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El. knyga: Museums in a Digital Age

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Edited by (University of Leicester, UK)
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The influence of digital media on the cultural heritage sector has been pervasive and profound. Today museums are reliant on new technology to manage their collections. They collect digital as well as material things. New media is embedded within their exhibition spaces. And their activity online is as important as their physical presence on site.

However, digital heritage (as an area of practice and as a subject of study) does not exist in one single place. Its evidence base is complex, diverse and distributed, and its content is available through multiple channels, on varied media, in myriad locations, and different genres of writing.

It is this diaspora of material and practice that this Reader is intended to address. With over forty chapters (by some fifty authors and co-authors), from around the world, spanning over twenty years of museum practice and research, this volume acts as an aggregator drawing selectively from a notoriously distributed network of content. Divided into seven parts (on information, space, access, interpretation, objects, production and futures), the book presents a series of cross-sections through the body of digital heritage literature, each revealing how a different aspect of curatorship and museum provision has been informed, shaped or challenged by computing.

Museums in a Digital Age is a provocative and inspiring guide for any student or practitioner of digital heritage.

Recenzijos

Museums in a Digital Age is thus a timely consideration of the role of the digital in the entire spectrum of museum activitiesThevolume issomething much more attuned to the digital age which is its basis a highly diverse, even eclectic, collection of papers broadly centred around the subject of the work. Historic Environment

Series Preface
Acknowledgements
The Practice of Digital Heritage and the Heritage of Digital Practice
1(8)
Ross Parry
PART ONE INFORMATION: DATA, STRUCTURE AND MEANING
9(108)
Introduction to Part One
11(4)
Ross Parry
A Brief History of Museum Computerization
15(7)
David Williams
The Changing Role of Information Professionals in Museums
22(6)
Andrew Roberts
What is Information in the Museum Context?
28(11)
Elizabeth Orna
Charles Pettitt
The World of (Almost) Unique Objects
39(9)
Robert Chenhall
David Vance
Standards for Networked Cultural Heritage
48(16)
David Bearman
Database as Symbolic Form
64(8)
Lev Manovich
The Museum as Information Utility
72(8)
George F. Macdonald
Stephen Alsford
Museum Collections, Documentation and Shifting Knowledge Paradigms
80(16)
Fiona Cameron
Semantic Dissonance: do we need (and do we understand) the semantic web?
96(11)
Ross Parry
Nick Poole
Jon Pratty
Building a Universal Digital Memory
107(10)
Pierre Levy
PART TWO SPACE: VISITS, VIRTUALITY AND DISTANCE
117(60)
Introduction to Part Two
119(2)
Ross Parry
On the Origins of the Virtual Museum
121(15)
Erkki Huhtamo
From Malraux's Imaginary Museum to the Virtual Museum
136(12)
Antonio M. Battro
Virtual Spaces and Museums
148(5)
Andrea Bandelli
The Virtual Visit: towards a new concept for the electronic science centre
153(6)
Roland Jackson
Empowering the Remote Visitor: supporting social museum experiences among local and remote visitors
159(11)
Areti Galani
Matthew Chalmers
Museums Outside Walls: mobile phones and the museum in the everyday
170(7)
Konstantinos Arvanitis
PART THREE ACCESS: ABILITY, USABILITY AND CONNECTIVITY
177(48)
Introduction to Part Three
179(2)
Ross Parry
Access to Digital Heritage in Africa: bridging the digital divide
181(5)
Lorna Abungu
My Dream of an Accessible Web Culture for Disabled People
186(3)
Kevin Carey
My Dream of an Accessible Web Culture for Disabled People: a re-evaluation
189(4)
Kevin Carey
Implementing a Holistic Approach to E-Learning Accessibility
193(11)
Brian Kelly
Lawrie Phipps
Caro Howell
Usability Evaluation for Museum Websites
204(16)
Daniel Cunliffe
Efmorphia Kritou
Douglas Tudhope
Culture as a Driver of Innovation
220(5)
Ranjit Makkuni
PART FOUR INTERPRETATION: COMMUNICATION, INTERACTIVITY AND LEARNING
225(66)
Introduction to Part Four
227(2)
Ross Parry
The Web and the Unassailable Voice
229(8)
Peter Walsh
When the Object is Digital: properties of digital surrogate objects and implications for learning
237(10)
Olivia C. Frost
Learning by Doing and Learning Through Play: an exploration of interactivity in virtual environments for children
247(19)
Maria Roussou
Interactivity and Collaboration: new forms of participation in museums, galleries and science centres
266(15)
Christian Heath
Dirk Vom Lehn
Visitors' Use of Computer Exhibits: findings from five gruelling years of watching visitors getting it wrong
281(10)
Ben Gammon
PART FIVE OBJECT: AUTHENTICITY, AUTHORITY AND TRUST
291(60)
Introduction to Part Five
293(2)
Ross Parry
Museums and Virtuality
295(11)
Klaus Muller
When All You've Got is `The Real Thing': museums and authenticity in the networked world
306(8)
Jennifer Trant
Authenticity and Integrity in the Digital Environment: an exploratory analysis of the central role of trust
314(18)
Clifford Lynch
Why Museums Matter
332(4)
Marc Pachter
Defining the Problem of Our Vanishing Memory: background, current status, models for resolution
336(8)
Peter Lyman
Howard Besser
Curating New Media
344(7)
Matthew Gansallo
PART SIX DELIVERY: PRODUCTION, EVALUATION AND SUSTAINABILITY
351(66)
Introduction to Part Six
353(2)
Ross Parry
Managing New Technology Projects in Museums and Galleries
355(10)
Matthew Stiff
Rationale for Digitization and Preservation
365(14)
Paul Conway
`Speaking for Themselves': new media and `Making the Modern World'
379(12)
Frank Colson
Jean Colson
The Evaluation of Museum Multimedia Applications: lessons from research
391(15)
Maria Economou
A Survey on Digital Cultural Heritage Initiatives and Their Sustainability Concerns
406(11)
Diane M. Zorich
PART SEVEN FUTURES: PRIORITIES, APPROACHES AND ASPIRATIONS
417(37)
Introduction to Part Seven
419(2)
Ross Parry
Making the Total Museum Possible
421(6)
Tomislav Sola
Museums in the Information Era: cultural connectors of time and space
427(8)
Manuel Castells
The Shape of Things to Come: museums in the technological landscape
435(19)
Simon J. Knell
Digital Heritage and the Rise of Theory in Museum Computing
454
Ross Parry
Ross Parry is Senior Lecturer in Museum Studies at the University of Leicester, a scholar of digital heritage and a historian of museum media and technology. He is the author of Recoding the Museum: digital heritage and the technologies of change, the first major history of museum computing.
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