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Nature's Palette: A colour reference system from the natural world [Kietas viršelis]

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  • Formatas: Hardback, 290 pages, aukštis x plotis: 264x206 mm, weight: 1360 g, 1000 Illustrations, color
  • Išleidimo metai: 08-Apr-2021
  • Leidėjas: Thames & Hudson Ltd
  • ISBN-10: 0500252467
  • ISBN-13: 9780500252468
Kitos knygos pagal šią temą:
  • Formatas: Hardback, 290 pages, aukštis x plotis: 264x206 mm, weight: 1360 g, 1000 Illustrations, color
  • Išleidimo metai: 08-Apr-2021
  • Leidėjas: Thames & Hudson Ltd
  • ISBN-10: 0500252467
  • ISBN-13: 9780500252468
Kitos knygos pagal šią temą:
First published in 1814 and expanded in 1821 long before the era of colour photography or print Symes edition of Werners Nomenclature of Colours attempted to establish a universal colour reference system to help identify, classify and represent species from the natural world. Werners set of 54 colour standards was enhanced by Patrick Syme with the addition of colour swatches and further references from nature, taking the total number of hues classified to 110. The resulting resource proved invaluable not only to artists but also to zoologists, botanists, mineralogists and anatomists.

In Natures Palette this technicolour trove has, for the first time, been enhanced with the addition of illustrations of the animals, vegetables and minerals Werner referenced alongside each colour swatch and accompanied by expert text explaining the uses and development of colour standards in relation to zoology, botany, minerology and anatomy. This fully realized colour catalogue includes elegant contemporary illustrations of every animal, plant or mineral that Syme cited. Readers can see for themselves Tile Red in the Cock Bullfinchs breast, Shrubby Pimpernel and Porcelain Jasper; or admire the Berlin Blue that Syme identified on the wing feathers of a Jay, in the Hepatica flower and in Blue Sapphire. Displays of contemporary collectors cabinets of birds, butterflies, eggs, flowers and minerals are interspersed at intervals throughout the compendium, with individual specimens colour matched to colour swatches. Still a much-loved reference among artists, naturalists and everyone fascinated by colour today, Werners Nomenclature of Colours finds its fullest expression in this beautiful and comprehensive colour reference system.

With 1000 illustrations in colour

Recenzijos

'Patrick Baty shares the beauty of our world through a rich and diverse palette' - .Cent 'This new version of Symes book provides new examples for each hue the artist described but it also lays bare how endless is the project of classifying colour' - The Age 'Fascinating, lavishly illustrated the essays by four leading experts are both informative and accessible a very enjoyable read' - House & Garden 'Utterly beguiling' - Apollo 'Like a beautiful antique cabinet of curiosities a delight to delve into An evocative exploration of all the shades of the natural world' - The Simple Things 'This is a beautiful book, a fascinating object in itself' - Amateur Photographer

Daugiau informacijos

The first-ever visual expansion of Werners Nomenclature of Colours, featuring over 800 illustration references from the natural world
Introduction The Origination, Purpose and Development of Werners
Nomenclature of Colours by Patrick Baty i. Whites, Greys and Blacks
1.
Werners Mineralogical System and how his Nomenclature of Colours Became
Symes Colour Standard by Peter Davidson ii. Blues and Purples
2. Colours
in Zoology: Subjective or Systematic? by Elaine Charwat iii. Greens
3.
Symes Colour Chart in Botany: Origin and Impact by Giulia Simonini iv.
Yellows and Oranges
4. One for All? Werners Nomenclature of Colours as a
General Standard of Colour and its Particular Use in Medicine by André
Karliczek v. Reds and Browns
Patrick Baty is the author of The Anatomy of Colour and owner of Papers and Paints, a specialist paint business in London. His great grandfather, the artist Robert Bevan, was described by a former director of the National Gallery as being perhaps the first Englishman to use pure colour in the 20th century. He runs a consultancy that advises on the use of paint and colours in historic buildings and has worked with Dulux and Little Greene to develop ranges of traditional paint colours for English Heritage. He also lectures frequently on the subject of paint and colour of the 18th and 19th centuries.