demonstrates the relationship between music, rhetoric and Renaissance Christian Hebraism, in the light of the humanist tradition of rhetoric as philosophy and of music as rhetoric. elucidates the interplay of music, language and theological philosophy, with an emphasis on the pronuntiatio of the Hebrew Bible, a question which lies at the heart of Renaissance humanism, yet has been dismissed by existing scholarship. reassesses the significance of Reuchlins Hebrew philology and theological philosophy in relation to Renaissance musical thought and practice, in terms of the ancient notion of 'modulata recitatio'. This book presents the first in-depth exploration of the relationship between music, rhetoric and Christian Hebraism, by re-appraising the significance of the first German humanist Johannes Reuchlins study of Kabbalah and cantillation in the light of Renaissance rhetoric.
Few studies have investigated how Renaissance humanists learned Hebrew language for the delivery (pronuntiatio) of the Hebrew Bible as an aural-oral tradition. Hyun-Ah Kim examines the way in which grammarian-philosopher Reuchlin reconstructed the modulata recitatio of the Hebrew Bible and its underlying intellectual foundation. Consequently, Kim demonstrates the hitherto neglected Hebraic aspect of Renaissance rhetoric and its mystical implications that played a vital role in shaping a new theoretical framework for the art of accented singing, an art which has changed European musical culture ever since. Music, Rhetoric and Christian Hebraism in Early Modern Europe elucidates why this nexus is essential for understanding the integral relationship between music, language and theological philosophy.
