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Moving Body (Le Corps Poétique): Teaching Creative Theatre 3rd edition [Kietas viršelis]

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Foreword by , Translated by ,
  • Formatas: Hardback, 232 pages, aukštis x plotis: 234x156 mm, weight: 499 g
  • Serija: Theatre Makers
  • Išleidimo metai: 09-Jul-2020
  • Leidėjas: Methuen Drama
  • ISBN-10: 1474244777
  • ISBN-13: 9781474244770
Kitos knygos pagal šią temą:
  • Formatas: Hardback, 232 pages, aukštis x plotis: 234x156 mm, weight: 499 g
  • Serija: Theatre Makers
  • Išleidimo metai: 09-Jul-2020
  • Leidėjas: Methuen Drama
  • ISBN-10: 1474244777
  • ISBN-13: 9781474244770
Kitos knygos pagal šią temą:
'In life, I want students to be alive and on stage I want them to be artists' Jacques Lecoq

Jacques Lecoq was one of the most inspirational theatre teachers of our age. In The Moving Body, he shares with us first-hand his unique philosophy of performance, improvisation, masks, movement and gesture, which together form one of the greatest influences on contemporary theatre.

Neutral mask, character mask and counter masks, bouffons, acrobatics, commedia, clowns and complicity: all the famous Lecoq techniques are covered in this book - techniques that have made their way into the work of former collaborators and students including Dario Fo, Ariane Mnouchkine, Yasmina Reza and Theatre de Complicite.

The book contains a foreword by Simon McBurney, a critical introduction by Mark Evans and an afterword by Fay Lecoq, Director of the International Theatre School in Paris.

Recenzijos

He taught us how to be artists * Steven Berkoff, on Jacques Lecoq * In a very accessible language and with clear exemplifications and illustrative drawings, Lecoq sheds light on a vision of mime considered as training for theatre and for life Both for the actor, and for the researcher interested in Lecoqs theatre, this book is an essential read; for the theatre historian it is also a theoretical source on dramatic mime and on the expressive body that transversally influenced dance and theatre in the twentieth century. * Skenč: Journal of Theatre and Drama Studies *

Daugiau informacijos

The founder of the Paris International School of Mime and Theatre, Jacques Lecoq, shares his philosophy of performance, improvization, masks, movement and gesture.
Foreword xi
Simon McBurney
Introduction xvi
Mark Evans
Biographical Note xxxvi
Bibliography and Filmography xxxviii
Translator's Note xxxix
I Personal Journey
1(24)
1 From Sport to Theatre
3(11)
Italian adventure
5(3)
Back to Paris
8(1)
A school in motion
9(2)
Finding a place
11(3)
2 The Educational Journey
14(11)
A dynamic theatre of new work
16(5)
The search for permanency
21(4)
II The World and Its Movements
25(76)
A Blank Page
27(2)
1 Improvisation
29(40)
Silence Before Words
29(1)
Replay and play
29(4)
Towards the structures of play
33(3)
The Neutral Mask
36(1)
Neutrality
36(6)
The fundamental journey
42(1)
Identification with the natural world
43(2)
Transposing
45(2)
Approach to the Arts
47(1)
The universal poetic awareness
47(1)
The colours of the rainbow
48(2)
The body of words
50(3)
Music as partner
53(1)
Masks and Counter-Masks
54(1)
Levels of acting
54(5)
Entering into the form
59(4)
Characters
63(1)
States, passions, feelings
63(2)
Place and milieu
65(2)
Stylistic constraints
67(2)
2 Movement Technique
69(27)
Physical and Vocal Preparation
69(1)
Giving meaning to movement
69(4)
Dramatic Acrobatics
73(1)
The body's limits
73(1)
Movement Analysis
74(1)
The foundation: natural everyday movements
75(6)
Bringing out attitudes
81(1)
Researching the economy of physical actions
82(5)
Analysing the dynamics of nature
87(5)
Studying animals
92(2)
The laws of motion
94(2)
3 The Students' Own Theatre
96(5)
Auto-cours and investigations
96(5)
III The Roads to Creativity
101(68)
Geodramatics
103(4)
1 Gestural Languages
107(5)
From pantomime to cartoon mime
107(5)
2 The Main Dramatic Territories
112(53)
Melodrama
112(1)
Grand emotions
112(3)
Commedia dell'arte
115(1)
The human comedy
115(5)
Scenarios and strategic play
120(4)
Bouffons
124(1)
Mystery, the grotesque and the fantastic
124(7)
A different body
131(4)
Tragedy
135(1)
Chorus and hero
135(6)
A balanced stage
141(5)
The necessity of text
146(6)
Clowns
152(1)
Finding one's own clown
152(8)
Comic varieties: the burlesque, the absurd
160(5)
3 The Laboratory for the Study of Movement [ L.E.M.]
165(4)
IV New Beginnings
169(5)
Glossary 174(7)
Notes 181(4)
Afterword 185
Fay Lecoq
Jacques Lecoq (b. Paris, 1921) was an actor, mime and acting instructor. His physical theatre and movement methods, taught at L'École Internationale de Théātre Jacques Lecoq, made him famous throughout the world. As an actor he performed with Dario Fo in Italy. As a teacher he was widely regarded as a master in his field, and his school remains an unrivalled centre for the art of physical theatre.