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Modernist Objects [Kietas viršelis]

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  • Formatas: Hardback, 300 pages, aukštis x plotis: 239x163 mm, Illustrations, color; Illustrations, black and white
  • Serija: Clemson University Press: Seminal Modernisms
  • Išleidimo metai: 05-Jan-2021
  • Leidėjas: Clemson University Digital Press
  • ISBN-10: 1949979504
  • ISBN-13: 9781949979503
Kitos knygos pagal šią temą:
  • Formatas: Hardback, 300 pages, aukštis x plotis: 239x163 mm, Illustrations, color; Illustrations, black and white
  • Serija: Clemson University Press: Seminal Modernisms
  • Išleidimo metai: 05-Jan-2021
  • Leidėjas: Clemson University Digital Press
  • ISBN-10: 1949979504
  • ISBN-13: 9781949979503
Kitos knygos pagal šią temą:
"Modernist Objects is a unique mix of cultural studies, literature, and visual arts applied to the discrete materiality of modernist objects. Contributors explore the many tensions surrounding the modernist relationship to objects, things, products and artIfacts through the prism of poetry, prose, visual arts, culture and crafts"--

Modernist Objects: Literature, Art, Culture is a unique mix of cultural studies, literature, and visual arts applied to the discrete materiality of modernist objects. The simultaneously physical and ideological nature of objects has made them remarkably transparent to critical inquiries into their aesthetic, political, social, historical or philosophical uses and meanings. This book identifies three processes at work in the apprehension of objects in poetry, prose, visual arts, culture and crafts. If the first instinct of the modernist novelists and playwrights was to object to the realist tradition of objects as more or less stable inherited signifiers, they felt themselves equally free, we find, to take up humanity as their object. The human body, emotions and mind were endowed with newfound plasticity, and it was now the artist's and the writer's task to fashion them after their own image, mobilizing and expanding them through objects seen as relational and connective catalysts for the modernist subject. Finally, the futile and decorative object is explored. From Baroness Elsa performing the commodity fetish to Jean Rhys performing the dissolution of the self in a frenzy of sartorial ornament, the agency of surface detail (misplaced, proliferating, or repurposed) is made manifest and given free play.
List of Illustrations
vii
Introduction 1(20)
Part One Objecting to Realism
1 Objectionable Objects
21(24)
Douglas Mao
2 "Such density of furniture defeats imagination": Beckett's Post-War Room and the Inheritance of Things
45(18)
Martin Schauss
3 From Eggbeaters and Alcohol to Gryphons, Dolls, and Puppets: The Affective Mobilities of Djuna Barnes's Objects
63(16)
Pavlina Radia
4 Tradition and the Test-Tube Baby
79(18)
Rachel Bowlby
Part Two Fashioning the Human
5 The Fabric of Home: Cotton Cloth between Ontology and Use-Value in Paul Klee's and Varvara Stepanova and Lyubov Popova's Artwork
97(16)
Sanja Bahun
6 Computer Science for (Live) Modernism(s)?: Magazines as Metaobjects
113(18)
Louise Kane
7 "Twang the lyre and rattle the lexicon": Harps and Lyres in Modernist Poetry
131(16)
Jennifer Kilgore-Caradec
8 Louise Bourgeois's Melancholy Objects to be Used
147(20)
Lynn M. Somers
Part Three Performing the Ornamental
9 Limbs-wish: Baroness Elsa's "Ready-to-Wear" Poem-Objects
167(22)
Yasna Bozhkova
10 The Furniture of Alter-Modernism: Eileen Gray's and Le Corbusier's Two Orientalisms
189(20)
Maurizia Boscagli
11 "LOST! HANSOME GOLE BROOCH": Broken, Lost, and Forgotten Objects in Woolf, Mansfield, and Stein
209(16)
Nonia Williams
12 Diasporic Modernism: Memory, the Object, and Jean Rh.ys's Good Morning, Midnight (1939)
225(16)
Justine Baillie
Notes 241(38)
Index 279