As the two billion YouTube views for Gangnam Style would indicate, South Korean popular culture has begun to enjoy new prominence on the global stage. Yet, as this timely new study reveals, the nations film industry has long been a hub for transnational exchange, producing movies that put a unique spin on familiar genres, while influencing world cinema from Hollywood to Bollywood.
Movie Migrations is not only an introduction to one of the worlds most vibrant national cinemas, but also a provocative call to reimagine the very concepts of national cinemas and film genre. Challenging traditional critical assumptions that place Hollywood at the center of genre production, Hye Seung Chung and David Scott Diffrient bring South Korean cinema to the forefront of recent and ongoing debates about globalization and transnationalism. In each chapter they track a different way that South Korean filmmakers have adapted material from foreign sources, resulting in everything from the Manchurian Western toThe Hosts reinvention of the Godzilla mythos.
Spanning a wide range of genres, the book introduces readers to classics from the 1950s and 1960s Golden Age of South Korean cinema, while offering fresh perspectives on recent favorites likeOldboy and Thirst. Perfect not only for fans of Korean film, but for anyone curious about media in an era of globalization,Movie Migrations will give readers a new appreciation for the creative act of cross-cultural adaptation.
This timely new study reveals that, though South Korean popular culture might be enjoying new prominence on the global stage, the nations film industry has long been a hub for creative appropriations across national borders.Movie Migrations explores how Korean filmmakers have put a unique spin on familiar genres, while influencing world cinema from Hollywood to Bollywood.
Hye Seung Chung is an assistant professor of film and media studies in the department of communication studies at Colorado State University. She is the author of Hollywood Asian: Philip Ahn and the Politics of Cross-Ethnic Performance and Kim Ki-duk.
David Scott Diffrient is the William E. Morgan Endowed Chair of Liberal Arts and associate professor of film and media studies in the department of communication studies at Colorado State University. He is the author of Omnibus Films: Theorizing Transauthorial Cinema.
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