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El. knyga: Monologues from Shakespeare's First Folio for Women: The Histories

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Curated from the Applause three-volume series, Once More unto the Speech, Dear Friends, edited by Neil Freeman, these monologue from Shakespeare's works are given new life and purpose for today's readers and actors alike.

There are twelve titles in this series, which is divided into four categories: monologues for younger men, monologues for older men, monologues for women, and monologues for any gender, the latter being a unique feature since most monologue books are compiled for either men or women. Each book is presented in a smaller format that is more consistent with standard monologue books.

Titles in the series:

Monologues from Shakespeare's First Folio for Any Gender: The Comedies

Monologues from Shakespeare'sFirst Folio for Any Gender: The Histories

Monologues from Shakespeare's First Folio for Any Gender: The Tragedies

Monologues from Shakespeare's First Folio for Women: The Comedies

Monologues from Shakespeare's First Folio for Women: The Histories

Monologues from Shakespeare' First Folio for Women: The Tragedies

Monologues from Shakespeare's First Folio for Younger Men: The Comedies

Monologues from Shakespeare's First Folio for Younger Men: The Histories

Monologues from Shakespeare's First Folio for Younger Men: The Tragedies

Monologues from Shakespeare's First Folio for Older Men: The Comedies

Monologues from Shakespeare's First Folio for Older Men: The Histories

Monologues from Shakespeare's First Folio for Older Men: The Tragedies
Foreword 11(4)
Preface and Brief Background 15(4)
Introduction 19(8)
How these texts work 27(6)
Joan La Pucelle/Puzel, The First Part of Henry the Sixt
33(4)
Countess, The First Part of Henry the Sixt
37(4)
Joan La Pucelle/Pucell, The First Part of Henry the Sixt
41(4)
Eleanor/Elianor, The Second Part of Henry the Sixt
45(4)
Queene, The Second Part of Henry the Sixt
49(4)
Queene, The Second Part of Henry the Sixt
53(4)
Queene, The Second Part of Henry the Sixt
57(4)
Queene {Margaret}, The Third Part of Henry the Sixt
61(4)
Queene Elizabeth {Gray}, The Third Part of Henry the Sixt
65(4)
Queene {Margaret}, The Third Part of Henry the Sixt
69(4)
Anne, The Tragedy of Richard the Third
73(4)
Queene Margaret, The Tragedy of Richard the Third
77(4)
Queene Margaret, The Tragedy of Richard the Third
81(4)
Dutchess, The Tragedy of Richard the Third
85(4)
Queene Elizabeth, The Tragedy of Richard the Third
89(4)
Queen Elizabeth, The Tragedy of Richard the Third
93(4)
Eleanor/Old Queene, The Life and Death of King John
97(4)
Constance, The Life and Death of King John
101(4)
Constance, The Life and Death of King John
105(4)
Constance, The Life and Death of King John
109(4)
Blanche, The Life and Death of King John
113(4)
Blanche, The Life and Death of King John
117(4)
Constance, The Life and Death of King John
121(3)
Constance, The Life and Death of King John
125(4)
Queene, The Life and Death of King Richard the Second
129(4)
Queene, The Life and Death of King Richard the Second
133(4)
Queene, The Life and Death of King Richard the Second
137(4)
Lady Percy, The First Part of Henry the Fourth
141(4)
Lady Percy, The First Part of Henry the Fourth
145(4)
Hostesse, The Second Part of Henry the Fourth
149(4)
Doll Tearsheet/Dol, The Second Part of Henry the Fourth
153(4)
Hostesse, The Life of Henry the Fiji
157(4)
Old Lady, The Life of King Henry the Eight
161(4)
Queene, The Life of King Henry the Eight
165(4)
Queene, The Life of King Henry the Eight
169(4)
Queene, The Life of King Henry the Eight
173(6)
Bibliography 179(4)
Appendix 1 Guide to the Early Texts 183(1)
Appendix 2 Words, Words, Words 184(3)
Appendix 3 The Pattern of Magic 187(2)
Acknowledgments 189(1)
Author Bio 190
Paul Sugarman is an actor, editor, writer, and teacher of Shakespeare. He is founder of the Instant Shakespeare Company, which presents annual readings of all of Shakespeare's plays in New York City. He worked with the Actors Shakespeare Company at New Jersey City University as a teacher and performer, working as a verse coach and assistant playmaster as well as appearing in many of their productions.

For ASC he has published annotated acting editions of Hamlet, The Merchant of Venice, and The Three Musketeers. With the ATC Conservatory Players he has worked as dramaturg and actor. For Applause Theatre & Cinema Books, he edited John Russell Brown's publication of Shakescenes: Shakespeare for Two and The Applause Shakespeare Library, as well as Neil Freemans Applause First Folio Editions and The Applause First Folio of Shakespeare in Modern Type. He has published pocket editions of all of Shakespeare's plays using the original settings of the First Folio in modern type for Puck Press. Sugarman received a BFA from New York University and studied with Kristin Linklater and Tina Packer at Shakespeare & Company.
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