primary material such as early play drafts, interviews and critical receptions of the time. 5. A new interview with the writers, reflecting on the period and the plays under discussion. 6. An Afterword: what the writers went on to do next. 7. Select bibliographies
Edited by Aleks Sierz and with essays from three further leading scholars, this is an authoritative and stimulating reassessment of British playwriting in the 1990s.

Recenzijos

For all readers interested in the historical context and significant features of 1990s British theatre, this book provides vivid and comprehensive snapshots of the period and a concise introduction to its playwrights, theatre companies, theatres, funding bodies and preoccupations...a volume that is built upon wide-ranging knowledge and excellent research, is full of original ideas, and enthusiastically engages with Britains theatre history and culture through the 1990s and in so doing comprises an important introduction to 1990s theatre history and criticism. -- Louise LePage * Platform *

Daugiau informacijos

A critical study of the theatre produced in the 1990s with an in-depth analysis of the work of four key playwrights from the decade.
General Preface vii
Richard Boon
Philip Roberts
Acknowledgements ix
Introduction: Living in the 1990s 1(27)
Background
1(1)
Everyday life
2(6)
Education
8(1)
Media
9(5)
Culture
14(7)
Science, technology and industry
21(3)
Politics
24(4)
1 Theatre in the 1990s
28(60)
Background
28(3)
Heritage, culture and the Arts Council
31(4)
Flagship theatres: West End, National and RSC
35(10)
Off-West End and companies
45(9)
New writing
54(14)
Experimental, fringe and live art
68(9)
Outside London: England, Scotland, Wales and Northern Ireland
77(8)
Conclusion
85(3)
2 Playwrights and Plays
88(101)
Philip Ridley
88(24)
Aleks Sierz
Introduction
88(3)
The Pitchfork Disney
91(7)
The Fastest Clock in the Universe
98(6)
Ghost from a Perfect Place
104(5)
Conclusion
109(3)
Sarah Kane
112(25)
Catherine Rees
Introduction
112(2)
Blasted
114(8)
Cleansed
122(6)
4.48 Psychosis
128(6)
Conclusion
134(3)
Anthony Neilson
137(26)
Trish Reid
Introduction
137(5)
Normal
142(6)
Penetrator
148(7)
The Censor
155(6)
Conclusion
161(2)
Mark Ravenhill
163(26)
Graham Saunders
Introduction
164(4)
Shopping and Fucking
168(6)
Some Explicit Polaroids
174(4)
Mother Clap's Molly House
178(7)
Conclusion
185(4)
3 Documents
189(33)
Philip Ridley: Vesper - a Monologue
189(9)
Sarah Kane: Interview with Dan Rebellato
198(11)
Anthony Neilson: In His Own Words
209(5)
Mark Ravenhill: `A Tear in the Fabric'
214(8)
Afterword 222(13)
Notes 235(19)
Select Bibliography 254(7)
Index 261(15)
Notes on Contributors 276
Dr Aleks Sierz is Visiting Professor at Rose Bruford College and author of The Theatre of Martin Crimp and Rewriting the Nation. Series editors: Richard Boon, Professor and Director of Research in the Department of Drama and Music, University of Hull, and Philip Roberts, Emeritus Professor in the School of English, University of Leeds.