The acclaimed National Gallery Technical Bulletin features contributions by curators, scientists, and conservators, on materials and techniques of painting, and the scientific examination of paintings. Volume 33 presents new findings on the use of colorless powdered glass in 15th- and 16th-century European paintings; the conservation and restoration of Niccolņ di Pietro Gerini's Baptism Altarpiece; an examination of Renoir's The Umbrellas; the techniques of Adolphe Monticelli; and a comprehensive study of Vuillard's La Terrasse ą Vasouy.
Published by National Gallery Company/Distributed by Yale University Press
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Colourless Powdered Glass as an Additive in Fifteenth-and Sixteenth-Century European Paintings |
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4 | (23) |
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Niccolo di Pietro Gerini's Baptism Altarplece: Technique, Conservation and Original Design |
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27 | (23) |
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Adolphe Monticelli: The Materials and Techniques of an Unfashionable Artist |
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50 | (23) |
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Renoir's Umbrellas Unfurled Again |
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73 | (9) |
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Past, Present, Memories: Analysing Edouard Vuillard's La Terrasse at Vasouy |
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82 | |
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Ashok Roy is director of science; Helen Howard, Rachel Morrison, David Peggie, Marika Spring, and Kate Stonor are members of the scientific department; Rachel Billinge, Britta New, and Hayley Tomlinson are members of the conservation department; Dillian Gordon was until 2010 curator of Italian paintings before 1460; Christopher Riopelle is curator of post-1800 paintings; and Anne Robbins is assistant curator of post-1800 paintings; all at the National Gallery, London.
