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El. knyga: Music Education: Source Readings from Ancient Greece to Today 4th edition [Taylor & Francis e-book]

Edited by (Towson State University, USA)
  • Formatas: 352 pages
  • Išleidimo metai: 05-Feb-2013
  • Leidėjas: Routledge
  • ISBN-13: 9780203694398
  • Taylor & Francis e-book
  • Kaina: 212,34 €*
  • * this price gives unlimited concurrent access for unlimited time
  • Standartinė kaina: 303,35 €
  • Sutaupote 30%
  • Formatas: 352 pages
  • Išleidimo metai: 05-Feb-2013
  • Leidėjas: Routledge
  • ISBN-13: 9780203694398
For music educators, Mark (music, Towson U.) collects readings from antiquity to the present that demonstrate why music education is an important activity through the history of Western culture. Readings are organized by theme, such as music as a curricular subject, philosophical and psychological views of music education, music education and society, music in the schools, and related government and advocacy. Mostly excerpts, readings are by educators, practitioners, philosophers, psychologists, government representatives, and professional organizations, ranging from Plato and Aristotle, to John Locke and Martin Luther, to John Dewey and scholars after 1950. This edition has been expanded to address societal changes since the last and focuses more on current readings. Some historical readings have been shortened; others have been omitted. New readings pertain to philosophy, psychology, and sociology, and the sections on and government and cultural diversity have been expanded. The international section has been integrated into the rest of the text, while the section on music in the schools has been expanded to include new thinking. Annotation ©2013 Book News, Inc., Portland, OR (booknews.com)

Music Education: Source Readings from Ancient Greece to Today is a collection of thematically organized essays that illuminate the importance of music education to individuals, communities and nations. The fourth edition has been expanded to address the significant societal changes that have occurred since the publication of the last edition, with a greater focus on current readings in government, philosophy, psychology, curriculum, sociology, and advocacy. This comprehensive text remains an essential reference for music educators today, demonstrating the value and support of their profession in the societies in which they live.

Preface xii
Part I Music Education in Earlier Times
1(36)
Views of Music Education in Antiquity
3(15)
Music Education in Antiquity
4(5)
Michael L. Mark
Charles L. Gary
Protagoras
9(1)
Plato
Republic III
10(1)
Plato
Politica, Book VIII
11(1)
Aristotle
Instituto Oratoria: Is Knowledge of a Variety of Subjects Necessary for the Future Orator?
12(1)
Quintilian
Confessions
13(2)
St. Augustine
De Institutione Musica, Book 1
15(2)
Boethius
Admonitio generalis: 70, 72, 80
17(1)
Charlemagne
Later European Views of Music Education
18(19)
Music Education for Religious Conversion
19(1)
Frank L.L. Harrison
Luther on Education: Studies and Methods
20(1)
Martin Luther
The Great Didactic
21(1)
John Amos Comenius
Letter to Edward Clarke
22(1)
John Locke
Letter to Greaves: Training of Eye and Ear: Music in Education
23(2)
Johann Heinrich Pestalozzi
The Education of Man: Chief Groups of Subjects of Instruction
25(1)
Friedrich Froebel
Education: Intellectual, Moral, and Physical: What Knowledge Is of Most Worth?
26(4)
Herbert Spencer
Rhythm, Music, and Education: An Essay on the Reform of Music Teaching in Schools (1905)
30(5)
Emile Jaques-Dalcroze
Summerhill
35(2)
A.S. Neill
Part II Views of Music Education to 1950
37(42)
Historical American Views to 1950
39(14)
Presidential Words
40(4)
Preface to The Accomplished Singer
44(1)
Cotton Mather
Rules for Regulating a Singing School
45(1)
William Billings
Contemporary Commentary on William Billings
46(2)
Manual of the Boston Academy of Music
48(5)
Lowell Mason
Music Becomes a Curricular Subject
53(26)
The Boston School Committee: Report of the Special Committee (1837)
54(9)
Report for 1844: Vocal Music in Schools
63(4)
Horace Mann
Letter to Luther Whiting Mason
67(1)
The Power of Music Education
68(1)
William Tomlins
The Purpose of Teaching Music in the Public Schools
69(1)
Samuel Winkley Cole
Buescher Musical Instrument Company: Commercial Interests and Music Education
70(1)
The Aesthetic Element in Education
71(1)
John Dewey
John Dewey's Challenge to Education
72(1)
Oscar Handlin
High School Music: Our Educational Philosophy
73(1)
Peter W. Dykema
Karl W. Gehrkens
The Psychology of School Music Teaching: The Aims of School Music
74(1)
James L. Mursell
Mabelle Glenn
Statement of Belief and Purpose
75(4)
Hazel Nohavec Morgan
Part III Views of Music Education After 1950
79(246)
Ways We Think About Music Education
81(17)
An Active, Vital Profession
82(1)
Michael L. Mark
Research in Colleges and Universities
83(2)
Michael L. Mark
Interpreting Research Gives Meaning to the Results of Research Studies
85(5)
Hal Abeles
Thoughts About Children's Thinking in Music: Implications for Policy
90(2)
Carol Richardson
Peter Webster
Music Education: A Reflection of Philosophy
92(2)
Joseph A. Labuta
Deborah A. Smith
Research in Arts Education: A Federal
Chapter
94(4)
Judith Murphy
Lorna Jones
Philosophical Views of Music Education
98(54)
Public Policy and the Genesis of Aesthetic Education Philosophy
99(3)
Michael L. Mark
Music: A Living Power in Education-Basic Philosophy for Music Education
102(4)
Russell V. Morgan
The Role of Music in General Education
106(2)
C.A. Burmeister
The Objectives and Processes of Education
108(7)
Charles Leonhard
Robert W. House
Philosophy in a New Key
115(2)
Susanne Langer
A Philosophy of Music Education
117(1)
Bennett Reimer
Why Do Humans Value Music?
