In September 1666, a fire sparked in a bakery on Pudding Lane grew until it had destroyed four-fifths of central London. The rebuilding efforts that followed not only launched the careers of some of Londons most famous architects, but also transformed Londoners relationship to their city by underscoring the ways that people could shape a citys spacesand the ways that a citys spaces could shape its people. Movable Londons looks to the Restoration theater to understand how the dispossessed made London into a modern city after the Great Fire of 1666 and how the introduction of changeable scenery in theaters altered how Londoners conceptualized the city. Fawcett makes a claim for the centrality of unplanned spaces and the role of the Restoration theater in articulating those spaces as the modern city emerged and argues that movable scenery revolutionized Londons public theaters, inviting audiences to observe how the performersmany of them hailing from the same communities as their charactersnavigated the stage.
How people can shape a citys spaces and how a city can shape its people
Illustrations
Introduction
Chapter One: Plotting (Drydens Servants)
Chapter Two: Personal Space (Behns Women)
Chapter Three: Nonconformity (Vanbrughs Puritans)
Chapter Four: Migration (Farquhars Irish)
Chapter Five: Cosmopolitanism (Wycherleys Dancing-Master, Bickerstaffes
Mungo, and the Legacies of Restoration London)
Epilogue: London Moving
Notes
Bibliography
Julia H. Fawcett is Associate Professor of Theater, Dance, and Performance Studies at UC Berkeley. She is the author of Spectacular Disappearances: Celebrity and Privacy, 16961801.