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Music and Manipulation: On the Social Uses and Social Control of Music [Kietas viršelis]

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  • Formatas: Hardback, 400 pages, aukštis x plotis: 229x152 mm, weight: 635 g, Bibliography; Index
  • Išleidimo metai: 19-Jan-2006
  • Leidėjas: Berghahn Books, Incorporated
  • ISBN-10: 1571814892
  • ISBN-13: 9781571814890
Kitos knygos pagal šią temą:
  • Formatas: Hardback, 400 pages, aukštis x plotis: 229x152 mm, weight: 635 g, Bibliography; Index
  • Išleidimo metai: 19-Jan-2006
  • Leidėjas: Berghahn Books, Incorporated
  • ISBN-10: 1571814892
  • ISBN-13: 9781571814890
Kitos knygos pagal šią temą:

Since the beginning of human civilization, music has been used as a device to control social behavior, where it has operated as much to promote solidarity within groups as hostility between competing groups. Music is an emotive manipulator that influences attitude, motivation and behavior at many levels and in many contexts. This volume is the first to address the social ramifications of music’s behaviorally manipulative effects, its morally questionable uses and control mechanisms, and its economic and artistic regulation through commercialization, thus highlighting not only music’s diverse uses at the social level but also the ever-fragile relationship between aesthetics and morality.



Since the beginning of human civilization, music has been used as a device to control social behavior, where it has operated as much to promote solidarity within groups as hostility between competing groups. Music is an emotive manipulator that influences attitude, motivation and behavior at many levels and in many contexts. This volume is the first to address the social ramifications of music’s behaviorally manipulative effects, its morally questionable uses and control mechanisms, and its economic and artistic regulation through commercialization, thus highlighting not only music’s diverse uses at the social level but also the ever-fragile relationship between aesthetics and morality.

Recenzijos

This valuable and timely book provides an overview of various theoretical approaches to the uses and meaning of music, particularly in view of its capacity to influence peopleIn all, several important issues are raised in chapters of this book, and are also addressed, either in the same chapter or in one by another author.  ·  Musicae Scientiae





a valuable addition/complement to the musicological literature thanks to the critically examined current debates about the uses and consequences of music. [ In addition, the book offers] many concise overviews of present research on music and manipulation. As such it is suitable for graduate students but also more generally for people working in the media and music industry.  ·  Swedish Journal of Musicology





a timely book thatsets a standard for a new field of study and therefore deserves to be read widely[ the volumes] contributions contain fascinating material for further study.  ·  International Institute for Asian Studies Newsletter





Steven Brown and Ulrik Volgsten haveput together a valuable collection of essays on a consistently interesting theme. The book constitutes an important resource for the future development of this theme.  ·  Music Perception





fascinating and challengingthis book, illustrates the diversity, the depth and the potential of the field of the sociology of music. As much as these texts enlighten, they also highlight the vastness of the research yet to be conducted. However, this book is far more than just a compilation of papers presented at a conference, they are relevant discussions to anybody who turns on the radio, purchases or downloads a record or even sings a lullaby.  ·  Leonardo Digital Reviews

List of Illustrations
ix
Foreword: Manipulating Music---a Perspective of Practicing Composers x
Preface xii
Acknowledgments xviii
List of Contributors
xx
Introduction: ``How Does Music Work?'' Toward a Pragmatics of Musical Communication 1(30)
Steven Brown
MANIPULATION BY MUSIC
Part I Music Events
Ritual and Ritualization: Musical Means of Conveying and Shaping Emotion in Humans and Other Animals
31(26)
Ellen Dissanayake
Music, Identity, and Social Control
57(17)
Peter J. Martin
Between Ideology and Identity: Media, Discourse, and Affect in the Musical Experience
74(29)
Ulrik Volgsten
Part II Background Music
Music in Business Environments
103(23)
Adrian C. North
David J. Hargreaves
The Social Uses of Background Music for Personal Enhancement
126(37)
Steven Brown
Tores Theorell
Part III Audiovisual Media
Music, Moving Images, Semiotics, and the Democratic Right to Know
163(24)
Philip Tagg
Music Video and Genre: Structure, Context, and Commerce
187(20)
Rob Strachan
The Effectiveness of Music in Television Commercials: A Comparison of Theoretical Approaches
207(32)
Claudia Bullerjahn
MANIPULATION OF MUSIC
Part IV Governmental/Industrial Control
Music Censorship from Plato to the Present
239(25)
Marie Korpe
Ole Reitov
Martin Cloonan
Orpheus in Hell: Music in the Holocaust
264(23)
Joseph J. Moreno
The Changing Structure of the Music Industry: Threats to and Opportunities for Creativity
287(28)
Roger Wallis
Part V Control by Reuse
Music and Reuse: Theoretical and Historical Considerations
315(21)
Ola Stockfelt
Copyright, Music, and Morals: Artistic Expression and the Public Sphere
336(29)
Ulrik Volgsten
Yngve Akerberg
Aesth/ethic Epilogue: Is Mozart's Music Good?
365(5)
Steven Brown
Ulrik Volgsten
Index 370
Steven Brown is a researcher in cognitive neuroscience in the Department of Psychology at Simon Fraser University in Vancouver, Canada. He received his doctorate at Columbia University in New York, and has done research at the Pasteur Institute in Paris, the Karolinska Institute in Stockholm, and the University of Texas Health Science Center in San Antonio. His research deals with the neural basis of human communication, including the arts.