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El. knyga: Monologues from Shakespeare's First Folio for Women: The Comedies

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Curated from the Applause three-volume series, Once More unto the Speech, Dear Friends, edited by Neil Freeman, these monologue from Shakespeare's works are given new life and purpose for today's readers and actors alike.

There are twelve titles in this series, which is divided into four categories: monologues for younger men, monologues for older men, monologues for women, and monologues for any gender, the latter being a unique feature since most monologue books are compiled for either men or women. Each book is presented in a smaller format that is more consistent with standard monologue books.

Titles in the series:

Monologues from Shakespeare's First Folio for Any Gender: The Comedies

Monologues from Shakespeare'sFirst Folio for Any Gender: The Histories

Monologues from Shakespeare's First Folio for Any Gender: The Tragedies

Monologues from Shakespeare's First Folio for Women: The Comedies

Monologues from Shakespeare's First Folio for Women: The Histories

Monologues from Shakespeare' First Folio for Women: The Tragedies

Monologues from Shakespeare's First Folio for Younger Men: The Comedies

Monologues from Shakespeare's First Folio for Younger Men: The Histories

Monologues from Shakespeare's First Folio for Younger Men: The Tragedies

Monologues from Shakespeare's First Folio for Older Men: The Comedies

Monologues from Shakespeare's First Folio for Older Men: The Histories

Monologues from Shakespeare's First Folio for Older Men: The Tragedies
Foreword 11(4)
Preface and Brief Background 15(4)
Introduction 19(8)
How these texts work 27(6)
Adrianna, The Comedie of Errors
33(4)
Curtizan, The Comedie of Errors
37(4)
Julia, The Two Gentlemen of Verona
41(4)
Julia, The Two Gentlemen of Verona
45(4)
Sylvia, The Two Gentlemen of Verona
49(4)
Julia, The Two Gentlemen of Verona
53(4)
Princess, Loves Labours Lost
57(4)
Rosaline, Loves Labours Lost
61(4)
Princess, Loves Labour's Lost
65(4)
Hermia, A Midsommer Nights Dreame
69(4)
Helena, A Midsommer Nights Dreame
73(4)
Queene, A Midsommer Nights Dreame
77(4)
Helena, A Midsommer Nights Dreame
81(4)
Hermia, A Midsommer Nights Dreame
85(4)
Titania, A Midsommer Nights Dreame
89(4)
Helena, A Midsommer Nights Dreame
93(4)
Jessica, The Merchant of Venice
97(4)
Portia, The Merchant of Venice
101(4)
Portia, The Merchant of Venice
105(4)
Beatrice, Much Adoe About Nothing
109(4)
Hero, Much Adoe About Nothing
113(4)
Mistress Page, The Merry Wives of Windsor
117(4)
Celia, As You Like It
121(4)
Rosalind, As You Like It
125(4)
Phebe, As You Like It
129(4)
Rosalind, As You Like It
133(4)
Viola, Twelfe Night, or, what you will
137(4)
Viola, Twelfe Night, or, what you will
141(4)
Viola, Twelfe Night, or, what you will
145(4)
Olivia, Twelfe Night, or, what you will
149(4)
Hellen, Alls Well That Ends Well
153(4)
Hellen, Alls Well That Ends Well
157(4)
Diana, Alls Well That Ends Well
161(4)
Hermione, The Winter's Tale
165(4)
Hermione, The Winter's Tale
169(4)
Miranda, The Tempest
173(6)
Bibliography 179(4)
Appendix 1 Guide to the Early Texts 183(1)
Appendix 2 Words, Words, Words 184(3)
Appendix 3 The Pattern of Magic 187(2)
Acknowledgments 189(1)
Author Bio 190
Paul Sugarman is an actor, editor, writer, and teacher of Shakespeare. He is founder of the Instant Shakespeare Company, which presents annual readings of all of Shakespeare's plays in New York City. He worked with the Actors Shakespeare Company at New Jersey City University as a teacher and performer, working as a verse coach and assistant playmaster as well as appearing in many of their productions.

For ASC he has published annotated acting editions of Hamlet, The Merchant of Venice, and The Three Musketeers. With the ATC Conservatory Players he has worked as dramaturg and actor. For Applause Theatre & Cinema Books, he edited John Russell Brown's publication of Shakescenes: Shakespeare for Two and The Applause Shakespeare Library, as well as Neil Freemans Applause First Folio Editions and The Applause First Folio of Shakespeare in Modern Type. He has published pocket editions of all of Shakespeare's plays using the original settings of the First Folio in modern type for Puck Press. Sugarman received a BFA from New York University and studied with Kristin Linklater and Tina Packer at Shakespeare & Company.
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