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Acknowledgements |
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xvii | |
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1 The enchantment of megalithic architecture: revisiting the dolmens of northern Europe |
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1 | (33) |
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1.1 Rehabilitating the simple dolmen |
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1 | (3) |
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1.2 What type of megalithic tomb is this? |
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4 | (4) |
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8 | (2) |
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1.4 A time and place for the dolmen |
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10 | (1) |
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11 | (9) |
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1.6 A question of visibility: mounds and dolmens |
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20 | (11) |
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1.7 Of a wondrous and magical countenance |
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31 | (3) |
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2 An aesthetic of megalithic construction: dolmens as installations of display |
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34 | (29) |
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2.1 An extraordinary dolmen in Ireland |
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34 | (3) |
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2.2 Capstones as emergent forms |
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37 | (6) |
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2.3 The raised capstone as an object of display |
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43 | (13) |
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2.4 Of a wonderful and fearful countenance |
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56 | (7) |
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3 Becoming a capstone: differentiating stones and cup-marking in anticipation of dolmen construction |
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63 | (30) |
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63 | (1) |
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3.2 Different worlds of stone |
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64 | (4) |
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3.3 Cup-marks and differentiating capstones |
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68 | (9) |
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3.4 The Burren, Co. Cavan, Ireland |
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77 | (11) |
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Excavations by Vicki Cummings, Sam Moore and Colin Richards |
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77 | (11) |
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3.5 Making cup-marks as part of assemblage-making |
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88 | (2) |
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90 | (3) |
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4 Raising dolmens in situ: the deployment of enchanting technologies |
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93 | (26) |
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4.1 Building dolmens: engagement, experimentation and process |
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93 | (2) |
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4.2 Building dolmens in situ: the realisation of magical and enchanting technologies |
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95 | (2) |
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4.3 A frightful discovery |
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97 | (6) |
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4.4 Excavations at Presaddfed, Anglesey: a multi-lithology paired dolmen in Anglesey |
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103 | (7) |
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Investigations by Vicki Cummings, Colin Richards and Roger Anderton |
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103 | (7) |
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4.5 Uplifting technologies: investigating in situ dolmen construction |
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110 | (6) |
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4.6 The enchanting dolmen |
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116 | (3) |
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5 Megalithic affect and effect: encountering dolmens in northern European landscapes |
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119 | (35) |
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5.1 Visiting the Brennanstown dolmen, Co. Dublin, Ireland |
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119 | (6) |
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125 | (3) |
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128 | (5) |
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5.4 The routes of megalithic architecture |
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133 | (14) |
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5.5 Close encounters with dolmens: atmosphere, drama and magic |
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147 | (7) |
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6 The living dolmen: flesh, stone and the flow and exchange of vital substances is |
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154 | (25) |
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6.1 A dilemma of function and purpose |
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54 | (104) |
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6.2 An unstable and deceptive world |
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158 | (4) |
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6.3 The anatomy of a dolmen |
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162 | (3) |
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6.4 Human burial: the exchange of vital substances creates the dolmen |
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165 | (6) |
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6.5 The dead as a function of dolmen construction |
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171 | (1) |
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6.6 The dolmen transformed |
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172 | (4) |
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6.7 Dolmens as vibrant material things |
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176 | (3) |
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7 A monumental catastrophe: investigating the collapsed dolmens at Garn Turne, south-west Wales |
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179 | (42) |
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179 | (3) |
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7.2 Investigating Garn Turne |
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182 | (30) |
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7.3 Making dolmens: building Garn Turne Major |
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212 | (3) |
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7.4 The timing of a megalithic catastrophe |
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215 | (6) |
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8 Wondrous places: dolmens and discourses of wonder in the early Neolithic of Britain and Ireland |
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221 | (38) |
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8.1 Strangers in a strange land |
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221 | (2) |
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8.2 A problem of recognition |
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223 | (3) |
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8.3 Changing direction: a consideration of the dolmens and tors of Cornwall, south-west Britain |
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226 | (3) |
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8.4 A geography of Neolithic wonder-places |
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229 | (13) |
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8.5 Tumultuous times: dolmens as material discourses of wonder in the early Neolithic of Britain and Ireland |
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242 | (3) |
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8.6 Other and different wonder-places in the early Neolithic |
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245 | (1) |
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8.7 Conclusion: an end to wonder? |
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246 | (13) |
Appendix 1 Flint artefacts from Garn Turne |
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259 | (4) |
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Appendix 2 Pdiyolite flakes from Garn Turne |
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263 | (3) |
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Appendix 3 Hammerstones, other pebble-based tools and stone objects from Garn Turne |
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266 | (1) |
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Appendix 4 Pottery from Garn Turne |
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267 | (7) |
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Appendix 5 Carbonised plant macrofossils and charcoal from Garn Turne |
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274 | (8) |
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Appendix 6 Modern finds from Presaddfed |
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282 | (2) |
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Appendix 7 Environmental report from Presaddfed |
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284 | (4) |
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Bibliography |
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288 | |