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El. knyga: Modernism: Keywords

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"Modernism: Keywords presents a series of short entries explaining the diverse and often contradictory meanings of words used with frequency and urgency in "written modernism"--

Guided by the historical semantics developed in Raymond Williams' pioneering study of cultural vocabulary, Modernism: Keywords presents a series of short entries on words used with frequency and urgency in “written modernism,” tracking cultural and literary debates and transformative moments of change.

  • Highlights and exposes the salient controversies and changing cultural thought at the heart of modernism
  • Goes beyond constructions of “plural modernisms” to reveal all modernist writing as overlapping and interactive in a simultaneous and interlocking mix
  • Draws from a vast compilation of more than a thousand sources, ranging from vernacular prose to experimental literary forms
  • Spans the “long” modernist period, from its incipient beginnings c.1880 to its post-WWII aftermath
  • Approaches English written modernism in its own terms, tempering explanations of modernism often derived from European poets and painters
  • Models research techniques based on digital databases and collaborative work in the humanities

Recenzijos

"Everyone teaching literary modernism should spend time with this book." James Gifford, University of Toronto Quarterly

"Their resources build from primary texts and through the ready resources in the Modernist Journals Project, JSTOR, the Times Literary Supplement Historical Archive, and so forth. The great merit of this approach is its adept management of primary and secondary materials, moving between the terms used in the modernist period, conceived here loosely as from 1880 to 1950, and the keywords used in scholarship. The result is a deliberately use-oriented collection of keywords for the study of modernism. The most immediate audience will be undergraduate students, but graduate-level and researcher use is also certain." James Gifford, University of Toronto Quarterly

Credits and Acknowledgments viii
Introduction: Unsettling Modernism x
Note on References xviii
A
Advertising
1(5)
Atom, Atomic
6(5)
Avant-Garde
11(4)
B
Best seller
15(5)
Bigness, Smallness
20(6)
Biography, New Biography
26(8)
C
Common Man
34(6)
Common Mind, Group Thinking
40(5)
Conventional, Conventionality
45(4)
Coterie, Bloomsbury
49(7)
D
Democracy
56(7)
Difficulty, Obscurity
63(7)
E
Einstein
70(7)
Empire, Imperialism
77(8)
F
Fascism
85(6)
Form, Formalism
91(8)
G
God, Gods
99(8)
H
Hamlet
107(4)
Highbrow, Middlebrow, Lowbrow
111(8)
Hygiene
119(6)
I
Impression, Impressionism
125(4)
International, Internationalism
129(7)
M
Manifesto
136(3)
Modern, Modernism
139(8)
N
Negro, New Negro
147(8)
P
Personality, Impersonality
155(7)
Primitive
162(8)
Propaganda
170(7)
Q
Queer, Gay
177(7)
R
Race
184(7)
Readers, Reading
191(5)
Reality, Realism
196(7)
Rhythm
203(7)
S
Sentimental, Sentimentality
210(4)
Shock, Shell Shock
214(9)
U
Unconscious
223(8)
Universal
231(7)
W
Woman, New Woman
238(8)
Words, Language
246(8)
Index of Modernist Authors 254(9)
Index of Modernist Keywords 263
Melba Cuddy-Keane is Emerita Professor, University of Toronto-Scarborough and Emerita Member of the Graduate Department of English, University of Toronto. Her publications include Virginia Woolf, the Intellectual, and the Public Sphere (2003), the Harcourt annotated edition of Virginia Woolfs Between the Acts (2008) and contributions to A Companion to Modernist Literature and Culture (2006) and A Companion to Narrative Theory (2005).

Adam Hammond recently completed an SSHRC postdoctoral fellowship at the University of Victoria and is currently the Michael Ridley Postdoctoral Fellow in Digital Humanities at the University of Guelph. He is the author of Literature in the Digital Age: A Critical Introduction (forthcoming 2015).

Alexandra Peat is an Assistant Professor in the Department of Literature and Culture, Franklin University Switzerland. She is the author of Travel and Modernist Literature: Sacred and Ethical Journeys (2010).
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