How music embodies and contributes to historical and contemporary nationalism What does music in Portugal and Spain reveal about the relationship between national and regional identity building? How do various actors use music to advance nationalism? How have state and international heritage regimes contributed to nationalist and regionalist projects? In this collection, contributors explore these and other essential questions from a range of interdisciplinary vantage points. The essays pay particular attention to the role played by the state in deciding what music represents Portuguese or Spanish identity. Case studies examine many aspects of the issue, including local recording networks, so-called national style in popular music, and musics role in both political protest and heritage regimes. Topics include the ways the Salazar and Franco regimes adapted music to align with their ideological agendas; the twenty-first-century impact of UNESCOs Intangible Cultural Heritage program on some of Portugal and Spain's expressive practices; and the tensions that arise between institutions and community in creating and recreating meanings and identity around music.
Contributors: Ricardo Andrade, Vera Marques Alves, Salwa El-Shawan Castelo-Branco, Cristina SĮnchez-Carretero, JosÉ Hugo Pires Castro, Paulo Ferreira de Castro, FernĮn del Val, HÉctor Fouce, Diego GarcĶa-Peinazo, Leonor Losa, Josep MartĶ, Eva Moreda RodrĶguez, Pedro Russo Moreira, Cristina Cruces RoldĮn, and Igor Contreras Zubillaga
Recenzijos
Illuminating musics complex interactions with issues of nationalism and identity, this volumes innovative exploration of diverse musical styles provides a model for rethinking musical nationalism, both within and beyond the Iberian Peninsula.--Michael Christoforidis, author of Manuel de Falla and Visions of Spanish Music
Acknowledgments Introduction: Sounding Nation and Region in Portugal
and Spain
Matthew Machin-Autenrieth, Salwa El-Shawan Castelo-Branco, and Samuel Llano
Part I: Music, State Propaganda, and Authoritarian Regimes
Chapter 1: Patriotic, Nationalist, or Republican? The Portuguese National
Anthem
Paulo Ferreira de Castro
Chapter 2: The Battle for the Greatest Musical Emblem: The National Anthem
and the Symbolic Construction of Francoist Spain
Igor Contreras Zubillaga
Chapter 3: Portuguese Rural Traditions as Cultural Exports: How Modernism
and Transnational Connections Shaped the New States Folklore Politics
Vera Marques Alves
Part II: Sound Technologies and the Nation
Chapter 4: Recording zarzuela grande in Spain in the Early Days of the
Phonograph and Gramophone
Eva Moreda RodrĶguez
Chapter 5: The Invisible Voices of the Early Recording Market in Portugal
Leonor Losa
Chapter 6: Radio, Popular Music, and Nationalism in Portugal in the 1940s
Pedro Moreira
Chapter 7: Protest Song and Recording in the Final Stages of the Estado Novo
in Portugal (1960-74)
Hugo Castro
Part III: Negotiating the State, Nation, and Region
Chapter 8: Towards a Critical Approach to Flamenco Hybridity in Post-Franco
Spain: Rock Music, Nation, and Heritage in Andalusia
Diego GarcĶa-Peinazo
Chapter 9: Portuguese Rock or Rock in Portuguese?: Controversies Concerning
the Portugueseness of Rock Music Made in Portugal in the Early-1980s
Ricardo Andrade
Chapter 10: Indie Music as a Controversial Space on Spanish Identity: Class,
Youth, and Discontent
HÉctor Fouce and FernĮn del Val
Chapter 11: Catalonia vs Spain: How Sonorous is Nationalism?
Josep MartĶ
Part IV: Musical Heritagization and the State
Chapter 12: Intangible Cultural Heritage and State Regimes in Portugal and
Spain
Salwa El-Shawan Castelo-Branco and Cristina SĮnchez-Carretero
Chapter 13: Sounding the Alentejo: Portugals Cante as Heritage
Salwa El-Shawan Castelo-Branco
Chapter 14: Flamenco Heritage and the Politics of Identity
Cristina Cruces RoldĮn
Contributors
Index
Matthew Machin-Autenrieth is a lecturer in ethnomusicology at the University of Aberdeen. He is author of Flamenco, Regionalism and Musical Heritage in Southern Spain. Salwa el-Shawan Castelo-Branco is a professor emerita at the Nova University of Lisbon, former Director of the Instituto de Etnomusicologia, Centro de Estudos em MŚsica e DanĒa at the Universidade Nova de Lisboa, Portugal, and former President of the International Council for Traditional Music. She is the co-author of Portugal and Spain: Experiencing Music, Expressing Culture. Samuel Llano is a senior lecturer in Spanish cultural studies at the University of Manchester. He is the author of Whose Spain: Negotiating "Spanish" Music in Paris; and Discordant Notes: Marginality and Social Control in Madrid.
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