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El. knyga: Music Endangerment: How Language Maintenance Can Help [Oxford Scholarship Online E-books]

(Postdoctoral Research Fellow, School of Creative Arts, University of Newcastle, Australia)
  • Formatas: 224 pages, 3 figures, 27 tables
  • Išleidimo metai: 26-Jun-2014
  • Leidėjas: Oxford University Press Inc
  • ISBN-13: 9780199352173
  • Oxford Scholarship Online E-books
  • Kaina nežinoma
  • Formatas: 224 pages, 3 figures, 27 tables
  • Išleidimo metai: 26-Jun-2014
  • Leidėjas: Oxford University Press Inc
  • ISBN-13: 9780199352173
In response to increased focus on the protection of intangible cultural heritage across the world,Music Endangerment offers a new practical approach to assessing, advocating, and assisting the sustainability of musical genres. Drawing upon relevant ethnomusicological research on globalization and musical diversity, musical change, music revivals, and ecological models for sustainability, author Catherine Grant systematically critiques strategies that are currently employed to support endangered musics. She then constructs a comparative framework between language and music, adapting and applying the measures of language endangerment as developed by UNESCO, in order to identify ways in which language maintenance might (and might not) illuminate new pathways to keeping these musics strong. Grant's work presents the first in-depth, standardized, replicable tool for gauging the level of vitality of music genres, providing an invaluable resource for the creation and maintenance of international cultural policy. It will enable those working in the field to effectively demonstrate the degree to which outside intervention could be of tangible benefit to communities whose musical practices are under threat. Significant for both its insight and its utility,Music Endangerment is an important contribution to the growing field of applied ethnomusicology, and will help secure the continued diversity of our global musical traditions.
Foreword vii
Anthony Seeger
Preface xi
A Note on Terminology xiii
About the Companion Website xv
Introduction 1(14)
The Problem of Music Endangerment
1(3)
Bringing Languages Into the Picture
4(3)
Why Music Endangerment Matters
7(3)
Troublesome Terminology
10(2)
Some Ethical Considerations
12(3)
1 What We Know and What We've Done
15(32)
1.1 Theoretical Foundations
17(6)
1.2 Documentation and Preservation
23(5)
1.3 Recognition and Celebration
28(3)
1.4 Transmission and Dissemination
31(4)
1.5 Policy and Enterprise
35(4)
1.6 Coordination and Evaluation Mechanisms
39(5)
1.7 Conclusions
44(3)
2 Language and Music Vitality: A Comparative Framework
47(26)
2.1 Systems of Learning Music
48(4)
2.2 Musicians and Communities
52(4)
2.3 Contexts and Constructs
56(6)
2.4 Infrastructure and Regulations
62(2)
2.5 Media and the Music Industry
64(5)
2.6 Conclusions
69(4)
3 Learning From Language Maintenance
73(32)
3.1 Dead or Alive? Identifying and Assessing Music Endangerment
74(5)
3.2 Developing Advocacy for Music Sustainability
79(5)
3.3 Developing Maintenance and Revitalization Strategies
84(9)
3.4 Reflecting on Aims and Outcomes of Strategies
93(4)
3.5 Developing Coordinating Mechanisms
97(5)
3.6 Conclusions
102(3)
4 How to Identify and Assess Endangerment: The Music Vitality and Endangerment Framework
105(22)
4.1 Modifying the Language Framework
106(5)
4.2 Building a New Framework for Music
111(14)
4.3 Conclusions
125(2)
5 Measuring Up: Putting the Framework to Work
127(37)
5.1 A Short History of Ca Tru
127(3)
5.2 Carrying Out the Vitality Assessment
130(2)
5.3 A Vitality Assessment of Ca Tru
132(29)
5.4 Conclusions
161(3)
6 Where to From Here?
164(14)
6.1 Taking Stock: A Brief Summary
166(4)
6.2 Next Steps in Practical Terms
170(4)
6.3 Next Steps in Research Terms
174(2)
6.4 Closing Words
176(2)
Bibliography 178(19)
Index 197
Catherine Grant is Postdoctoral Research Fellow at the School of Creative Arts, University of Newcastle, Australia. Grant's academic publications relating to music endangerment include articles in the International Journal of Intangible Heritage, the International Journal of Social Sustainability in Economic, Social and Cultural Context, and the entry on 'Music Sustainability' in Oxford Bibliographies Online. She has presented widely on the topic of music endangerment and vitality, including at conferences and symposia in Australia, New Zealand, Indonesia, Vietnam, and Cambodia. In 2014, she was awarded a fellowship by the Australian Academy of the Humanities to continue her research into endangered Cambodian musical traditions.