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Modern Monologue: Women [Minkštas viršelis]

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  • Formatas: Paperback / softback, 164 pages, aukštis x plotis: 198x129 mm, weight: 158 g
  • Išleidimo metai: 06-Dec-1993
  • Leidėjas: Routledge
  • ISBN-10: 0878300465
  • ISBN-13: 9780878300464
Kitos knygos pagal šią temą:
  • Formatas: Paperback / softback, 164 pages, aukštis x plotis: 198x129 mm, weight: 158 g
  • Išleidimo metai: 06-Dec-1993
  • Leidėjas: Routledge
  • ISBN-10: 0878300465
  • ISBN-13: 9780878300464
Kitos knygos pagal šią temą:
First published in 1994. The Modern Monologue is a continuation of the previous collection The Classical Monologue. This starts at the dawn of the modern age in 1892, presenting a survey of indispensable speeches from plays that continue to shape the course of modern theatre. The plays included in this collection also happen to be the ones that have helped to define modern acting in all its many guises. Modern playwrights such as Brecht, Genet, Beckett, Ionesco, Pinter, Shepard, Guare, Nichols and Churchill, to name only a handful of the dramatists represented here, assume that a play and its characters are malleable and shifting; that mood swings, strangeness and sudden eruptions are key components of modern theatre's compelling attraction.

First Published in 1994. Routledge is an imprint of Taylor & Francis, an informa company.
Notes to the Actor vii
Absent Friends (1974) Alan Ayckbourn
1(4)
After the Fall (1964) Arthur Miller
5(2)
Antigone (1944) Jean Anouilh
7(3)
The Balcony (1956) Jean Genet
10(3)
The Bald Prima Donna (1950) Eugene Ionesco
13(3)
Blithe Spirit (1941) Noel Coward
16(4)
Blues for Mister Charlie (1964) James Baldwin
20(3)
Cat on a Hot Tin Roof (1955) Tennessee Williams
23(4)
Cloud Nine (1979) Caryl Churchill
27(2)
The Cocktail Party (1950) T. S. Eliot
29(2)
A Day in the Death of Joe Egg (1967) Peter Nichols
31(3)
East (1975) Steven Berkoff
34(4)
Faith Healer (1979) Brian Friel
38(3)
The Glass Menagerie (1945) Tennessee Williams
41(3)
The Good Person of Sichuan (1939-40) Bertolt Brecht
44(5)
Happy Days (1961) Samuel Beckett
49(4)
Hello and Goodbye (1965) Athol Fugard
53(4)
The House of Blue Leaves (1971) John Guare
57(3)
Huis Clos [ In Camera/No Exit] (1944) Jean-Paul Sartre
60(2)
Icarus's Mother (1965) Sam Shepard
62(3)
The Iceman Cometh (1940) Eugene O'Neill
65(2)
Jumpers (1972) Tom Stoppard
67(3)
La Turista (1967) Sam Shepard
70(3)
The Lark (1953) Jean Anouilh
73(3)
Long Day's Journey into Night (1940) Eugene O'Neill
76(4)
Look Back in Anger (1956) John Osborne
80(3)
The Maids (1947) Jean Genet
83(5)
The Misunderstanding (1944) Albert Camus
88(3)
Napoli Milionaria (1945) Eduardo de Filippo
91(3)
Old Times (1971) Harold Pinter
94(2)
Otherwise Engaged (1975) Simon Gray
96(2)
The Plough and the Stars (1926) Sean O'Casey
98(3)
Pygmalion (1912) Bernard Shaw
101(4)
The Room (1960) Harold Pinter
105(2)
Roots (1959) Arnold Wesker
107(4)
The Ruffian on the Stair (1964) Joe Orton
111(3)
The Rules of the Game (1919) Luigi Pirandello
114(2)
The Ruling Class (1968) Peter Barnes
116(2)
Saint Joan (1924) Bernard Shaw
118(3)
Saved (1965) Edward Bond
121(3)
The Sea (1973) Edward Bond
124(3)
Sexual Perversity in Chicago (1974) David Mamet
127(3)
Spring Awakening (1892) Frank Wedekind
130(3)
A Streetcar Named Desire (1947) Tennessee Williams
133(3)
Summer and Smoke (1948) Tennessee Williams
136(3)
Ubu Rex (1896) Alfred Jarry
139(3)
A View from the Bridge (1955) Arthur Miller
142(2)
Who's Afraid of Virginia Woolf? (1962) Edward Albee
144(3)
Play Sources 147(2)
Acknowledgements 149
Michael Earley is Chief Producer of Plays for BBC Radio Drama in London. He was Chairman of the Theatre Studies Program at Yale University and taught acting, dramatic literature and playwriting there and at New York University's Tisch School of the Arts, The Julliard School's Acting Program, Smith College and various other schools and universities in America and Britain. Philippa Keil is a writer, editor and translator who trained at the Yale School of Drama. She graduated from Sussex University where she acted, directed and produced plays for the Frontdoor Theatre, and then worked professionally in London at Richmond's Orange Tree Theatre.