118(4)
Bennett Reimer
Aesthetics and Music Education
122(3)
Abraham A. Schwadron
The Nature of Aesthetic Education
125(4)
Gerard L. Knieter
Arts Education, Human Development, and the Quality of Experience
129(4)
Mihaly Csikszentmihalyi
Ulrich Schiefele
The Aesthetics of Music
133(2)
Roger Scruton
The Praxial Philosophy of Music Education
135(3)
David J. Elliott
Music Education Processes, Products, and Contexts
138(2)
David J. Elliott
The Aristotelian Bases of Praxis for Music and Music Education as Praxis
140(2)
Thomas A. Regelski
A Praxial View
142(1)
Philip A. Alperson
Sound, Society, and Music "Proper"
143(2)
Wayne D. Bowman
Why Study Music?
145(3)
J. Terry Gates
The Arts for Art's Sake vs. Integration: A False Dichotomy for Schools
148(2)
Jane Remer
Why Don't I Feel Included in These Musics, or Matters?
150(1)
Patricia O'Toole
Democracy and Music Education
151(1)
Paul G. Woodford
Psychological Views of Music Education
152(32)
The Ann Arbor Symposium: Applications of Psychology to the Teaching and Learning of Music
153(2)
The Process of Education
155(1)
Jerome Bruner
Curriculum
156(1)
Howard Gardner
The Theory of Multiple Intelligences
157(1)
Howard Gardner
The Arts and Academic Achievement
158(1)
Ellen Winner
Monica Cooper
The Arts and Academic Improvement: What the Evidence Shows
159(6)
Ellen Winner
Lois Hetland
Musician and Teacher: An Orientation to Music Education
165(1)
Patricia Shehan Campbell
Can Neuroscience Help Us Do a Better Job of Teaching Music?
166(7)
Donald A. Hodges
A Cultural Psychology of Music Education
173(1)
Margaret S. Barrett
Music Psychology in Education
174(1)
Susan Hallam
On Vocal Improvisation and Creative Thinking
175(1)
Patrice Madura Ward-Steinman
Audiation
176(2)
Edwin E. Gordon
Music, Informal Learning and the School
178(1)
Lucy Green
Why Study Music?
179(3)
Donald A. Hodges
Educational and Curricular Restructuring and the Neo-liberal and Neo-conservative Agendas
182(2)
Michael Apple
Music Education and Society
184(65)
Social and Cultural Contexts of Music Teaching and Learning: An Introduction
185(4)
Marie McCarthy
The Yale Seminar on Music Education: Music in Our Schools: A Search for Improvement
189(2)
The Tanglewood Symposium: A Philosophy of the Arts for an Emerging Society
191(2)
The MENC Vision 2020 Symposium: The Housewright Declaration
193(2)
The Partnership for 21st Century Skills: Advocacy for 21st Century Readiness for Every Student
195(1)
President's Committee on the Arts and the Humanities: Reinvesting in Arts Education: Winning America's Future Through Creative Schools: Summary and Recommendations
196(4)
MENC in American Life Commission: The Further Responsibility of Music Education
200(2)
An Appreciation of Diversity
202(2)
Michael L. Mark
Transmission of Culture and Culture Change
204(4)
Bruno Nettl
Patricia Shehan Campbell: Multiculturalism and School Music
208(2)
Patricia Shehan Campbell: Music, Education, and Community in a Multicultural Society
210(2)
Cultural Diversity in Music Education: Why Bother?
