Atnaujinkite slapukų nuostatas

El. knyga: Movie Minorities: Transnational Rights Advocacy and South Korean Cinema

  • Formatas: PDF+DRM
  • Išleidimo metai: 13-Aug-2021
  • Leidėjas: Rutgers University Press
  • Kalba: eng
  • ISBN-13: 9781978809680
  • Formatas: PDF+DRM
  • Išleidimo metai: 13-Aug-2021
  • Leidėjas: Rutgers University Press
  • Kalba: eng
  • ISBN-13: 9781978809680

DRM apribojimai

  • Kopijuoti:

    neleidžiama

  • Spausdinti:

    neleidžiama

  • El. knygos naudojimas:

    Skaitmeninių teisių valdymas (DRM)
    Leidykla pateikė šią knygą šifruota forma, o tai reiškia, kad norint ją atrakinti ir perskaityti reikia įdiegti nemokamą programinę įrangą. Norint skaityti šią el. knygą, turite susikurti Adobe ID . Daugiau informacijos  čia. El. knygą galima atsisiųsti į 6 įrenginius (vienas vartotojas su tuo pačiu Adobe ID).

    Reikalinga programinė įranga
    Norint skaityti šią el. knygą mobiliajame įrenginyje (telefone ar planšetiniame kompiuteryje), turite įdiegti šią nemokamą programėlę: PocketBook Reader (iOS / Android)

    Norint skaityti šią el. knygą asmeniniame arba „Mac“ kompiuteryje, Jums reikalinga  Adobe Digital Editions “ (tai nemokama programa, specialiai sukurta el. knygoms. Tai nėra tas pats, kas „Adobe Reader“, kurią tikriausiai jau turite savo kompiuteryje.)

    Negalite skaityti šios el. knygos naudodami „Amazon Kindle“.

"Rights advocacy has become a prominent facet of South Korea's increasingly transnational motion picture output, especially following the 1998 presidential inauguration of Kim Dae-jung, a former political prisoner and victim of human rights abuses who received the Nobel Peace Prize in 2000. Today it is not unusual to see a big-budget production about the pursuit of social justice or the protection of civil liberties contending for the top spot at the box office. With that cultural shift has come a diversification of film subjects, which range from undocumented workers' rights to the sexual harassment experienced by women to high-school bullying to the struggles among people with disabilities to gain inclusion within a society that has transformed significantly since winning democratic freedoms three decades ago. Combining in-depth textual analyses of films such as Bleak Night, Okja, Planet of Snail, Repatriation, and Silenced with broader historical contextualization, Movie Minorities offers the first English-language study of South Korean cinema's role in helping to galvanize activist social movements across several identity-based categories"--

Rights advocacy has become a prominent facet of South Korea&;s increasingly transnational motion picture output, and today films about political prisoners, undocumented workers, and people with disabilities attract mainstream attention. Movie Minorities offers the first English-language study of Korean cinema&;s role in helping to galvanize activist social movements across these and other identity-based categories.

Rights advocacy has become a prominent facet of South Korea&;s increasingly transnational motion picture output, especially following the 1998 presidential inauguration of Kim Dae-jung, a former political prisoner and victim of human rights abuses who received the Nobel Peace Prize in 2000. Today it is not unusual to see a big-budget production about the pursuit of social justice or the protection of civil liberties contending for the top spot at the box office. With that cultural shift has come a diversification of film subjects, which range from undocumented workers&; rights to the sexual harassment experienced by women to high-school bullying to the struggles among people with disabilities to gain inclusion within a society that has transformed significantly since winning democratic freedoms three decades ago. Combining in-depth textual analyses of films such as Bleak NightOkjaPlanet of SnailRepatriation, and Silenced with broader historical contextualization, Movie Minorities offers the first English-language study of South Korean cinema&;s role in helping to galvanize activist social movements across several identity-based categories.
 

Recenzijos

"Movie Minorities addresses a gaping hole in the literature and offers an original contribution to Korean film studies. This book is groundbreaking in multiple ways." Dong Hoon Kim, University of Oregon, author of Eclipsed Cinema: The Film Culture of Colonial Korea "Movie Minorities is a pleasure to read. I am thrilled that this work will introduce a number of key political, ethical, and historical categories into our understanding of contemporary Korean cinema." Steve Choe, author of Sovereign Violence: Ethics and South Korean Cinema in the New Millennium

A Note on the Text ix
Introduction: "I Am a Human Being": The Question of Rights in South Korean Cinema 1(18)
Part I Institutional Foundations and Formal Structures
1 The Rise Of Rights-Advocacy Cinema In Postauthoritarian South Korea
19(19)
2 If You Were Me: Transnational Crossings And South Korean Omnibus Films
38(25)
Part II Movie Minors and Minor Cinemas
3 Hell Is Other High Schoolers: Bigots, Bullies, And Teenage "Villainy" In South Korean Cinema
63(22)
4 Indie Filmmaking And Queer Advocacy: Converging Identities In Leesong Hee-Ils Films And Writings
85(20)
Part III Disability Rights In Mainstream and Minorltarlan Filmmaking
5 Always, Blind, And Silenced: Disability Discourses In Contemporary South Korean Cinema
105(9)
6 Barrier-Free Cinema: Caring For People With Disabilities And Touching The Other In Planet Of Snail
114(31)
Part IV Representing Prisoners of the North and South
7 Beyond Torture Epistephilia: The Ethics Of Encounter And Separation In Kim Dong-Won's Repatriation
145(16)
8 Story As Freedom Or Prison? Narrative Invention And Human Rights Interventions In Camp 14: Total Control Zone
161(24)
Part V Migrant Worker Rights In Hybrid Documentaries
9 Between Scenery And Scenario: Landscape, Narrative, And Structured Absence In A Korean Migrant Workers Documentary
185(20)
10 "Powers Of The False" And "Real Fiction": Migrant Workers In The City Of Cranes And Other Mockumentaries
205(14)
Part VI Nonhuman Rights In a Posthuman World
11 Animal Rights Advocacy, Holocaustal Imagery, And Interspecies Empathy In An Omnivorous Family's Dilemma And Okja
219(27)
Coda: "I Am (Not) a Human Being": The Question of Robot Rights in South Korean Cinema 246(9)
Acknowledgments 255(2)
Notes 257(30)
Index 287
HYE SEUNG CHUNG is an associate professor of film and media studies at Colorado State University and the author of Hollywood Asian: Philip Ahn and the Politics of Cross-Ethnic Performance, Kim Ki-duk, and Hollywood Diplomacy: Film Regulation, Foreign Relations, and East Asian Representations (Rutgers University Press). She is the coauthor of Movie Migrations: Transnational Genre Flows and South Korean Cinema (Rutgers University Press). DAVID SCOTT DIFFRIENT is a professor of film and media studies at Colorado State University and the author of M*A*S*H and Omnibus Films: Theorizing Transauthorial Cinema. He is the coauthor of Movie Migrations: Transnational Genre Flows and South Korean Cinema (Rutgers University Press).