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El. knyga: Modern Fiction, Disability, and the Hearing Sciences

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"The relationship between critical disability studies and the hearing sciences is a dynamic one, and it's changing still, both as clinicians come to terms with the evolving health of deaf and hearing communities, and as the 'social' and 'medical' understandings of disability continue to gain traction among different groups. What might a 'cultural' approach to these overlapping areas of study involve? And what could narrative prose in particular have to tell us that other sources haven't sensed? At a timewhen visual media otherwise seem to have captured the imagination, Modern Fiction, Disability, and the Hearing Sciences makes the case for a wide range of literature. In doing so - through serials, short stories, circadian fiction, narrative history, morality tales, whodunits, Bildungsromane, life-writing, the Great American Novel - the book reveals the diverse ways in which writers have plotted and voiced experiences of hearing, from the nineteenth century to the present day"--

At a time when visual media otherwise seem to have captured the imagination, Modern Fiction, Disability, and the Hearing Sciences makes the case for a wide range of literature. In doing so, the book reveals the diverse ways in which writers have plotted and voiced experiences of hearing, from the nineteenth century to the present day.



The relationship between critical disability studies and the hearing sciences is a dynamic one, and it’s changing still, both as clinicians come to terms with the evolving health of deaf and hearing communities and as the ‘social’ and ‘medical’ understandings of disability continue to gain traction among different groups. What might a ‘cultural’ approach to these overlapping areas of study involve? And what could narrative prose in particular have to tell us that other sources haven’t sensed?

At a time when visual media otherwise seem to have captured the imagination, Modern Fiction, Disability, and the Hearing Sciences makes the case for a wide range of literature. In doing so – through serials, short stories, circadian fiction, narrative history, morality tales, whodunits, Bildungsromane, life-writing, the Great American Novel – the book reveals the diverse ways in which writers have plotted and voiced experiences of hearing, from the nineteenth century to the present day.

List of Contributors

Acknowledgements

Introduction: Placing Quietness

Edward Allen

1. Stethoscape: Auscultation in British Fiction

Justin Tackett

2. Redemption From Probable Destruction: Deafness, Isolation, and Identity
in the

Autobiography of Harriet Martineau

Clare Walker Gore

3. Virginia Woolfs Mrs Dalloway and the Biopolitics of Interwar Noise
Abatement

Anna Snaith

Earpiece 1: Feel dumb. Dont cry: Inside a Soundproof Gray Room

Jaipreet Virdi

4. Automatic Voices: Modernism, Telephony, and Delusion

Andrew Gaedtke

5. The Zoom of a Hornet: Virginia Woolf, Aural Biopolitics, and the
Phenomenology of

an Air Raid

Beryl Pong

6. Sleuthing Deafness in Detective Fiction

Edward Allen

Earpiece 2: Learning to be Hearing

Ben Holmes

7. The Jabber of Money: Tinnitus as Metaphor and Martin Amiss Critique of
Neoliberalism

A. Elisabeth Reichel

8. Sound Minds: Schizophonia and Schizophrenia in David Foster Wallaces
Infinite Jest

William Allen

9. Teju Coles Art of Listening

Rachel Farebrother

Earpiece 3: Really a part of me: Dementia Conversations

Catherine Charlwood

Index
Edward Allen is Associate Professor in English at the University of Cambridge and a Fellow of Christs College.