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El. knyga: National Identity, Popular Culture and Everyday Life

3.47/5 (70 ratings by Goodreads)
  • Formatas: 224 pages
  • Išleidimo metai: 15-Jun-2020
  • Leidėjas: Berg Publishers
  • Kalba: eng
  • ISBN-13: 9781000189353
Kitos knygos pagal šią temą:
  • Formatas: 224 pages
  • Išleidimo metai: 15-Jun-2020
  • Leidėjas: Berg Publishers
  • Kalba: eng
  • ISBN-13: 9781000189353
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The Millennium Dome, Braveheart and Rolls Royce cars. How do cultural icons reproduce and transform a sense of national identity? How does national identity vary across time and space, how is it contested, and what has been the impact of globalization upon national identity and culture?

This book examines how national identity is represented, performed, spatialized and materialized through popular culture and in everyday life. National identity is revealed to be inherent in the things we often take for granted ñ from landscapes and eating habits, to tourism, cinema and music. Our specific experience of car ownership and motoring can enhance a sense of belonging, whilst Hollywood blockbusters and national exhibitions provide contexts for the ongoing, and often contested, process of national identity formation. These and a wealth of other cultural forms and practices are explored, with examples drawn from Scotland, the UK as a whole, India and Mauritius. This book addresses the considerable neglect of popular cultures in recent studies of nationalism and contributes to debates on the relationship between 'high' and 'low' culture.

Recenzijos

'This is a wide-ranging analysis of how popular culture and everyday life are significant components of national identity. Tim Edensor draws on a fascinating array of materials to explore the changing character of such identity. In short, this is an up-to-date, lively and innovative examination of contemporary'nations'.'John Urry, Lancaster University'National Identity, Popular Culture and Everyday Life shimmers with incisive insight after insight. The book, quite simply is a tour de force of cultural analysis.'Cameron McCarthy, University of Illinois at Urbana-Champaign'A timely intervention in the recent discussions of national identity.'Sociology'Tim Edensor has managed to produce an imaginative examination of popular culture and national identity ... It is an essential read for undergraduate and postgraduate students as well as researchers in cultural studies, sociology and media studies. It will also be of interest to a more general readership interested i

Daugiau informacijos

Also available in hardback, 9781859735145 GBP50.00 (June, 2002)
Acknowledgements v
Preface vi
Popular Culture, Everyday Life and the Matrix of National Identity
1(36)
Theories of nationalism: reductive cultural perspectives
1(11)
Popular culture and national identity
12(5)
Everyday life and national identity
17(6)
Conceptualising identity
23(7)
The redistribution of national identity
30(7)
Geography and Landscape: National Places and Spaces
37(32)
The nation as bounded space
37(2)
Ideological rural national landscapes
39(6)
Iconic sites
45(3)
Sites of popular culture and assembly
48(2)
Familiar, quotidian landscapes
50(4)
Dwellingscapes
54(3)
Homely space
57(7)
Conclusion
64(5)
Performing National Identity
69(34)
Formal rituals and invented ceremonies
72(6)
Popular rituals: sport and carnival
78(6)
Staging the nation
84(4)
Everyday performances: popular competencies, embodied habits and synchronised enactions
88(11)
Conclusion
99(4)
Material Culture and National Identity
103(36)
Social relations and object worlds
103(6)
Commodities and national identity
109(4)
Material culture and semiotics
113(1)
Things in place and out of place
114(1)
The biographies of objects
115(3)
Automobiles and national car cultures
118(18)
Conclusion
136(3)
Representing the Nation: Scottishness and Braveheart
139(32)
Introducing Braveheart
144(2)
Scotland in film
146(4)
Battles over Braveheart
150(7)
Recycling images: the tourist industry, heritage and film in Scotland
157(3)
Geographies of William Wallace
160(1)
Other representations of Wallace
160(4)
Performances and rituals: re-presenting Wallace
164(2)
The reception of Braveheart outside Scotland
166(2)
Conclusion
168(3)
Exhibiting National Identity at the Turn of the Millennium
171(20)
`Self-Portrait' at the Millennium Dome
171(4)
The `Andscape'
175(11)
Interpretation of the `Andscape'
186(5)
Bibliography 191(18)
Index 209


Tim Edensor Lecturer in Cultural Studies,Staffordshire University