212(1)
John Drummond
Toward a Global Community
213(1)
Marie McCarthy
Music, Education, and Multiculturalism
214(2)
Terese M. Volk
Race and Curriculum: Music in Childhood Education
216(1)
Ruth Iana Gustafson
Gender and Musical Life
217(1)
Estelle R. Jorgensen
Feminism, Feminist Research, and Gender Research in Music Education
218(4)
Roberta Lamb
Lori-Anne Dolloff
Sondra Wieland Howe
On Spheres of Musical Validity
222(2)
Estelle R. Jorgensen
World Musics in Education
224(1)
June Boyce-Tillman
Music Education in Argentina
225(2)
Ana Lucia Frega
Invocation to St. Cecilia
227(1)
Heitor Villa-Lobos
USSR Union of Composers' Co-operation with Other Organizations in Mass Music Education
228(2)
Boris Dimentman
Pirkko Partanen: Music in Finnish Schools, Secondary Education
230(1)
Graziela Cintra, and Helena Rodrigues: Music Education in Portugal
231(1)
Adriana Latino
Extra-curricular Music Education in Sweden: A Comparative Study
232(1)
Marja Heimonen
The Kodaly Concept
233(2)
Sr. Lorna Zemke
Music Education in the 21st Century in the United Kingdom: Achievements, Analysis and Aspirations
235(1)
Graham Welch
Adam Ockelford
The Department for Education and Skills, UK: Executive Summary, Music Education Manifesto No. 2
236(2)
Living Music in Schools 1923-1999: Studies in the History of Music Education in England
238(1)
Gordon Cox
Researching the Development of Music Education
239(1)
Stephanie Pitts
Layers of Musical Meaning
240(1)
Finn Egeland Hansen
Teaching Music in the Urban Classroom
241(1)
Carol Frierson-Campbell
The Origins and Foundations of Music Education
242(1)
Gordon Cox
Robin Stevens
Harold Powers: The Activities and Influence of Music in the Public Schools
243(1)
World Musics in Education
244(1)
Malcolm Floyd
YouTube in Music Education
245(1)
Thomas Rudolph
James Frankel
An Orientation to Music Education
246(2)
Richard J. Colwell
Elizabeth Wing
Music Assessment in an Increasingly Politicized, Accountability-Driven Educational Environment
248(1)
Richard Colwell
Music in the Schools
249(36)
Society and Musical Development
250(2)
Edwin E. Gordon
Music in American Education
252(1)
Marguerite V. Hood
Music in Early American Public Education
253(2)
Allen P. Britton
Planning and Evaluation: The Evaluation Dilemma
255(2)
Richard Colwell
Teaching Music in the Twenty-First Century
257(1)
Lois Choksy
Robert M. Abramson
Avon E. Gillespie
David Woods
Frank York
Introduction to Music Education
258(1)
Charles Hoffer
Prelude to Music Education
259(1)
Joann Erwin
Kay Edwards
Jody Kerchner
John Knight
Music Teachers in Action
260(1)
Patricia Shehan Campbell
Expansion of Degree Programs
261(3)
Roger P. Phelps
Ronald H. Sadoff
Edward C. Warburton
Lawrence Ferrera
The College Board: Academic Preparation for College: What Students Need to Know and Be Able to Do
264(2)
The Reflective Conservatoire: Studies in Music Education
266(2)
George Odam
On Composing: Doing It, Teaching It, Living It
268(1)
David Ward-Steinman
So You Want to Be a Conductor
269(2)
Elizabeth A.H. Green
Music Education with Digital Technology
271(2)
John Finney
Pamela Burnard
The Professional Band Expires
273(2)
Frederick Fennell
The Unschooled Mind
275(1)
Howard Gardner
Music, Informal Learning and the School: A New Classroom Pedagogy
276(1)
Lucy Green
Music for the Exceptional Child
277(3)
Richard Graham
Creativity and Music Education
280(1)
Mihaly Csikszentmihalyi
Lori Custodero
Four Worrisome Pitfalls
281(1)
Margaret Schmidt
The National Association of Secondary School Principals: The Arts in the Comprehensive Secondary School
282(1)
Music in the Formal School Program
283(2)
Jack Heller
Music Education, Government, and Advocacy
285(40)
Advocacy for What? Advocacy to Whom?
286(1)
Patrick K. Freer
Music Advocacy 101: Do You Have "The Right Stuff"?
287(2)
John L. Benham
Congress of the United States: Goals 2000: Educate America Act
289(3)
The National Standards: From Vision to Reality
292(1)
Paul Lehman
The No Child Left Behind Act
293(1)
Peter W.D. Wright
The No Child Left Behind Act
294(1)
Michael L. Mark
The United States Department of Education: ESEA Flexibility: The Beginning of the End for NCLB?
295(1)
United States Department of Education: 26 More States and D.C. Seek Flexibility from NCLB to Drive Education Reforms in Second Round of Requests
296(2)
Common Core Standards: The Common Core State Standards Initiative
298(1)
The National Endowment for the Arts: Toward Civilization: A Report on Arts Education
299(4)
Can We Rescue the Arts for America's Children?
303(11)
Charles Fowler
Testimony to Congress
314(5)
June M. Hinckley
Arts Education in Public Elementary and Secondary Schools 1999-2000 and 2009-10
319(2)
Basmat Parsad
Maura Spiegelman
Education Commission of the States: Media Paints Arts Education in Fading Light
321(1)
The 106th Congress of the United States: Concurrent Resolution of the 106th Congress of the United States
322(1)
112th Congress 1st Session: Resolution Designating the Week of June 24 through 28, 2011, as "National Music Education Week"
323(2)
Index 325
Michael L. Mark is Emeritus Professor of Music at Towson University, where he served as Dean of the Graduate School. Previously, he was head of the music education program at The Catholic University of America.