Anthology Repertoire |
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Series Editor's Preface |
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xiii | |
Author's Preface |
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xv | |
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Chapter 1 The Encyclopedic Century |
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1 | (15) |
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4 | (1) |
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5 | (1) |
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Demographics and Religion |
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6 | (4) |
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A Musicological Grand Tour |
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10 | (4) |
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14 | (2) |
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Chapter 2 Learned and Galant |
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16 | (14) |
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Old and New Musical Styles |
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19 | (3) |
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Binary and Da Capo Form: Musical Common Ground |
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22 | (1) |
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Coexistence and Interaction of Styles |
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23 | (4) |
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27 | (2) |
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29 | (1) |
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30 | (14) |
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32 | (3) |
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The Musico and Vocal Improvisation |
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35 | (2) |
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37 | (1) |
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The Austrians in Naples, Vinci, and the Emergence of the Galant Style |
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38 | (3) |
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Pergolesi and the Comic Intermezzo |
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41 | (2) |
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43 | (1) |
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Chapter 4 Carnival Opera in Rome and Venice |
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44 | (15) |
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Metastasio and Opera Seria |
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45 | (4) |
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Theatrical Transvestism and the Roman Carnival: Latilla's La finta cameriera |
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49 | (5) |
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54 | (1) |
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"I Boast of My Strength": The Life and Music of Caterina Gabrielli |
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55 | (3) |
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58 | (1) |
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Chapter 5 Instrumental Music in Italy and Spain |
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59 | (14) |
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The Operatic Sinfonia, the Symphony, and the Orchestra |
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60 | (2) |
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62 | (4) |
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66 | (3) |
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Boccherini and the Music Publishing Business |
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69 | (3) |
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72 | (1) |
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Chapter 6 Paris of the Ancien Regime |
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73 | (15) |
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Tragedie Lyrique at the Opera |
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75 | (1) |
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76 | (6) |
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Instrumental Music in Parisian Salons |
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82 | (2) |
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Public Concerts and the Chevalier de Saint-Georges |
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84 | (3) |
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87 | (1) |
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Chapter 7 Georgian London |
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88 | (18) |
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88 | (2) |
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90 | (3) |
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93 | (6) |
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99 | (2) |
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"Ancient" and Modern Instrumental Music |
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101 | (4) |
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105 | (1) |
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Chapter 8 Vienna under Empress Maria Theresa |
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106 | (16) |
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The Court Theater and the Theater at the Karntnertor |
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108 | (1) |
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Crisis, Reform, and a New Court Theater |
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108 | (2) |
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Maria Theresa as Musician and Patron |
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110 | (3) |
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Gluck and Viennese Opera Comique |
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113 | (1) |
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Operatic Reform and Orfeo ed Euridice |
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114 | (2) |
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Church Music: Vanhal's Missa Pastoralis |
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116 | (2) |
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118 | (3) |
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121 | (1) |
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Chapter 9 Leipzig and Berlin |
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122 | (17) |
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122 | (2) |
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Hiller as Organizer of Concerts and Composer of Singspiele |
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124 | (2) |
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A Musician-King's Violent Coming of Age |
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126 | (4) |
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Frederick's Opera Company and Graun's Montezuma |
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130 | (4) |
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Carl Philipp Emanuel Bach |
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134 | (4) |
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138 | (1) |
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Chapter 10 Courts of Central Europe: Mannheim, Bayreuth, and Eisenstadt/Eszterhaza |
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139 | (14) |
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Carl Theodor and Stamitz at Mannheim |
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140 | (3) |
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Margravine Wilhelmina and Anna Bon at Bayreuth |
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143 | (3) |
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Joseph Haydn in Vienna and Eisenstadt |
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146 | (3) |
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Haydn at Eszterhaza and the Farewell Symphony |
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149 | (3) |
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152 | (1) |
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Chapter 11 Galant Music in the New World |
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153 | (18) |
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The Gold Cities of Minas Gerais |
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156 | (6) |
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An Italian Musician in Mexico City |
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162 | (1) |
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The Slave Colony of Jamaica and Samuel Felsted's Jonah |
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163 | (3) |
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Music for the Moravian Lovefeast |
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166 | (3) |
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169 | (2) |
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Chapter 12 St. Petersburg under Catherine the Great |
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171 | (15) |
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Catherine the Great as Operatic Patron |
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174 | (4) |
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Music and the Nobility: Nicholas and Prascovia |
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178 | (2) |
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Giuseppe Sarti, Dmitry Bortniansky, and Russian Church Music |
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180 | (2) |
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182 | (1) |
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John Field's Forward-Looking Piano Music |
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183 | (2) |
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185 | (1) |
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Chapter 13 Foreigners in Paris: Gluck, Mozart, Salieri, Cherubini |
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186 | (14) |
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186 | (4) |
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Mozart in Paris's Salons and Concert Rooms |
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190 | (3) |
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Antonio Salieri and Les Danaides |
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193 | (1) |
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Luigi Cherubini and the French Revolution |
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194 | (5) |
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199 | (1) |
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Chapter 14 Mozart's Vienna |
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200 | (22) |
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Joseph as Enlightened Monarch |
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201 | (4) |
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New Patterns of Patronage |
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205 | (1) |
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206 | (4) |
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210 | (6) |
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216 | (4) |
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220 | (2) |
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222 | (15) |
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In the Shadow of White Mountain |
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222 | (3) |
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225 | (1) |
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226 | (2) |
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228 | (5) |
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A Coronation Opera for the "German Titus" |
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233 | (3) |
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236 | (1) |
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Chapter 16 London in the 1790s |
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237 | (17) |
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237 | (2) |
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Haydn's First Visit to England |
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239 | (7) |
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246 | (7) |
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253 | (1) |
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Chapter 17 Vienna in the Napoleonic Era |
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254 | |
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Beethoven in Vienna: The 1790s |
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256 | (3) |
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Gottfried van Swieten and Haydn's The Seasons |
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259 | (1) |
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The Triumph of Cherubini's Les Deux Journees |
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260 | (1) |
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Church Music as Counter-Revolutionary Symbol |
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261 | (3) |
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264 | (6) |
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The Pastoral Symphony as Celebration of the Enlightenment |
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270 | (4) |
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274 | |
Glossary |
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1 | (8) |
Endnotes |
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9 | (8) |
Credits |
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17 | (2) |
Index |
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19 | |