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El. knyga: Neopoetics: The Evolution of the Literate Imagination

  • Formatas: PDF+DRM
  • Išleidimo metai: 29-Nov-2016
  • Leidėjas: Columbia University Press
  • Kalba: eng
  • ISBN-13: 9780231542883
  • Formatas: PDF+DRM
  • Išleidimo metai: 29-Nov-2016
  • Leidėjas: Columbia University Press
  • Kalba: eng
  • ISBN-13: 9780231542883

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The quest to understand the evolution of the literary mind has become a fertile field of inquiry and speculation for scholars across literary studies and cognitive science. In Paleopoetics, Christopher Collins's acclaimed earlier title, he described how language emerged both as a communicative tool and as a means of fashioning other communicative tools—stories, songs, and rituals. In Neopoetics, Collins turns his attention to the cognitive evolution of the writing-ready brain. Further integrating neuroscience into the popular field of cognitive poetics, he adds empirical depth to our study of literary texts and verbal imagination and offers a whole new way to look at reading, writing, and creative expression. Collins begins Neopoetics with the early use of visual signs, first as reminders of narrative episodes and then as conventional symbols representing actual speech sounds. Next he examines the implications of written texts for the play of the auditory and visual imagination. To exemplify this long transition from oral to literate artistry, Collins examines a wide array of classical texts—from Homer and Hesiod to Plato and Aristotle and from the lyric innovations of Augustan Rome to the inner dialogues of St. Augustine. In this work of "big history," Collins demonstrates how biological and cultural evolution collaborated to shape both literature and the brain we use to read it.

Recenzijos

Professor Collins has shown, with his unique combination of interests, just how complex and unpredictably intricate the cognitive web of human culture has become. Of course, this is not the last word on the subject of how culture shapes and modifies our collective cognitive process; we have just begun the task of mapping out the territory to be explored. But exploration is inherently exciting in itself, and this book has significantly widened the scope of the project. -- Merlin Donald, author of "Origins of the Modern Mind" Neopoetics brings ideas from ancient Greece and modern literary and psychological theory together in describing the "writing-ready" brain. It is a work of impressive scholarship, though the literary extracts and occasionally anecdotal style make the book a pleasure to read. I think it will make a distinctive mark in fields of human understanding, including history, psychology, anthropology, literary criticism, musicology. -- Michael Corballis, author of From Hand to Mouth: The Origins of Language Christopher Collins weaves the strands of cognitive poetics - neuroscience, cognitive psychology, anthropology, linguistics and semiotics - into a masterful work of scholarship on literacy, language, memory and the mind that itself reads as beautifully as a novel. This book calls out to be picked up and read carefully by anyone interested in how writing transformed the traditionally oral cultures of ancient Greece and Rome into literate and literary ones, and indeed helped define our own cultural evolution as human beings -- William Short, University of Texas, San Antonio The word poetics is rooted in the Greek poiein, to 'build' or 'create.' In his 2013 book, Paleopoetics, Christopher Collins assessed how evolution gave rise to the "language-ready" brain and its ability to create tools that extends our thoughts. Neopoetics carries his story forward to illuminate how writing has transformed the way that language supports 'mindsharing,' performance and narrative. His exposition fruitfully augments the tools of literary analysis with well-judged perspectives from cognitive neuroscience in ways that extend to dance, music and emotion. -- Michael Arbib, University of Southern California Collins breathes new life into the constructionist premise that language shapes how humans think. Using the literary traditions of ancient Greece and Rome to examine the constraints that oral and written media, respectively, impose on narrative representation, Neopoetics suggests new ways of thinking about the cognitive mechanisms that shape cultural transmission. -- Michelle Scalise Sugiyama, University of Oregon Recommended. -- A. Kind CHOICE

Preface xi
Acknowledgments xxi
One Innovating Ourselves
1(34)
How We Got This Way...
2(6)
Methods of Mindsharing
8(6)
The Coevolution of Signs and Technology
14(7)
From Pronouns to Speech Acts
21(8)
Speaking to the Mind's Eye
29(4)
Summary
33(2)
Two Narrative Memory
35(32)
Episodic Memory
36(8)
The Mnemonics of Time
44(4)
Narrative Time
48(4)
Magic and the Mnemonics of Place
52(6)
The Mnemonics of Person
58(7)
Summary
65(2)
Three The Dancing, Singing Daughters of Memory
67(41)
Memory and the Mnemonics of Performance
68(6)
The Coevolution of Music and Language
74(10)
Music and the Emotional Brain
84(9)
Dancing and the Inner Dance
93(6)
Individual Differences and the Pleasures of Music
99(7)
Summary
106(2)
Four Visual Instruments of Memory
108(34)
Depicting the Past
109(6)
Imagining the Past
115(7)
The Mnemonics of Writing
122(6)
Public Verse and the Epitaph
128(5)
Private Prose and the Personal Letter
133(7)
Summary
140(2)
Five Poets' Play and Plato's Poetics
142(38)
Enter the Poet
143(5)
Word Play
148(9)
Plato on Poetic Lies
157(7)
Plato and the Imitative Imagination
164(6)
Plato and the Formation of Genres
170(7)
Summary
177(3)
Six Writing for the Voice
180(39)
Voces Paginarum
181(6)
The Genealogy of the Lyric Voice
187(10)
The Dramatic Lyric
197(6)
The Epistolary Lyric
203(7)
Voice and the Afterlife of Poets
210(7)
Summary
217(2)
Seven Writing and the Reading Mind
219(38)
Dyadic Stylistics
220(7)
Reading Inner Writing
227(6)
Lyric and Soliloquy
233(6)
What Meter Does
239(7)
Seeing What We Read
246(8)
Summary
254(3)
Epilogue Poetics and the Making of the Modern Self 257(8)
Appendix: Three Horatian Texts 265(4)
Notes 269(22)
Bibliography 291(24)
Index 315
Christopher Collins is professor emeritus of English at New York University. His many books include Paleopoetics: The Evolution of the Preliterate Imagination (Columbia, 2013); Authority Figures: Metaphors of Mastery from the Iliad to the Apocalypse (1996); The Poetics of the Mind's Eye: Literature and the Psychology of Imagination (1991); and Reading the Written Image: Verbal Play, Interpretation, and the Roots of Iconophobia (1991).