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El. knyga: Movement Directors in Contemporary Theatre: Conversations on Craft

(Royal Central School of Speech and Drama, University of London, UK)
  • Formatas: 240 pages
  • Serija: Theatre Makers
  • Išleidimo metai: 11-Jun-2020
  • Leidėjas: Methuen Drama
  • ISBN-13: 9781350054479
  • Formatas: 240 pages
  • Serija: Theatre Makers
  • Išleidimo metai: 11-Jun-2020
  • Leidėjas: Methuen Drama
  • ISBN-13: 9781350054479

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'When directors understand the value of a movement director they remove any sense of hierarchy within the room and place movement directors firmly by their side for they are and should be their co-pilot, navigating and creating the world of the play.'
- Joan Iyiola


Movement directors work with the physical, living bodies at the heart of theatre productions, creating movement languages with actors and directors. Through a series of in-depth interviews with leading theatre practitioners, Ayse Tashkiran charts the growth of the movement director in contemporary theatre. The voices of Jane Gibson, Sue Lefton, Kate Flatt, Toby Sedgwick, Siân Williams, Struan Leslie, Ellen Kane, Peter Darling, Steven Hoggett, Ann Yee, Imogen Knight and Shelley Maxwell explore processes of creativity, collaboration and innovation for the moving body in performance.

The conversations open up:
Growth of movement direction through the 20th century
New insights into embodied theatre practice
Diverse movement approaches and creative preparation
Physical trainings and influences
Working methods with directors and actors in the rehearsal room
Movement for actors in opera, film, television and musical theatre
Relationships between movement direction and theatre choreography
Potential future developments in the field

Recenzijos

Tashkiran has collected interviews with fellow movement directors for years. She is a great interviewer and a careful listener, instinctively taking a back seat and giving space and time to her interviewee, only intercepting to dig a little deeper or tease out more clarification [ the book] brims with different personalities, unfinished thoughts and stream-of-consciousness monologues the struggles of people who habitually work with bodies to find the right word. The book allows us to sneak a peek directly into the rehearsal room and the very practical physical craft that happens there. * Springback Magazine * Opens up discussions on key aspects of the creative process, how to make a name for yourself and what it is truly like to work with bodies of all backgrounds Tashkirans own passion and experiences set out the foundations for this highly informative and insightful book, which is highly recommended for all those who have a desire to choreograph, movement direct or simply have a curiosity for how a production gets moving. * One Magazine *

Daugiau informacijos

Examining the emergence of the movement director in contemporary theatre, this book explores and evaluates their work in a series of conversations with key practitioners.
Foreword vi
Maria Aberg
Joan lyiola
Preface ix
Acknowledgements xi
Introduction 1(8)
1 Early practitioners and practices
9(18)
2 Themes
27(14)
3 Jane Gibson
41(12)
4 Sue Lefton
53(12)
5 Kate Flatt
65(16)
6 Toby Sedgwick
81(12)
7 Sian Williams
93(12)
8 Struan Leslie
105(14)
9 Ellen Kane
119(10)
10 Peter Darling
129(8)
11 Steven Hoggett
137(12)
12 Ann Yee
149(10)
13 Imogen Knight
159(12)
14 Shelley Maxwell
171(12)
15 Future voices
183(14)
16 Beyond the room: Contexts and structures
197(16)
Glossary 213(2)
References 215(4)
Further reading 219(8)
About the author 227
Ayse Tashkiran is a Senior Lecturer and Co-Course Leader MA/MFA Movement: Directing and Teaching at Royal Central School of Speech and Drama and is the recipient of a Society for Theatre Research award for her research into the history of movement direction. She practises as a movement director for a variety of professional theatre productions and companies including the Young Vic, the RSC and WNO max.