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National Gallery Technical Bulletin: Volume 34, Titians Painting Technique before 1540 [Minkštas viršelis]

  • Formatas: Paperback / softback, 136 pages, aukštis x plotis: 298x210 mm, weight: 612 g, 120 color illus.
  • Serija: National Gallery Technical Bulletins
  • Išleidimo metai: 14-Jan-2014
  • Leidėjas: National Gallery Company Ltd
  • ISBN-10: 1857095529
  • ISBN-13: 9781857095524
Kitos knygos pagal šią temą:
  • Formatas: Paperback / softback, 136 pages, aukštis x plotis: 298x210 mm, weight: 612 g, 120 color illus.
  • Serija: National Gallery Technical Bulletins
  • Išleidimo metai: 14-Jan-2014
  • Leidėjas: National Gallery Company Ltd
  • ISBN-10: 1857095529
  • ISBN-13: 9781857095524
Kitos knygos pagal šią temą:
Titian (active 1506; died 1576) is acclaimed as the greatest of the Venetian masters. His technique has long fascinated painters and collectors, and his use of oil paints and the richly colored pigments available to him in Venice influenced the subsequent history of European painting. The National Gallery, London, is home to an outstanding group of Titians paintings, and this special edition of its annual Technical Bulletin is dedicated to the study of the artist during the first part of his career. An introductory essay focuses on Titians painting technique, from its origins in the workshops of Venice and the Veneto, through close examination of nine works in the gallerys collection, including the stunning Bacchus and Ariadne (152023). The authors also discuss significant early works from other collections, such as The Triumph of Love (about 15446). New research and discoveries, published here for the first time, will be essential reading for Titian scholars and enthusiasts alike.







Published by National Gallery Company/Distributed by Yale University Press
Titian's Painting Technique to c.1540 4(28)
Jill Dunkerton
Marika Spring
Rachel Billinge
Ramilla Kalinina
Rachel Morrison
Gabriella Macaro
David Peggie
Ashok Roy
CATALOGUE
All Catalogue Entries
Jill Dunkerton
Marika Spring
Rachel Billinge
Kamilla Kalinina
Rachel Morrison
Gabriella Macaro
David Peggie
Ashok Roy
Cat. 1 The Flight into Egypt, c.1507. The State Hermitage Museum, St Petersburg
32(6)
Cat. 2 Christ and the Adulteress and Head of a Man, c.1508--10. Glasgow Museums
38(6)
Cat. 3 Rest on the Flight into Egypt, c.1508--9. The Most Hon. The Marquess of Bath, Longleat House, Warminster, Wiltshire
44(2)
Cat. 4 The Holy Family with a Shepherd, c.1510 (NG 4)
46(6)
Cat. 5 Portrait of Gerolamo (?) Barbarigo (`The Man with a Quilted Sleeve'), c.1510 (NG 1944)
52(4)
Cat. 6 Portrait of a Lady (`La Schiavona'), c.1510--12(NG 5385)
56(6)
Cat. 7 Noli me Tangere, c.1514 (NG 270)
62(6)
Cat. 8 Bacchus and Ariadne, 1520--3 (NG 35)
68(10)
Cat. 9 Portrait of Girolamo Fracastoro, c.1528 (NG 3949)
78(4)
Cat. 10 A Boy with a Bird, probably late 1520s (NG 933)
82(4)
Cat. 11 The Virgin and Child with the Infant Saint John and a Female Saint or Donor (`The Aldobrandini Madonna'), c.1532 (NG 635)
86(6)
Cat. 12 The Music Lesson, c.1535 (NG 3)
92(8)
Cat. 13 The Triumph of Love, c.1544--6. Ashmolean Museum, Oxford
100(22)
Recovering Titian: The Cleaning and Restoration of Three Overlooked Canvas Paintings
106(16)
Jill Dunkerton
Notes 122(11)
Bibliography 133
Ashok Roy is director of collections, Jill Dunkerton is senior restorer, and Marika Spring is principal scientific officer, all at the National Gallery, London.